Authors — Scott Macaulay
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“BIG RIVER MAN” BENEFIT SCREENING SEPT. 4 AT IFC CENTER
Along with Jonathan Caouette, Ingrid Kopp, Thom Powers, Esther Robinson, Morgan Spurlock, and John Vanco I’ll be co-hosting a benefit screening of John Maringouin’s Big River Man on Tuesday, September 4, at the IFC Center at 7:30PM. All proceeds will go towards the filmmaker’s surgery fund and an urgently needed lung operation. Additionally, IFC will be donating an additional 50% of the box towards the fund as well as 100% of all income from membership sales and renewals purchased that evening. I’ve posted about Maringouin’s situation previously, and, with days left, the fund still needs monies to reach its $60,000 […]
by Scott Macaulay on Aug 30, 2012 -
Kubrick’s One-Point Perspective
From Kogonada is this supercut of scenes from Stanley Kubrick’s films showing his fondness for symmetrically composed wide shots. Check it out, and follow the comments thread at the Vimeo link, where the conversation continues. (Hat tip: Text of Light.) Kubrick // One-Point Perspective from kogonada on Vimeo.
by Scott Macaulay on Aug 30, 2012 -
OTHER PEOPLE TURNS 100
Congratulations to Brad Listi’s Other People podcast, which reached a centenary today with a big get: author George Saunders. If you read the print edition of Filmmaker, you will have heard about the podcast as I featured it in our Super 8 a while back. (My blurb is embedded here — Brad, thanks for the scan!) Other People is a twice-a-week podcast in which Listi interviews authors about… well, just about anything. Their books are discussed, of course, but also their biographies, their writing processes, their child-raising habits, their obsessions, their quirks… It’s always a deeply human conversation, and the […]
by Scott Macaulay on Aug 29, 2012 -
Laura Poitras’s Spy Theater
There was a spooky feeling at the Whitney Biennial one Friday night this past April. Visitors to Laura Poitras’s “Surveillance Teach-In” were forcibly detained as they tried to enter the museum, while downstairs a masked man handed out leaflets with lists of addresses (NSA listening posts?), sinister in their nondescription. Slides flashed, of the anonymous desert buildings that house the servers that index our every email, phone call, transaction. And on the dais, an odd couple riffing one acronym after another: “NSA, NARIS, AES….” Hacker Jacob Appelbaum, black clad, with earrings, played something of a straight man, even as the […]
by Scott Macaulay on Aug 27, 2012 -
MUSIC VIDEO: “A FAKE HELLO”
Factory 25 maestro Matt Grady appears here in his other guise as music video director with this witty clip for the band Young Fresh Fellows. The video features director Onur Tukel and actress Jennifer Prediger and shows you how much mileage you can get from a simple prop — in this case, a smiley-face flat-screen TV.
by Scott Macaulay on Aug 21, 2012 -
Independent Film Success: Luck or Merit?
Two of my favorite economics bloggers — Felix Salmon at Reuters and Joshua Brown at The Reformed Broker — are debating a new work by a third writer, Black Swan‘s Nassim Taleb, that has something to say to independent filmmakers. To bring their dialogue into our world: has the DIY revolution led to a system in which luck is the primary determinant of independent film success? Let’s start at the beginning. The work referenced — “Why It is No Longer a Good Idea to Be in The Investment Industry” — opens with a new term, “the spurious tail,” that refers […]
by Scott Macaulay on Aug 19, 2012 -
SATURDAY VIEWING: ANDY WARHOL AND EDIE SEDGWICK ON “MERV GRIFFIN”
(Hat tip: Dangerous Minds.)
by Scott Macaulay on Aug 18, 2012 -
Flash Crash: Writer/Director David Cronenberg on His Don DeLillo Adaptation, Cosmopolis
In his 1977 novel Players, Don DeLillo told the story of a crumbling marriage amidst terrorism on the New York Stock exchange. In the 1973 Great Jones Street, he portrayed a wealthy rock star escaping the solar of his own fame by walking off his tour and hiding out in a downtown Manhattan apartment. And in Mao II (1991), he sent a reclusive, blocked novelist away from the world of cultural production into the zeitgeist of Middle East political violence. The emotional affect of a hypermediated society, the ways in which personal relations are shaped by the white noise of […]
by Scott Macaulay on Aug 17, 2012 -
“Blue Velvet Project” Creator Nicholas Rombes
One year ago, Nicholas Rombes proposed “The Blue Velvet Project” to me at Filmmaker. For 12 months, three times a week, he would scrutinize a single frame from David Lynch’s modern classic, looking both inside and outside of its aspect ratio for correspondences, allusions and meanings. For Rombes, it would be another in his “time-based” critical film essays — appropriately so, for it was because of another of these columns, 10/40/70 at The Rumpus, that I discovered his writing in the first place. (In fact, I interviewed him previously about this other fascinating project.) Nick had contributed to Filmmaker before […]
by Scott Macaulay on Aug 17, 2012 -
DONAL FOREMAN IS “OUT OF HERE”
If you’ve read the current print issue of Filmmaker, on stands now, you undoubtedly came across “The Shooting Parties,” Donal Foreman’s fascinating compare-and-contrast visit to three low-budget film sets. Stepping onto a truly microbudget set (i.e., virtually no budget and a one-day shoot), a film budgeted in the low six figures, and then one in the mid-six figures, Foreman discusses how money shapes one’s filmmaking philosophy. Money and filmmaking philosophy are two things on Foreman’s mind now as our correspondent, who also happens to be a writer/director, is gearing up for his first feature back in his home of Ireland. […]
by Scott Macaulay on Aug 14, 2012
