Authors — Scott Macaulay
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“A Young Woman in a Very Harsh, Muscular Environment”: Nicole Riegel on Her Powerful and Flinty Debut, Holler
When I last spoke to Nicole Reigel for Filmmaker, it was in 2014 to profile the Jackson, Ohio native for our 25 New Faces list. After a stint in the military and then time producing her own plays for theater, Riegel had arrived in Los Angeles and quickly made a name for herself as a screenwriter, with directors such as Cary Fukunaga and Justin Lin on board for her scripts. But her ultimate goal, she revealed in the piece, was to direct — an ambition realized this year with her flinty, tremendously assured and compellingly acted debut, Holler. Selected for […]
by Scott Macaulay on Sep 11, 2020 -
15 Films and Events We’re Looking Forward To At the 2020 Toronto International Film Festival
For me, TIFF 2020 began yesterday with a stroll from my bedroom to the computer, coffee in hand, to check whether the promised link and password to the festival’s new digital portal had arrived. It did, I logged in, noted that the streaming platform supports AirPlay, and started a calendar of screening times, as most titles are available only in 48-hour windows. (Plus, some are geoblocked here in the States.) A far cry from my usual short flight to Billy Bishop Airport, an afternoon typing P&I screening times into my phone and then looking for a party to go to. […]
by Scott Macaulay on Sep 10, 2020 -
Carrie Lozano Announced as Sundance’s New Director, Documentary Film Program
Carrie Lozano — award-winning documentary filmmaker, journalist, lecturer and co-founder of the International Documentary Association’s Enterprise Documentary Fund — was announced today as the new Director of the Sundance Institute’s Documentary Film Program. She succeeds interim director Kristin Feeley and prior director Tabitha Jackson, who became the head of the Sundance Film Festival this past January. From the press release: As Documentary Film Program Director, Lozano will elevate and support nonfiction filmmakers worldwide at all stages of creating and distributing new cinematic work. She will also work to advance and elevate the health of the independent nonfiction field, ensuring that […]
by Scott Macaulay on Sep 9, 2020 -
Ventilation, the 10-Hour Day, and No Day Players: 14 Takeaways from the PGA’s New COVID Safety Protocols
The Producers Guild of America (PGA) issued this week “COVID Safety Protocols for Producing Independent Productions,” a 57-page set of mandates, recommendations and guidelines for shooting during the coronavirus pandemic. Following similar documents — like the more studio-oriented “Safe Way Forward,” issued by IATSE, SAG-AFTRA and the DGA — the PGA paper, drafted by its Production Safety Task Force, both further codifies new industry safety practices while addressing issues specific to independent (i.e., non-studio or streamer-backed) productions. Additionally, like this summer’s documentary guidelines from Doc Society, Field of Vision and Sundance Institute, the PGA’s “COVID Safety Protocols” broadens its mandate […]
by Scott Macaulay on Sep 3, 2020 -
“An Example of What Gets Lost as Life Goes More and More Online”: Directors Puloma Basu and Rob Hatch-Miller on Their Doc, Other Music
According to various studies, anywhere from 30% to 80% of American small businesses will not survive the pandemic. And would they all receive documentary tributes as lovingly made and artfully constructed as the one Puloma Basu and Rob Hatch-Miller have made for shuttered New York record store, Other Music! Opened in 1995 directly across from Tower Records on East 4th Street street in lower Manhattan, Other Music was more than just a record store. It was an invigorating place for cultural discovery, a site of musical education, a community hub. Until its closure in 2016, by which time a new […]
by Scott Macaulay on Aug 28, 2020 -
Watch: Producers and Executives Discuss the Reality of Production During the Coronavirus Pandemic
People are shooting again. And as film production lurches forward amidst a mass of new protocols and restrictions, Film Finances has brought together members of their own working group — both company executives and producers — as well as producers who have been working in the field to discuss shooting in the age of coronavirus. Among the topics discussed in this very informative webinar are: * What percentage of a film’s budget should be allocated towards Covid-19 compliance? * What’s the job of the Health Safety Supervisor, and what should their team look like? * The use of apps to […]
by Scott Macaulay on Aug 27, 2020 -
Watch: Experimental Filmmakers Imaginatively Respond to the Pandemic in Cinema-19
In the brisk, 43-minute anthology film, Cinema-19, a group of experimental filmmakers respond to the coronavirus pandemic with diverse and imaginative results. The films are all 190 seconds long and, say the curator/organizers, filmmakers Usama Alshaibi and Adam Sekuler, “do not attempt to summarize the pandemic, but instead focus on the personal, the political, the sensual, the distant, the abstract, and the absurd.” Highlights include Courtney Stephen‘s poetic essay film on irises, hundreds of which she encountered on walks in the five-mile radius she and her mother were confined to during quarantine. (“This is a trick,” she says in voiceover. […]
by Scott Macaulay on Aug 25, 2020 -
“I Wanted to Tell a Story Where the Atmosphere Was So Severe That It Literally Consumed the Movie”: Jeffrey A. Brown on the Environmental Horror of The Beach House
In his final book, The Weird and the Eerie, critic and theorist Mark Fischer differentiates between “the weird” and the supernatural as it appears in both literature and film. For example, the supernatural world of vampires, writes Fischer, “… recombines elements from the natural world as we already understand it….” These supernatural stories are contrasted with fictions based around suggestions and byproducts of natural phenomena, such as black holes. “… The bizarre ways in which [a black hole] bends space and time are completely outside our common experience,” Fischer writes, “and yet a black hole belongs to the natural-material cosmos […]
by Scott Macaulay on Aug 19, 2020 -
Trailer Watch: Sofia Coppola’s On the Rocks
In what looks like a bit of a spiritual sequel to Somewhere — if you add a couple or more decades to each of the characters — Bill Murray plays a womanizing dad concerned about the possibly adulterous activities of his daughter’s husband (Marlon Wayans) in Sofia Coppola’s On the Rocks. Rashida Jones plays the disbelieving daughter in a picture sure to bring the feels for the beauty of a pre-pandemic New York City. The film is forthcoming as the first venture between Apple TV+ and A24 and will be in theaters and online in October.
by Scott Macaulay on Aug 19, 2020 -
US in Progress Seeks American Filmmakers with Works-in-Progress for Its Upcoming 10th Edition
Until September 7 American filmmakers can submit their works-in-progress to one of the leading European programs supporting new US filmmakers, US in Progress. Celebrating its tenth anniversary, US in Progress has always taken place within the American Film Festival in Poland and has consisted of events and a live pitching forum. For this edition — November 11-13, when international travel, particularly from the US, is uncertain due to the coronavirus pandemic — US in Progress will take place virtually while an in-person American Film Festival unspools in Wroclaw alongside the New Horizons Film Festival. “It’s the same structure as before,” […]
by Scott Macaulay on Aug 18, 2020
