Austrian filmmaker Jessica Hausner made her English language debut with the UK-set project, Little Joe, taking up science fiction for the first time in her career after previously exploring horror and the period drama in Hotel (2004) and Amour fou (2014), respectively. In the film, Alice (Emily Beecham) works at a corporate biotechnology lab with a team of scientists who aim to develop new breeds of flowers that can, with their oxytocin-rich pollen, elevate people’s happiness, friendliness, and sex life—an evocative and typically rich concept for Hausner that still manages to be supplemental to her exquisitely detailed and precise mise […]
IFP, Filmmaker‘s parent organization, has announced the 10 feature documentaries in post-production that will take part in its 2019 Documentary Lab, which begins today at the IFP’s Made in New York Media Center. They include films about Central American mothers searching for sons and daughters who vanished en route to the U.S., a man struggling to recover his life after being wrongfully imprisoned, and a group taking part in a year-long experiment simulating life on Mars. Commented IFP Executive Director Jeffrey Sharp, “The IFP Filmmaker Labs have a history of singling out unique voices and diverse approaches to storytelling from […]
I didn’t attend Cannes in 2009, but what I’ve come to understand to be that year’s Official Selection highlight—namely, Alain Resnais’s delirious late masterpiece Wild Grass—is precisely the kind of movie I always long to experience, here or anywhere: a vision always blossoming, driving deeper into a world entirely of its own creation, ever-willing to swerve off-road to see where the unpaved path might lead. The scarcity of such work in cinema no doubt runs down to the roots of the industry, attributable as much to the fortress of protocols one must fulfill to get any given project off the […]
Evan Louison last wrote about Abel Ferrara for Filmmaker‘s 25th anniversary issue in his report, “Letter from Rome.” Given the assignment to interview Ferrara in conjunction with his month-long MoMA retrospective, Louison responded with a five-part personal memoir that tracks the impact of the director and his work on his own life. Check back each day this week for the next in the series, and read Part One, Part Two and Part Three. On the Run and Playing a Dangerous Game “Hell is here and now, and so is the opportunity to know heaven. I you take the journey, you’ll […]
Cannes opened its 72nd edition last night with Jim Jarmusch’s self-reflexive and divisive zomedy The Dead Don’t Die, a movie that reunites the American filmmaker with the horror genre he flirted with in 2013’s Only Lovers Left Alive, and serves to further clarify his late digital style. Though reportedly not the festival’s first choice for the slot, it’s easy to see why Cannes was content to offer it this year’s first red carpet; Jarmusch stacked his cast with A-listers—Bill Murray, Adam Driver, Danny Glover, Tilda Swinton, Chloë Sevigny, Selena Gomez, and I really could just keep on going—while the title […]
Three of current American independent cinema’s most prominent filmmakers recently came together at the Miami International Film Festival to impart some of the hard-earned knowledge they’ve acquired. Barry Jenkins (Moonlight, If Beale Street Could Talk), musician, activist, and storyteller Boots Riley (Sorry to Bother You), and journalist-turned-screenwriter Aaron Stewart-Ahn (Mandy) were honored at the festival as the first trio of guests to be part of the inaugural Knight Heroes masterclass and symposium. Ahead of their presentations in front of a crowded Olympia Theater in Downtown Miami, the three creators sat down with Filmmaker to discuss a wide range of topics: the […]
Film Independent announced today the six screenwriters selected for its 21st annual Screenwriting Lab. Mikki Crisostomo, Billy Luther, Haitham Dabbour, Anya Meksin, Sontenish Myers and Andrew Huang will all received story and career development from the non-profit organization’s annual program for their first fiction screenplays. Notes FIND in a press release, “One hundred percent of this year’s participants are from communities underrepresented in film and half the participants are women. This year’s projects, selected from 550 submissions, explore a range of compelling fictional topics from ancient magic to widespread pandemics and tiger spirits.” More from the press release: “Being a […]
Blood and guts in high school is a theme that never loses its appeal to filmmakers, even as its universality—from Zero for Conduct to Heathers—demands greater risk and originality from filmmakers who, arguably more often than not, are recasting episodes from their own diaristic memory banks. This year’s Tribeca Film Festival, which wrapped up last week, served up a predictable share of films that fit into the coming-of-age category, yet the most notable of those efforts proved to be anything but cookie-cutter. The best film I saw at the festival, Jennifer Reeder’s Knives and Skin, even felt like something brand […]
One of the more hotly-awaited lists of the year has just dropped: the annual Sundance Institute Directors and Screenwriters Labs. Providing support and mentorship to filmmakers since 1981, the Labs boast alumni ranging from Boots Riley to Chloe Zhao, Quentin Tarantino to Ritesh Batra. This year’s labs take place from May 27 – June 18 (Directors) and June 20 – 24 (Screenwriters). Advisors for the month include Robert Redford, Gyula Gazdag (Artistic Director for the Directors Lab), Sandra Adair, Scott Z. Burns, Charlotte Bruus Christensen, Sebastian Cordero, Joan Darling, Suzy Elmiger, Rick Famuyiwa, Stephen Goldblatt, Keith Gordon, Randa Haines, Ed […]
The night before my interview with him, Wong Kar-wai addressed a sold-out crowd assembled for a screening of one of his greatest films, 1994’s Chungking Express. Hawaii International Film Festival’s longtime director of programming, Anderson Le, affably overcame some introductory ribbing by Wong (“Anderson, why do you ask me that question! It was 25 years ago, and after 25 years, it’s still that same question!” he jokingly responded to the first, somewhat innocuous query), and coaxed out some remarkable storytelling and reminiscences from the director. “Every film [has] their luck,” Wong began. “Certain films, the process is really difficult: the […]