Filmmaker Videos
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12 Years a Slave D.P. Sean Bobbitt on Handheld Cinematography
“You always have to question when a director says, ‘Let’s go handheld.’” At Poland’s Camerimage International Film Festival a few weeks back, d.p. Sean Bobbitt gave an ARRI workshop keynote on the role of handheld cinematography in filmmaking. Far too often, directors, according to Bobbitt, resort to the use of handheld simply because they have no other ideas: “If we do handheld, it will feel kinetic!” and the like. But a knee-jerk instinct is not good enough — Bobbitt believes you should be able to justify every technical decision in the script: “The first and most important consideration is, does […]
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Shia LaBeouf’s Directorial Debut HowardCantour.com Now Online (Updated)
When one thinks of an insightful, sardonic examination into the world of online film criticism, Shia LaBeouf probably isn’t the first name to come to mind. And yet, the actor’s directorial debut, HowardCantour.com, is just that. Starring perennial familiar face Jim Gaffigan, the short film tracks the eponymous character through junkets, brushes with former colleagues, and fallen directors, as he evaluates his profession in this increasingly consumer-driven industry. After stops at Cannes and Aspen Shortsfest, HowardCantour.com is now available online, courtesy of Short of the Week. Update: It appears that LaBeouf may have adapted (perhaps a generous euphemism) HowardCantour.com from Daniel Clowes’ comic Justin M. Damiano, without […]
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Stream Previews of all 17 Videos from Beyoncé’s new “Visual Album”
If you want a quick crash course in music video today — its looks, styles, and assorted tropes — you could do a lot worse than spend seven minutes watching this stream from Beyoncé’s YouTube channel, which begins with the first 30 seconds of every video made for the singer’s surprise, self-titled release. (It just appeared on iTunes last night with no advance publicity.) Living up to her workaholic reputation, Beyoncé has made what look to be lavishly produced, cinematically striking and conceptually varied videos for every song on what she calls her “visual album.” A track list with directors […]
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Kirby Ferguson’s Everything is a Remix: the iPhone
25 New Face Kirby Ferguson extends his popular Everything is a Remix series with this latest entry on the iPhone. I wrote about the series’ original four parts back in 2011. An excerpt: Rather than push a copy-left agenda or hype the latest mash-up artist, Ferguson uses the subject of the remix to discuss the history and nature of creativity. Everything is a Remix deconstructs the idea of originality, exploring the creative but also technological and business memes that recombine from one generation to the next, making us feel that we are encountering something “new” along the way. And it […]
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Inside Michel Gondry’s Home Studio
Fans of Michel Gondry and his latest Is The Man Who Is Tall Happy? may enjoy this peak inside his home studio, courtesy of The Creators Project. From his cluttered Brooklyn brownstone, Gondry demonstrates his hand-drawn animation technique with Sharpies and a 16mm Arriflex, which allow him to create “a texture that [he] feels is cinematic.” It is a rather time-consuming, detail-oriented trade that Gondry admits to wielding during his casting courtship of Audrey Tautou for Mood Indigo. He also speaks about his creative decisions behind Is The Man Who Is Tall Happy?, and why animation was the necessary format for Noam Chomsky: “It was […]
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First Look: “25 New Faces” Ewan McNicol and Anna Sandilands’ Uncertain
This year we put Ewan McNicol and Anna Sandilands on our “25 New Faces” list on the strength of their excellent doc short The Roper but also because of how excited we were at the sneak peek we’d had of Uncertain, their debut feature about a remote “town of outlaws” in Texas. The pair has now started releasing clips from the film, which will be making its world premiere at a winter festival in 2014. The first of these is above, and you can check out more via the Vimeo page of McNicol and Sandilands’ production company, Lucid Inc.
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D.P. Sal Totino on Finding the Edge, and Falling Off
In the latest video in our Craft Truck series, Sal Totino, who was the cinematographer on features like Frost/Nixon, Cinderella Man and The Da Vinci Code, advocates knowing the rules but only in order to break them. Using an apt metaphor of cooking, he says that one could follow a recipe step-by-step or break away and “put a little bit of your soul into it.” Nothing is guaranteed, as Totino cautions, especially not when straying from convention, but you have to know where the edge is — and sometimes fall off — to learn your limits. Watch the full interview here.
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Trailer Watch: Jason Bateman’s Bad Words
The first, red band trailer has been released for Jason Bateman’s directorial debut, Bad Words, which stars Bateman as loathsome, brash 40-year-old Guy Trilby, who gets his kicks by hijacking elementary-aged spelling bees. Bad Words premiered in September at the Toronto International Film Festival, where it was picked up by Focus Features, in one of James Schamus’s final acquisitions for the company he helped found. Co-starring Alison Janney and Kathryn Hahn, Bad Words is slated to hit theaters next March. View the NSFW trailer above.
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“Send Me Your Sexts” is Strange and Provocative New Pay-for-Film Service
“Send Me Your Sexts” is a just-launched, strange new pay-for-film service from director Eileen Yaghoobian (Died Young Stay Pretty). (Video above is NSFW.) Inspired, she says, by The Act of Killing (!) and its use of reenactments, and drawing on her own background in documentary and theater, “Send Me Your Sexts” is both a service and an online video platform featuring original short reenactments of user-submitted sexts. Viewers can check out the steamy videos while sexters can pay Yaghoobian to turn their own digital missives into soft-core online entertainment. From the website: I’m Eileen, a filmmaker and artist who’s convinced […]
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Using Influences to Promote Your Film
When discussing your forthcoming film, citing influences can be a double-edged sword. We are all influenced by other works, and it’s expected that when pitching, or showing a look book, these influences be acknowledged. But you don’t want to seem like you’re relying too much on other filmmakers’ visions, or pretend that you can easily reach the same level of achievement. One filmmaker who I think is revealing his interests in an edifying, engaging way is William Speruzzi, who is in the midst of a Kickstarter campaign for “The 3×3 Project.” The project consists of three shorts by three directors […]
