“Confounding in a good way” is probably a cop-out way to describe a film, but I can think of few other ways to succinctly sum up Pascale Ferran’s Bird People. As you may have deduced from the title, this binary portrait features a supporting character of the avian persuasion, who turns in some of the most seamless VFX work this side of The Wolf of Wall Street. The above video from French special effects company BUF — who also handled The Matrix series, United 93 and The Dark Knight — reveals that nearly every background in the film was transposed onto a green screen. This would seem logical as […]
David Lynch’s broad sense of humor has always been a bit of an acquired taste, especially when he’s the one on-screen delivering it (recall all those deafness/earhorn jokes in Twin Peaks). This minute-ish video gets the much-discussed ice bucket challenge right, as Lynch is drenched by two buckets — one with coffee added to it for Laura Dern, one straight-up for Justin Theroux — while giving a game stab at playing “Somewhere Over the Rainbow” on his trumpet. It ends (spoiler alert?) with a good punchline, as Lynch nominates Vladimir Putin to step up and take the challenge next. No […]
Ricky D’Ambrose consistently runs some of the most revealing, worthwhile video interviews over at MUBI Notebook, and his latest is no exception. This go around, Ambrose converses with Gina Telaroli, one of our brand new 25 New Faces, about her process, the “classic Hollywood system,” and the potential drawbacks of having your hand in too many of the industry’s depleted honeypots. Most significant are Telaroli’s opening remarks: “I think there’s really a lot of people who still have this idea, either filmmakers or film writers, that they will be the person that somehow makes it, that somehow is the genius. […]
Here’s a video from a less-explored part of the late Richard Attenborough’s career. In 1977, Attenborough went to India to take a supporting part in the great Satyajit Ray’s The Chess Players. In this rare fragment from a TV interview at the time, Attenborough marvels at the all-encompassing nature of Ray’s craft: “He writes the screenplay, he composes the music, he directs it, he operates the camera. He half-lights the set. Certainly he works with the lighting cameraman in such detail that any source of light or change that he wants he gets. He edits his own films, almost as […]
Award-winning designer Stefan Sagmeister blasts the current co-option of the label “storyteller” in this provocative video. If you’re a novelist or filmmaker then, yes, Sagmeister says, you are a storyteller. But if you’re, for example, a roller coaster designer, then, he says, “No, fuckhead, you are not a storyteller!” Sagmeister’s absolutist stance has angered quite a few — check out the video’s comments thread. From my point of view, storytelling is as much a practice as job title. I think it’s possible to apply an understanding and embrace of narrative in multiple fields, not just writing and film. And if […]
We know that electronic actors are on the horizon, but what about electronic makeup? Technical producer and director Nobumichi Asai has projection mapped on buildings, cars and other physical objects, but in this concept video he maps in real time onto the human face. Writes Chris Davies at Slashgear: It’s the incredible handiwork of a team led by Nobumichi Asai, which brings together digital designers, CGI experts, and make-up artists. Combined, they create what seems to be the electronic equivalent of makeup. Technical details are scant at this stage, unfortunately. Judging by the video, however, there’s an initial scanning stage […]
Tim Sutton’s Memphis is a sort of ethnographic rendering of slow cinema, at once alluring and incomplete. The Brooklyn-based director’s second film stars non-actor Willis Earl Beal in a quietly transfixing performance as a mysterious, errant musician, who slinks about the city, with little mind for his work. For its many hypnotic elements (the soundtrack not least among them), Memphis is at its most electrifying when Beal is allowed to lay into some unsuspected sycophant or do-gooder with exacting cool remove. Unfortunately, it’s a remove that often bleeds into the narrative, whose fragments leave the viewer with little to cling to. Kino Lorber will release the […]
Here we have the first official trailer from Magnolia Pictures for Gregg Araki’s White Bird in a Blizzard, his first film since 2010’s old-school-wacky Kaboom. By all accounts White Bird is a return to the more somberly melodramatic terrain of teen sexuality and lingering trauma of his 2004 apex Mysterious Skin. The film film hits on demand/iTunes on September 25th, with theatrical release following on October 24th. You can also take this opportunity to catch up with Brandon Harris’ 2011 interview with Araki.
If nothing else, I owe Stan Brakhage for my irrational fear of childbirth ever since I was forced to sit through a collegiate projection of Window Water Baby Moving. Often polarizing for those new to the medium, it’s impossible to deny Brakhage’s ingenuity in his tactile use of film. His oeuvre seems to erase the boundary between method and the means by which to achieve it, which becomes all the more peculiar once you seem him in action. Phil Solomon, a fellow experimental filmmaker and collaborator, has uploaded a handful of videos of Brakhage, in the classroom and out, which The Seventh Art says will serve as the basis […]
Giacomo Mantovani sent over this test video to No Film School, which compares China’s OnePlus One smartphone camera with Canon’s 5D Mark III, which both have 1080p capacity. Some of the side-by-side comparisons aren’t exactly the same: some of the OnePlus One footage cropped 300% is from a 4K file, while the 5K Mark III is only 1080p. The non-cropped footage from both cameras is at 1080p. As Mantovani writes, “The sole aim of this test is to compare how the OnePlus One performs in respect to the Canon 5D Mark III in a ideal light condition. In this case […]