You never know where an interesting project can come from — a friend, a client or even from Twitter. Such was the case for Boston-based d.p. Todd Mahoney, who spent ten days documenting the progress of The Solar Odyssey Project after seeing a tweet looking for someone to sub for their regular d.p. The Solar Odyssey is an attempt to cover the waterways of “The Great Loop” in a solar-powered boat. The project is led by skipper and adventurer Jim Greer, and technologist and host Philip Hodgetts. In part 1 of this interview, I spoke to Todd the day after […]
First there was the “Look here, internet girl” phenomenon and now there’s Kevin Porter‘s Supercut of recycled Aaron Sorkin dialogue, which is over 500,000 views so far on YouTube. The guy who wrote The Social Network is getting massively disrupted by viral internet commentary. From Porter: This video is a tribute to the work of Aaron Sorkin: the recycled dialogue, recurring phrases, and familiar plot lines. This is not intended as a critique but rather a playful excursion through Sorkin’s wonderful world of words. Sorkin is a smart guy. When will he use the internet for his own witty riposte? […]
If you’re like me, you watched the product demo for Google Glass, found its hipster-targeting — learning about a new band from a street poster? — silly and didn’t think too much more about it. I mean, don’t we need to find a way to interact with our personal computing devices less, not more? But this morning after reading Jon Evans’ TechCrunch piece, “Heads Up! This Was Google’s Apple Moment,” I’m changing my mind. As a product category, Google Glass has a lot of potential — potential that’s fascinating and scary. In the fascinating category are some immediate uses for […]
Filmmaker, Doctor Who fan and internet addict Jeremiah McDonald was rummaging around in his closet and found a VHS tape of his 12-year-old self interviewing him in the future. That tape is now the past, so McDonald has returned the favor. Watch his incredible film below and think about what you’d learn from a similar encounter.
Second #6345, 105:45 Sandy, in her room, on the phone with Jeffrey after the naked, bruised, Dorothy has just revealed—in front of Jeffrey, Sandy, and Mrs. Williams—that Jeffrey “put his disease” in her. This frame comes from a shot that lasts just under one minute and that is so completely and dramatically sincere as to give lie to the notion that Blue Velvet is somehow a parody or an instance of postmodern Camp. Sandy’s question to herself when she gets off the phone with Jeffrey—“Where is my dream?”—offers a momentary gap in the film. For if most of the time […]
New Brooklyn-based production company Modern Mythology has scored a viral hit with their inventive video for “Everything Changes,” from Eytan and the Embassy. As the Wall St. Journal reports, the video has nabbed the title of “most costume changes in an unedited music video” by Recordsetter.com, a site promising that everyone can be the best at something. What’s great about the video is that, unlike many clips, the costume changes aren’t just for visual variety; instead, they narrate the history of rock and pop music. From the Wall St. Journal: Filmed in Williamsburg in video director Joe Pickard’s apartment in […]
Martin Donovan’s directorial debut, Collaborator, returns to the IFC Center tomorrow for a week-long run before opening Los Angeles on the 20th. It’s also available now on VOD. Here, from the June 18 IFC Center screening is the Q&A with director Hal Hartley interviewing Donovan along with executive producer Ted Hope and actors David Morse and Melissa Auf der Meur. (Hat tip: Truly Free Film.)
“Fuck you.” With those opening words of Savages, author Don Winslow delivered a kick to the teeth of the literary world. The jarring and unorthodox novel — about a trio of beach bum lovers-turned-drug kingpins and with a writing style that ranges from poetry to screenplay — became a New York Times Bestseller and a shot in the arm to Winslow’s already successful career. The author had penned more than ten novels prior to Savages, including the Neal Carey series, while moonlighting as a private investigator during grad school and the meticulous DEA/drug cartel fueled intrigue of The Power of the Dog, […]
Second #6298, 104:58 Another dissolve. 1. This one from a montage that’s as expressionistic and compressed as anything in any of Lynch’s films. Having been strapped into the gurney and loaded into the circa 1960s ambulance in all its hallucinatory, candy apple red, hearse-like terror, Dorothy struggles against her bindings, screaming, “Hold me! I’m falling! I’m falling.” The frame captures Dorothy’s dream-terror as it slowly dissolves into a shot of the ambulance siren, a moment that is both horrifying and deadpan, as the dull wail of the siren lends a sort of flat, matter-of-factness to sequence. 2. From Charles Musser, […]
Scotland looks magnificent in EIFF closing night film Brave — lots of mountains, mystical spaces and torrential waterfalls. Strangely though, it doesn’t rain in the movie. Not once. This decision must have been overseen by the Scottish tourist board, for there are few places as rainy as Scotland. When it rained in Cannes this year, it was all the trades could talk about — but it’s just not news when it happens in Edinburgh. The last two weeks in Edinburgh we have all been dashing from cinema to cinema in raincoats, umbrellas up, wavy hair getting frizzier by the minute. […]