Filmmaking
Filmmaking
-
Jared Flesher on Doc Filmmaking with a DSLR: Part Two
In part 1 of this interview, filmmaker Jared Flesher talked about his latest project, Sourlands, and making the switch to a large sensor DSLR camera. In part 2, Jared talks about how he works as a one-man crew, other equipment he uses, finishing the project, and what future camera he might like to use: You were your own crew for this documentary? Part of my style of filmmaking is to be a one0-man film team. There are practical reasons for that. I’m working on a fairly limited budget, so if I don’t have to pay a sound man, or someone […]
-
SUNDANCE ANNOUNCES PROJECTS FOR JANUARY SCREENWRITERS LAB
Below is the press release announcing the projects for the Sundance January Screenwriters Lab. Los Angeles, CA — Sundance Institute has selected 12 projects for its annual January Screenwriters Lab, an immersive, five-day (January 13-18) writers’ workshop at the Sundance Resort in Utah. Participating independent screenwriters – drawn from around the world, including the United States, China, South Africa, and Europe – will have the opportunity to work intensely on their feature film scripts with the support of established writers in an environment that encourages innovation and creative risk-taking. Michelle Satter, Director of the Sundance Institute Feature Film Program, said, […]
-
THE BEAUTY OF WASTED LIGHT
A stunning and eerie short video by David Parker about wasted light — the energy that spills from unattended lighting appliances. As he explains at Sunday-Paper: “Light” a short film directed by David Parker, initially began as a project intended to bring awareness to energy waste. Bleeding, crying lights were meant to metaphorically parallel the way in which we invisibly squander our natural resources without much thought. While the original sentiment remains, the film also grew into a poetic statement about a world run amok and the human tendency to exploit that which we hold dear. The film was shot […]
-
The Blue Velvet Project, #55
Second #2585, 43:05 Frank has, as they say, arrived. And he is one suave motherfucker. Bourbon in hand, he commands the room. He is Sinatra minus the musical talent. He barks at Dorothy, as if he himself was the director of Blue Velvet: he orders her to light the set and arrange the props. Then he directs her in her performance, forcing her into a brutalizing form of Method acting. For Dorothy is clearly acting for Frank, in the same was that Isabella Rosselleni is acting for Lynch, and for us. Her apartment suddenly has been transformed—with the entrance of […]
-
TRAILER WATCH: “MENTOR”
Filmmaker (The Mark of Cain, Bayou Blue) and Filmmaker contributor Alix Lambert is in production on Mentor, a documentary about teen bullying and suicide in Mentor, Ohio. Here is the just-posted trailer. Mentor Trailer from Alix Lambert on Vimeo.
-
ANOTHER OBSERVATION IN MARRAKECH: ON “RIO DE ORO” (“RIVER OF GOLD”)
One should always be wary of tossing the term “masterpiece” around when talking about any cultural object, especially in the cinema, this enfant artform, which feels as if it may have exhausted its formal and rhetorical possibilities much too soon. The hothouse conditions of film festivals are especially bad places to get all ebullient with praise, as well do all over again next month in Utah, the following month in Germany, Texas the one after that. Best to take one’s time, reflect on what has been seen and heard, what its possible meanings and difficulties and structuring absences are, on […]
-
SOPA, PRO AND CON
I’ve linked to several articles critical of the Stop Online Piracy Act, which is being debated in Congress this week, and wrote about it in today’s newsletter. Today’s markup hearings were absolutely fascinating, and it was amusing to hear the plight of the low-budget independent filmmaker cited at one point by a pro-SOPA congressman. As you’ve heard from me arguments against the legislation in its current form, I thought I should perhaps link to the other side of the discussion. And then I found this “truth annotated” version of Viacom’s spot lobbying for SOPA. Here, then, in one handy clip […]
-
THE PGA RESPONDS TO KARIN CHIEN’S OPEN LETTER
On Monday we published producer Karin Chien’s open letter to the Producers Guild of America about the exclusion of her feature, Circumstance, from awards eligibility due to it being filmed in the Farsi language. Here is their response Producers Guild of America response to Karin Chien’s open letter: We appreciate the passion and commitment behind responses such as Karin Chien’s, who has every reason to be proud of her work and the acclaim her film is receiving. Unfortunately, the Producers Guild has not recognized foreign language films as eligible for its awards because of the unique position the Guild holds […]
-
Sleepless Nights Stories — A Hammer to Nail Review
(Sleepless Nights Stories opens theatrically at the Anthology Film Archives on Thursday, December 15, 2011. Visit their website to learn more.) December can be perverse, especially in New York. Underneath the jingling bells, cinnamon, and pine, the promises and obligations to keep, there’s a pervasive anxiety about the dying light. Time flattens the remaining days like a steamroller as we frantically categorize our memories into lists of ten and wrap it all up in colored paper and ribbons. This can create a hectic, merry numbness that doesn’t subside until January’s hangover, when the cold is undeniable. Perhaps the timing is […]
-
“MARCEL THE SHELL” MAKES HIS NETWORK DEBUT
Congrats to 25 New Face filmmakers Dean Fleischer Camp and Jenny Slate for busting onto Brian Williams’ NBC show, accompanied, of course, by their wonderful creation, Marcel the Shell. Here’s the spot. Visit msnbc.com for breaking news, world news, and news about the economy
