Filmmaking
Filmmaking
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NYFF ANNOUNCES CLOSING NIGHT FILM & MAIN SLATE
The Film Society of Lincoln Center announced today that Alexander Payne‘s The Descendants (pictured) will be the closing night film for this year’s New York Film Festival. NYFF’s main slate was also unveiled and includes David Cronenberg‘s A Dangerous Method and Pedro Almodóvar‘s The Skin I Live In, which both will be screened as special gala presentations; Simon Curtis‘ My Week With Marilyn, which will have a centerpiece screening; and Roman Polanski‘s Carnage, which will open the fest. Read the complete lineup below. NYFF’s 49th edition will take place Sept. 30 – Oct. 16. General public tickets will become available […]
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The Blue Velvet Project, #5
Second #235 What is this? Where are we? In a weird, dreamlike echo of the Amity Island billboard (defaced with the black shark fin) from Jaws, the Welcome to Lumberton billboard is a nest of contradictions. Instead of a shark fin, there should be a monster lurking in the background pine trees. The woman looks to be freeze-dried straight out of the Cold War, and brings to mind Shelley Winters as Charlotte Haze in Stanley Kubrick’s Lolita (1962). Could the awkward wave of her hand be any more artificial or uninviting? For a moment, we seem to have gone back […]
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“25 NEW FACES” SERIES AT TACOMA’S GRAND CINEMA STARTS FRIDAY
Last year we were flattered when The Grand Cinema in Tacoma, Washington asked if they could put together a screening series of our 2010 25 New Faces of Independent Film. It was an amazing turnout with The Grand screening films from 22 of the 25 and 11 of the filmmakers making the trip to attend. Well, The Grand is doing it again! Beginning this Friday and running until the 25th, The Grand Cinema will screen 20 works from this year’s 25 and it sounds like they will once again have a bunch of the filmmakers on hand. If you live […]
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The Blue Velvet Project, #4
Second #188 Jeffrey’s father has just suffered a stroke while watering his front yard, and has fallen to his back, writhing in pain, the hose that he still holds—in a sad and funny and helpless way—spraying water all around. That shot is followed by this one, as the camera pans slowly down, the background a blur, capturing the water in mid-air as Bobby Vinton sings “Blue Velvet,” which he had released in 1963, several months before the assassination of John F. Kennedy. The song, written by Bernie Wayne and Lee Morris, dates back to 1950. Wayne was a prolific composer, […]
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TRAGIC POIGNANCY: THE TINIEST PLACE
Imagine a village of peasants in a mountainous jungle region of El Salvador that would be completely devastated by bombs during the Civil War (1980-92), and most of its inhabitants, including teenaged boys and girls, brutally murdered by the National Guard. Or better yet, let filmmaker Tatiana Huezo imagine it for us and update it in her unforgettable documentary, The Tiniest Place, one of the finest docs I’ve seen over the past year. The puebla is Cinquera, which was suspected by the government of being a hotbed of leftist guerrillas. Several families, many of which lost most of their children, […]
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Alison Ellwood on Magic Trip
The saying goes that most documentary magic happens in the editing room. That’s an understatement for Magic Trip: Ken Kesey’s Search for a Kool Place, a found footage documentary assembled by Alex Gibney and Alison Ellwood. Magic Trip takes us back to the cross-country road trip taken by Ken Kesey and his band of Merry Pranksters in their psychedelically painted bus, interchangeably called “Further” or “Furthur.” The trip was immortalized in Tom Wolfe’s pioneering work of New Journalism, The Electric Kool-Aid Acid Test. Fresh off the success of One Flew Over the Cuckoo’s Nest, Ken Kesey took the book’s proceeds to […]
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INDEPENDENTS AND THE ECONOMY
Shortly after hitting send on this week’s newsletter, in which I wondered whether our current economic situation is similar to 2008, I came across this Reuters article by Joshua L. Weinstein, which wonders pretty much the same thing. Both he and I riff off this week’s Dow roller coaster ride, and while the Friday close was more optimistic than might have been expected on Tuesday, the macro challenges facing both the investment community and consumers remain. Hence, a potentially rocky road ahead. From Weinstein: But Hal Vogel, of Vogel Capital Management and the author of Entertainment Industry Economics: A Guide […]
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Project Nim vs. Rise of the Planet of the Apes
After watching Project Nim, the first half of Rise of The Planet of The Apes is like seeing a documentary (albeit a high production one starring James Franco). Or maybe it’s more accurate to say it’s like seeing the Hollywood-cast, fictionalized version of Project Nim, starring a remarkable digitally-captured performance by Andy Serkis as Caesar, our heroic chimpanzee; our Nim. Of course, like any good Hollywood adaptation of a documentary, halfway through Rise of the Planet of The Apes, the plot veers off from that of Project Nim into a more satisfying conclusion for the apes. Caesar is able to […]
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The Blue Velvet Project, #3
Second #141 Some considerations: • Frederick Elmes’s lush, Freudian colors. • The hyper-red STOP sign, a warning to the audience? • The Eraserhead-like hair of the crossing guard. • The second and fourth child, carrying the same sort of brown paper lunch bag that Jeffrey would use later to transport the scissored ear to Detective Williams. • The cultishness of the film, already gathering in the open-furnace sky in the background. • The fact of SCHOOL taking up the entire lower-third of the screen, and the fact that Jeffrey is “home from school.” • The trust of children. • The […]
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“LITTLEROCK”‘S ATSUKO OKATSUKA AND MIKE OTT
Tonight at the HSBC offices in midtown was the IFP’s Independent Film Week launch party. Attending were participating filmmakers, several of our 25 New Faces, and many folks from the New York production community. But flying in from L.A. were Mike Ott and Atsuko Okatsuka, whose Littlerock — winner of the Filmmaker-sponsored “Best Film at a Theater Playing Near You” Gotham Award — premieres today at Cinema Village. Read Ray Pride on the movie here, and then check out the film. It’s highly recommended.
