Filmmaking
Filmmaking
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HARMONY KORINE, “SNOWBALLS”
Following last year’s Act Da Fool, here’s the latest Harmony Korine short film, Snowballs, for the designer Proenza Schouler.
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IFP’s EMERGING VISION’S PROGRAM — THE DAY BEFORE
I have never blogged before, and my initial thoughts on the whole web blog phenomena was that “in my day, diaries and journals were private. We hid them and secured them with locks.” Then I realized I actually used the words “in my day,” and frantically searched for a way to undo it since I am clearly too young for such a phrase. When the opportunity to do this blog came about, I welcomed it gladly. Besides, my mother and sister kindly prepared me to share my deepest darkest secrets when at ten years of age they read my journal cover […]
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“NOBODY CAN PREDICT THE MOMENT OF REVOLUTION”
A well-shot, well-edited video documenting the New York Occupy Wall Street protests with participants explaining their goals and motives. (Click on the headline if you can’t see the video.) The film is made by Iva Radivajevic and Martyna Starosta. Iva’s website, Iva Asks: Documenting the Masses, offers a variety of short-form documentary work. From her bio: Iva Radivojevic spent her early years in Yugoslavia and Cyprus before settling in NYC to pursue her artistic goals over a decade ago. Iva’s films explore the theme of identity, migration and immigrants – focusing on how life experiences shape one’s character, identifications, decisions, […]
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OCTOBER VOD CALENDAR
Now on our VOD calendar are titles available for the month of October. Some highlights: Terrence Malick‘s Palme d’Or winner The Tree of Life, Joe Cornish‘s entertaining thriller Attack the Block, Azazel Jacobs‘ high school drama Terri and documentaries Buck and Beats, Rhymes and Life: The Travels of A Tribe Called Quest. For titles from previous months go to our VOD Calendar homepage.
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The Blue Velvet Project, #23
Second #1081, 18:01 “There are opportunities in life for gaining knowledge and experience,” Jeffrey has just said to Sandy as they sit in Arlene’s. In 1844, two years after his eldest son died of scarlet fever, Ralph Waldo Emerson began his most radical essay, “Experience,” with these sentences: “Where do we find ourselves? In a series of which we do not know the extremes, and believe that it has none. We wake and find ourselves on a stair; there are stairs below us, which we seem to have ascended; there are stairs above us, many a one, which go upward […]
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WHEN IN ZURICH, PRINT THE LEGEND: ON “ROMAN POLANSKI: A FILM MEMOIR”
Succumbing to the most numbing of documentary aesthetics, Laurent Bouzereau’s Roman Polanski: A Film Memoir had its “secret” world premiere at the Zurich Film Festival Tuesday night. Aftering being hyped as a groundbreaking work of filmic autobiography, what unspooled in this most expensive of European cities consisted mainly of footage shot by longtime Polanski friend and former producer Andrew Braunsberg, who convinced Polanski to spend 20 hours talking with him in Polanski’s Gstaad estate during his house arrest following his apprehension at Zurich’s ambitious young festival a few years ago. The film’s cumulative effect is rather enervating given its fascinating subject, […]
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Take Shelter — A Hammer to Nail Review
(Before world-premiering in the dramatic competition at the 2011 Sundance Film Festival, Take Shelter was picked up by Sony Classics. It went on to win the Grand Prize at Critics Week, as well as the FIPRESCI Prize, in Cannes. It opens theatrically in New York City and Los Angeles on Friday, September 30, 2011. Visit the official website to learn more.) [DISCLAIMER: I am very good friends with several of the key collaborators involved with the Take Shelter production. Ordinarily, I would absolve myself from writing a review based on far more tenuous connections, but in this particular case, I […]
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MORE IS MORE: THE NEW YORK FILM FESTIVAL (PART ONE)
The New York Film Festival is “the most famous and prestigious in the country,” according to the website of the Film Society of Lincoln Center. It may well be–though I think San Francisco and Telluride might balk at the statement. And the term the country only technically leaves out Toronto. Superlatives aside, this 49th edition, quite a good one overall, is nothing if not admirably ambitious. No longer can the NYFF be accused of replicating Cannes, or of including a disproportionate number of gallic films. What is called the Main Slate, the core of the festival, is, however, top-heavy with […]
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Week Two at the Edit Center
It is the first day of my second week at The Edit Center and we are no longer paired off with partners. Left alone with my computer, I cannot remember how to do anything. Alan Oxman (whose editing credits include Control Room, Happiness and Welcome to the Dollhouse) has joined us, as our teacher. We are to start working on a feature film currently going into post-production. The film is called Happy Sad, written by Ken Urban and directed by Rodney Evans. I am delighted to learn that my friend Maria Dizzia is acting in it. We have all read […]
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The Blue Velvet Project, #22
Second #1034, 17:14 The beauty of hair in the mid-Eighties, curling ironed and a little bit feathered. Sandy’s friends are trapped somewhere between 1956 and 1986, in their long skirts and sweaters. “Don’t you guys dare say anything to Mike, okay?” Sandy warns them, as Jeffrey waits for her in his classic red Oldsmobile convertible. “It’s not what you think, okay? Promise?” For all its references to the past—especially in this scene—Blue Velvet resists the lure of nostalgia. In the best and most obscurely written book ever on postmodernism, Fredric Jameson argued that realism itself was the casualty of late […]
