Filmmaking
Filmmaking
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IFP ANNOUNCES SCRIPT TO SCREEN CONFERENCE LINEUP
The IFP announced today the lineup for this year’s Script to Screen Conference. Taking place March 5, the event will take place at 92Y Tribeca in New York City. This year’s keynotes include Barry Levinson and Black Swan screenwriter Mark Heyman. There will also be a discussion on new platforms for writers with Onion News Network head writer Carol Kolb, a conversation with producer Ted Hope and the filmmakers behind Sundance hit Martha Marcy May Marlene talk about creative teamwork. To learn more about the conference and how to get tickets go to http://www.ifp.org/script-to-screen-conference/ Read the press release on Script […]
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JAMIE STUART AND THE CITY SYMPHONY
At the Chicago Sun-Times in a column entitled “The do-it-yourself auteurs,” Steven Boone writes about the city symphony film and ties it to Jamie Stuart’s recent Idiot with a Tripod. He puts Stuart in a category of “DDIY” (the extra “d” is for “digital”) filmmakers who are the “garage Kubricks” once prophesized by William Gibson. There’s also a video by Kevin B. Lee with text by Boone. Check it out below.
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IN DEFENSE OF ELITISM
Not to pick on Anne Thompson again, a fine industry journalist certainly, but a blog entry she published this past Friday piqued my interest for all the wrong reasons. (See the post, the healthy comments thread, and also David Poland’s response.) Thompson took a critical stance on a new feature of the New York Times’ Carpetbagger section, where lead critics Manohla Dargis and A.O. Scott will provide an in-depth answer to one reader’s question every month. Allowing the critics to choose a question to answer, and giving them some time to work on their response, as opposed (one presumes) to […]
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WHAT’S IN MY INSTAPAPER: SUNDAY MORNING LINKS, 2/20/11
Here are a few things in my Instapaper this week. In GQ, Mark Harris looks back at “The Day the Movies Died” and the preeminence of easy marketing over original ideas. An excerpt: Such an unrelenting focus on the sell rather than the goods may be why so many of the dispiritingly awful movies that studios throw at us look as if they were planned from the poster backward rather than from the good idea forward. Marketers revere the idea of brands, because a brand means that somebody, somewhere, once bought the thing they’re now trying to sell. YouTube has […]
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Kanye West Debuts Enter The Lights ( All Of The Void )
As followers of my Twitter feed know, for me Kanye West’s My Beautiful Dark Twisted Fantasy was the defining album of 2010. A new video directed by Hype Williams has just dropped for “All of the Lights,” featuring Rihanna and Kid Cudi. I hope something — a check, case of Cristal, or maybe just an autographed poster — is winging its way to Mr. Gaspar Noe. (Or, on second thought, there are a bunch of songs left on the album without videos. “Monster” is already taken, but what about “Hell of a Life”? I’d love to see what the great […]
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“PUTTY HILL,” “ZERO BRIDGE” OPEN IN NYC
Two of Filmmaker’s “25 New Faces” have excellent movies opening today that are worthy of your first weekend patronage. From Tariq Tapa, who made our list in 2008, is Zero Bridge. Here’s what I wrote about him back then: “Everything I used to make this movie, from soup to nuts, fit in one little backpack,” says Tariq Tapa, whose Zero Bridge, a neorealist tale of unexpected friendship and moral complication set in the Indian-occupied city of Srinagar, Kashmir, is set to explode on the festival circuit this year. Tapa, who not only directed this first feature but shot, edited and […]
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BUILDING AN ONLINE MARKETING PLAN
At the Los Angeles New Music Seminar yesterday Ian Rogers from the fulfillment service Topspin gave a talk titled “Getting Practical: a Step-by-Step Sales Plan to Building an Online Sales Plan That Works.” Topspin has posted the PowerPoint slides on its website. The specific plan is oriented towards musicians, but Topspin services filmmakers too, and there’s relevant info here for those looking to build an online business. It’s all about converting casual listeners to fans and followers, getting them to throw down for the swanky merch and not just the buck downloads, and there are recommendations here for maintaining a […]
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AMAZING NEW RADIOHEAD VIDEO FOR “LOTUS FLOWER”
Radiohead’s The King of Limbs, announced for pre-order this week, is available one day early. If you bought it already, you can log in to the pre-order page with your password and download it. I’ve only given it one listen so far, but it’s more intimate, softer, prettier album than In Rainbows, sonically closer to Kid A but more open emotionally. I like it. Arriving with the album today is this amazing video for “Lotus Flower” featuring Thom Yorke, a bare stage, and a light. The video is directed by Garth Jennings and choreographed by Wayne McGregor. (Click on the […]
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Kamal Aljafari’s Port of Memory
There are two barely related images that repeatedly come back to me as I begin to write about Port of Memory (2010) by Kamal Aljafari. One is a house cat languishing on top of a television set, in a family’s living room. The TV is playing a dramatization of the life of Jesus. At first the cat appears inert; the viewer is unsure whether it is an odd piece of bric-a-brac or a living but particularly lethargic mammal. The camera lingers long enough to confirm the latter. The second is a short stretch of Jaffa streets. An Israeli man singing […]
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“SELF MADE” OPENS MOMA’S DOCUMENTARY FORTNIGHT
Documentary Fortnight, MoMA’s International Festival of Nonfiction Film and Media, kicked off its 10th season last night with the world premiere of Self Made. The film, a first for British artist (and Turner Prize winner) turned filmmaker Gillian Wearing, takes the audience through the cathartic process of a Method Acting class populated by a small group of hand-picked non-professionals and led by acting teacher, Sam Rumbelow. The movie shows how strong performances can result from emotional excavation. It’s a raw and emotionally powerful film and one that makes clear that Method Acting, first invented by Stanislavski over a hundred years […]
