Over on our Web Exclusives page I’ve posted Ted Hope’s just-concluded keynote address at the Film Independent Filmmaker Forum. Please read at this link and post comments if you have them. Here’s how he opens: I can’t talk about the “crisis” of the indie film industry. There is no crisis. The country is in crisis. The economy is in crisis. We, the filmmakers, aren’t in crisis. The business is changing, but for us –us who are called Indie Filmmakers — that’s good that the business is changing. Filmmaking is an incredible privilidge and we need to accept it as such […]
With so many great performances to choose from, I’m selecting this late-career classic: The Verdict, written by David Mamet and directed by Sidney Lumet.
… or, what you hear in the political ad.
Here’s mash-up commentary on last night’s Bush speech titled “The Dark Bailout.” Nolan’s The Dark Knight continues to resonate. Hat tip: Hollywood Elsewhere. Source: Matthew Belinkie at Overthinking It.
I completely missed notice that Carlos Reygados’s third feature, Silent Light, is opening today in New York. I think this film is a flat-out masterpiece, and I can’t recommend it highly enough. Manohla Dargis writes about the film in today’s New York Times. An excerpt: I’ve seen Silent Light three times — it had its premiere at the 2007 Cannes Film Festival — and find it more pleasurable and touching with each viewing. After having wowed and appalled international audiences with bravura technique in his first feature, Japón (2002), and assaultive provocations in his second, Battle in Heaven (2005), which […]
IFP announced today the launch of First Weekend, a new program that seeks to connect audiences directly with new independent films. The first film profiled in the series will be Lance Hammer‘s Ballast. From the release: “First Weekend” series will be a quarterly program designed to guarantee sold out shows during a self-distributed film’s opening weekend. In purchasing a $25 ticket and supporting the series, audiences are directly supporting truly independent films and filmmakers. The full box-office proceeds will go directly toward the film’s theatrical run. The audience also gets to join in a post screening conversation hosted by a […]
In addition to all the press screenings and the opening night bash, one New York Film Festival-related thing we at Filmmaker look forward to each year is Jamie Stuart’s series of NYFF videos. (For a good recap of Jamie’s work, check out Karina Longworth’s piece here.) You see, even though we host and exec produce these pieces, they remain somewhat mysterious to us, arriving in the middle of the night with a handy promo image attached, and usually warping some kind of previously stated concept to a creatively unexpected degree. Without having gone in-depth about this with Stuart, it looks […]
My name is Ryan Bilsborrow-Koo and this is my guest post for the just-concluded Independent Film Week here in New York. Along with Zachary Lieberman (co-creator of The West Side), I spoke on Monday’s panel “Your Film Online,” and I wanted to expand here on some thoughts I shared during that panel — mostly in response to the prevailing wisdom that “the sky is falling” on independent film. (This is also cross-posted on my own blog, No Film School). I’m a New Face of independent film, not an Industry Veteran, so maybe it’s naiveté that leads me to have a […]
IFP has announced their final Tribute honoree for this year’s Gotham Awards: President of HBO Documentary Films Sheila Nevins. Nevins will be recognized for her contributions to the art of the documentary. She is responsible for overseeing the development and production of all documentaries for HBO and Cinemax and their multiplex channels. As an executive producer or producer, she has received 22 Primetime Emmy Awards, 25 News and Documentary Emmys and 28 George Foster Peabody Awards. Nevins was also presented with a Personal Peabody in recognition of her work and ongoing commitment to excellence. She holds a BA from Barnard […]
From Screen Daily comes the news that Michael Winterbottom will work again with Mat Whitecross, his collaborator on The Road to Guantanamo, on a feature film adaptation of Naomi Klein’s book, The Shock Doctrine. Winterbottom says he’s already begun filming, and Klein will narrate the film. He should maybe take a breather while Klein appends a new chapter to her book. Her thesis — that late-stage capitalism is reliant on “shocks” that, by dizzying the populace, enable privatization and massive transference of public wealth into private hands by anti-democratic means — is astoundingly relevant to the Wall Street bail-out being […]