An independent filmmaker in post on his new feature forwarded me this link to the satirical weekly The Onion and this story: “Independent Film Made by Dependent 27-Year-Old.” “Hit a little too close to home on this one,” he wrote in his email. Here’s the lede: Independent filmmaker Craig Rivers, still financially dependent on his parents at 27, announced Monday the completion of his feature-length debut, the locally produced, parentally financed Far Above The Jiffy Lube, The Stars Of Phoenix Shine. Shot on a tight budget of $75,000 of Marv and Elaine Rivers’ money, the film chronicles the lives and […]
In the upcoming Fall issue of Filmmaker (which is literally at the printers as I type this), Anthony Kaufman investigates the constant struggles documentary filmmakers are going through to qualify for the Oscars. Well, unbeknownst to Anthony, and us, the Academy was in the process of revising the guidelines, remedying the filmmakers’ criticisms. Read Anthony’s thoughts on his blog about the newest development in this ongoing saga.
Jurgen Fauth posted in the comment section of the post below about the dust-up at the NYFF press conference over Brian DePalma’s Redacted and the black bars that now appear over the film’s final images. He links to his own blog, which has both a video clip of DePalma at the conference as well as a detailed description of what happened, which I’ll quote here: When selection committee member J. Hoberman asked about the black bars that now cover some of the photographs at the conclusion of the film, Palma didn’t pull any punches, either: Redacted is now itself redacted,” […]
Jamie Stuart attended the NYFF press conference for Redacted this morning and emailed his take on the squabble at the press conference afterwards: In the middle of Brian De Palma’s NYFF pc for Redacted earlier today, as he began discussing the film’s use of actual war photographs and their graphic nature, Eammon Bowles from Magnolia began shouting from the rear of the Walter Reade theater to refute De Palma’s claims that Mark Cuban was trying to…well…redact them from the picture’s release. Then, just as the pc was coming to a close, producer Jason Kliot rushed the stage and grabbed moderator […]
For those who just look at the blog, head over to our newest section on the main page, Filmmaker Videos. There you will see Jamie Stuart’s second installment from the New York Film Festival along with some of the other shorts he’s made for Filmmaker. Enjoy.
TOM WILKINSON AND GEORGE CLOONEY IN TONY GILROY’S MICHAEL CLAYTON. COURTESY WARNER BROS. PICTURES. As a Hollywood screenwriter, Tony Gilroy has brought an insistent energy and intelligence to the projects he has worked on, so it was a totally logical step that he should progress to becoming a director. New York native Gilroy grew up with writing and the movies in his veins, as he is the son of Frank D. Gilroy, the Pulitzer prize-winning writer and filmmaker, possibly best known for writing The Only Game in Town (1970), starring Elizabeth Taylor and Warren Beatty. Gilroy Jr. debuted with the […]
Or, view it here at the Gucci site and check out the related content, including the behind-the-scenes.
The following interview appeared originally in Filmmaker‘s Fall, 2007 print edition. We don’t cover enough screenwriters in Filmmaker, but that’s not entirely our fault. This magazine is devoted to independent film, and for many, the director is also the writer. Or the script has emerged from improvisation or some other nontraditional means. And while there is a new breed of independent-minded screenwriters today — Charlie Kaufman, Capote’s Dan Futterman and Juno’s Diablo Cody come immediately to mind — many of the “marquee screenwriters” still work almost exclusively in the studio world. By virtue of the unique niche that screenwriter Oren […]
You don’t have to be a massive Radiohead fan (like me) to be interested in the sudden and unexpected news today about the release of their new album, In Rainbows. (Thanks, Pitchfork, for the heads up.) With this new release the band is busting the music retailing paradigm in ways that filmmakers might think about as well. The Radiohead site, linked above, allows you to buy the album, but it’s a bit, uh, mysterious, so you may as well get all the details from the Pitchfork link. But, here’s a synopsis of what Radiohead is doing that’s different: 1. The […]
Filmmaker is very happy to be sponsoring gumshoe director/journalist Jamie Stuart’s annual take on the New York Film Festival this year. Here’s his first piece: Stuart… with music; Schwartzman… without mustache; Anderson… sans sous-titres. Click here and enjoy.