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“You Have to Be Willing to Make a Fool of Yourself”: Tallie Medel (Back To One, Episode 235)
Tallie Medel is an award winning actor, educator, artist, and one third of the legendary Cocoon Central Dance Team. Her fiercely authentic and nuanced performances in films like Dan Sallitt’s Fourteen have garnered attention from critics and audiences alike. This past year she gifted us with Becky in the acclaimed Everything Everywhere All At Once. In this episode, she talks about the communal environment on that production that benefited the performances, the importance of establishing true connection with her scene partners and using the present moment as a tool, how learning and teaching Clown has changed and shaped her work, […]
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“Cameras are Like Film Stocks Now”: DP Peter Deming on The Menu
In The Menu, entitled dinner guests get more than they bargained for when they travel to a remote island to feast upon the culinary delights of a disillusioned celebrity chef (Ralph Fiennes). Despite being surrounded by exquisite works of gastronomical artistry during the shoot, cinematographer Peter Deming did not partake. “I didn’t taste any of it. I’m not a big food person,” said Deming. “I’ve actually talked to a number of people who said the first thing they did after seeing the movie was go have a cheeseburger.” While Deming may not have an appetite for ornate cuisine, the cinematographer certainly knows […]
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Filmmaker‘s 20 Most Read Posts of 2022
As 2022 comes to a close, Filmmaker returns with our annual recap of the year’s most read posts. As I click through Google Analytics, this piece always becomes something of a revelation, a mixture of the predictable (our 25 New Faces list); the news-triggered (an old profile resurfacing on the director’s recent success, for example, or, more sadly, their passing); evergreen articles on filmmaking itself; and pieces for which strong content, aided by SEO and provocative headlines, meshed to attract an abnormally large slew of first-time readers. As in the past, the list is divided into two: the 10 most […]
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“You Have a Character Goin’”: The Fifth Annual Kevin Corrigan Episode of Back To One
If the Back To One podcast has one tradition, it is the yearly visit from its very first guest, the living patron saint of the working actor, Kevin Corrigan. This is his fifth time on the show (Ep. 1, Ep. 67, Ep. 133, Ep.185), and as you’ll hear, he still has a healthy supply of great stories, laughs, and inspiration to dish out. He talks about his recent stints on Law and Order: Organized Crime, City on a Hill, and the upcoming indie film Bang Bang; tells a hilarious story illustrating the ways he practices acting when not on a […]
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“It’s Like an Invitation To Be Human”: Corsage Star Vicky Krieps (Back To One, Episode 233)
The last time Vicky Krieps (Phantom Thread, Bergman Island) was on this podcast (episode 174), we learned about how she approaches the work through a kind of “emptying out” of herself, and a “deconstruction” of everything in her obit, even her preconceptions regarding the role. This time she’s back to talk about her astounding work in Marie Kreutzer’s film Corsage, an imaginative re-telling (or perhaps a “correcting?”) of a year in the life of Empress Elisabeth of Austria. Krieps talks about treating the work as an invitation to play, how dealing with the coldness of the character had an effect on relationships outside of […]
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“The Only Goal Is To Be Lost”: Andrea Riseborough on To Leslie (Back To One Episode 232)
The first time Andrea Riseborough was on the podcast (episode 100), we got a chance to hear how this incredible actor approaches her craft. On this episode, we get to focus on her astounding work in the new movie To Leslie. She talks about the interesting ways shooting on film in the middle of the pandemic affected everything, why working on her character’s alcoholism would have been a disaster, finding a touchstone with director Michael Morris in Barbara Loden’s Wanda, taking the objective “to just exist” from Mike Leigh, seeing constrains as freedoms, the importance of keeping your integrity, and […]
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“All These Mythologies, They Don’t Really Help Me”: Marc Maron (Back to One, Episode 231)
Marc Maron is a stand-up comedy veteran and the host of the popular WTF podcast. As a screen actor, he cut his teeth playing a version of himself in the series Maron. Lately the Netflix series Glow and Lynn Shelton’s Sword of Trust put more of his range on display. And now he delivers the epitome of “supporting” performance in the incredible new film To Leslie, opposite Andrea Riseborough. On this episode, he talks about his apprehension with accepting the role, his impatience with the process of acting in general, the importance of making himself emotionally available in his scenes, […]
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“Every Change I Make is Then Turned into a Budget and an Invoice”: Editor Mike Sale on Black Adam
Your first feature film credit is a memorable experience for anyone who grew up loving movies, but for editor Mike Sale, ACE, that inaugural gig was particularly indelible. Sale made his cinematic debut on the infamous trading card-to-movie adaptation of The Garbage Pail Kids. “It was like a film school—the Garbage Pail Kids film school,” laughed Sale. “It was a fascinating learning experience and I had a lot to learn back then. Just seeing that kind of movie come together was incredible for a young person who had never made a movie before.” Sale graduated from Garbage Pail Kids film […]
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Back to One, Episode 22: Grace Van Patten
You may know Grace Van Patten from Nine Perfect Strangers, Under The Silver Lake, or Tramps. I first took note of her in The Meyerowitz Stories, where her youth belied a seemingly effortless command of her character among the likes of Adam Sandler, Ben Stiller, and Dustin Hoffman. In her latest, the hit Hulu series Tell Me Lies, she stars as Lucy Albright, and now she commands the screen with the same effortlessness, mixed with a complexity and nuance that is compelling viewers who are begging for a second season. On this episode, she breaks down one important scene from […]
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“Either It Blows Up or It Doesn’t”: DP Eliot Rockett on Pearl
Despite their dissimilar filmographies, I have great affection for both the arthouse friendly A24 and the drive-in exploitation of American International Pictures. That’s why I’m such a sucker for the story behind the making of A24’s Pearl, which follows AIP’s old philosophy that if you’re going to go to the trouble of hauling a cast and crew out to a remote location, you might as well make two pictures while you’re there. Pearl began life in a New Zealand hotel room in October of 2020. While in a government-mandated two-week quarantine ahead of making the 1970s-set horror film X, writer/director […]
