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Building LUTs From 35mm Tests: DP Jasper Wolf on Bodies Bodies Bodies
In A24’s Bodies Bodies Bodies, a clique of privileged twentysomethings retreats to an upstate New York manor to ride out a hurricane in style. They’re soon being bumped off one by one in a Gen Z variation of Agatha Christie. It’s basically 10 Little Influencers, a slasher-esque satire shot with glow stick-fueled style by Dutch cinematographer Jasper Wolf. With the movie now out on physical media and VOD, Wolf spoke to Filmmaker about using film tests to create digital LUTs, stressing out the prop master with an array of actor-wielded flashlights and using characters’ emotions rather than practical sources to […]
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“One Light Has to Win”: DP Michael Simmonds on Halloween Ends
Pronouncements of finality by slasher franchises have always been amusingly premature. Final Chapters. Final Fridays. Final Nightmares: You can’t keep a good (or at least a profitable) slasher down for long. While Halloween Ends—the 13th film in the franchise—probably won’t be the last we ever see of Michael Myers, it certainly does feel like the conclusion of director David Gordon Green’s chapter of the story. Set four years after Halloween Kills, the new entry finds Myers long missing from Haddonfield and Jamie Lee Curtis’s Laurie Strode attempting to move on with her life. She’s relocated from her remote survivalist compound […]
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“This Is as Grassroots as It Gets”: Pretty Problems Star Britt Rentschler, Back To One Episode 225
Britt Rentschler is the star of Pretty Problems, a smart and hilarious new indie adult comedy which she also produced and helped write with screenwriter and co-star Michael Tennant. In this episode, she talks about their lengthy commitment to making the story work, building their characters with depth, and the risky but triumphant decision to cast their talented friends in supporting roles rather than famous actors who might have secured more money. She describes how her apprehension toward playing the lead role of Lindsay actually benefited her performance, the ways director Kestrin Pantera brought the best out of everyone, plus […]
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“Don’t Shoot Too Many Takes”: Walter Hill on Dead for a Dollar
The closing title card of the new Western Dead for a Dollar includes the dedication “In Memory of Budd Boetticher.” Had director Walter Hill worked during Boetticher’s era, he too may have churned out exceptional, modestly budgeted Westerns at a clip of roughly one a year, like Boetticher did for Columbia Pictures in the 1950s. Instead, Hill has settled for being one of a handful of contemporary repeat practitioners of the Western, a disparate group ranging from Clint Eastwood to the Coen Brothers, Kevin Costner to Quentin Tarantino. Hill’s first Western, The Long Riders—a retelling of the Jesse James story that […]
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Triangle of Sadness Star Dolly de Leon on Finally Letting “Whatever I Have in My Body or in My Heart” Out
Dolly de Leon is a Filipina veteran actor of film and TV who is now, due to her outstanding performance in Triangle of Sadness, being spoken about with words like “newcomer” and “breakthrough.” That might have something to do with the “I’m the captain now” nature of the role she plays in the Palme d’Or winning film. It’s like the character and the actor are both saying “I have arrived.” In this episode, she describes the dark place she was in right before auditioning for the part, how director Ruben Ostlund’s collaborative approach sparked her dynamic creativity, why watching the […]
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“It’s Like Clouds Passing in the Sky”: Isabelle Huppert on her Elusive Acting Process (Back to One, Episode 223)
If Isabelle Huppert is not your favorite actor, she’s the favorite actor of someone you know. Guaranteed. There’s something about her that is unlike any other actor that has ever been on film. But it’s really hard to talk about what that “something” is. In each performance, in every film she’s made, she has such a command of the character, the text, the frame, that we place her in equal authorship with the directors she’s worked with, who happen to be some of most interesting and important in the last half-century—Jean Luc-Godard, Michael Haneke, Claude Chabrol, Michael Cimino, Claire Denis, […]
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Chayse Irvin on Shooting Blonde in Digital Black and White and God’s Creatures in 35mm Color
This week, Netflix’s Blonde and A24’s God’s Creatures head to streaming and theaters, respectively. The digitally-shot Blonde is a highly stylized look at the life of Marilyn Monroe, shifting aspect ratios and alternating between color and monochrome while employing extreme wide angle lenses, body cam mounts, infrared and more to expressionistically convey Monroe’s perspective. God’s Creatures is the antithesis—austere and somber, captured on 35mm, with an observational point of view distanced from the main characters, a mother in a small Irish fishing village whose life crumbles after providing a false alibi for her son. The films do share one thing in common—cinematographer […]
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Cobra Kai Star Xolo Maridueña on His Year of Acting Revelations (Back to One, Episode 222)
Xolo Maridueña has been playing Miguel Diaz on the hit series Cobra Kai for five seasons, starting when he was 16 years old. On this episode, he talks about how preparing for his dream role as Blue Beetle (in the eponymous D.C. superhero movie coming out next year) sent him down a road that expanded his acting capabilities in new and exciting ways. Plus he talks about William Zabka’s positive influence on him, and the ways that played into how he took on his leadership duties when he got to be number one on the call sheet. Back To One […]
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Fincher Upstairs, Raimi Downstairs: DP Zach Kuperstein on Barbarian
On a rainy night in a rundown Detroit neighborhood, Tess (Georgina Campbell) arrives at her Airbnb rental only to find the abode double booked and Keith(Bill Skarsgård) already nestled comfortably inside. That’s about all Barbarian’s refreshingly cryptic trailer gives you, along with a few glimpses of the subterranean terror that awaits. So, that’s all I’m going to give away about the plot as well, other than to say that whatever you expect from Barbarian after its first act is most decidedly not what you’re in store for. With the movie in theaters, cinematographer Zach Kuperstein spoke to Filmmaker about recreating […]
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The Woman King Star Lashana Lynch on the Soil, the Sisterhood and Making History
Last year, Lashana Lynch made history as 007 in No Time To Die, this year she uses history to energize her powerful performance in The Woman King. In this episode she talks about how filming that movie “barefoot, on that soil,” surrounded by a truly supportive sisterhood, was so significant to her performance. She explains why she doesn’t have (or even want) a go-to preparation process, what choosing the hard road of avoiding stereotypical roles has done for her career, why she cherishes outstanding assistant directors, and much more. Plus she gives us a peek at her role as Miss […]
