Columns
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Essie Davis on When She Stopped “Trying” and Started “Being”: Back To One Episode 220
Australian actor Essie Davis is best known for The Babadook, Game of Thrones, and Miss Fisher’s Murder Mysteries. This year, she stunned me with two incredible performances in two powerful films. In Nitram, directed by her husband Justin Kurzel, she plays the important and heartbreaking supporting role of Helen, opposite Caleb Landry Jones. In The Justice of Bunny King she broke my heart again, this time playing the house-less titular character who is desperately trying to get her kids out of foster care. It was made pre-pandemic and had a staggered release last year overseas. Look for it in select […]
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Filmmaker Moves To Exact Editions for Digital Editions and Archive
Filmmaker is proud to announce that we have moved our quarterly digital edition and archive going back to 2005 to Exact Editions, a London-based company that specializes in digitizing content, selling subscriptions and providing streaming solutions across web, iOS and Android platforms. Our digital edition, which replicates our print edition, is now available to read via Exact Editions across browsers and mobile devices, the latter through a browser or the company’s Exactly app, found in the App and Google Play stores. As a long-time reader of other publications using Exact Editions, I’ve admired the company’s elegant, easy-to-use platform. Issues download quickly, can […]
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“The Fear Was Real”: John Christopher Jones on Returning to Set with Advanced Parkinson’s (Back to One, Episode 219)
Esteemed veteran actor John Christopher Jones returns to the podcast (his first time was episode 13) to talk about conquering the “real fear” he had of going back to work, in a guest starring role on the television series New Amsterdam, while dealing with the unpredictable and often debilitating effects of worsening Parkinson’s. Then he takes us on a brief tour of the various directors that worked well for him over the years, and others that, sometimes hilariously, fell a little short, like José Quintero and his maddening direction in the 1985 production of The Iceman Cometh with Jason Robards. […]
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“The Only Important Thing is the Work”: Austin Pendleton on a Life on Stage (Back to One, Episode 218)
Austin Pendleton might be best known for My Cousin Vinny, or What’s Up Doc? but the 82-year-old actor, director, playwright and teacher is a one-man theater institution. It almost seems like there isn’t a great play that he hasn’t performed or directed, somewhere, in his more than 60 years in the business, and he’s not slowing down in the slightest. In this epic, 90-minute episode, what Meryl Streep said of Pendleton will ring tru: “There’s no line between the man and his work.” He talks about his latest performance, in the celebrated new Tracy Letts play The Minutes, then takes […]
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“I Would Cut with Scissors if I Had To”: Editor Elísabet Ronaldsdóttir on Bullet Train
In Bullet Train, a half dozen assassins, the screw-up kid of a Russian crime lord and a lethally venomous snake are among the passengers on the titular mode of transport travelling from Tokyo to Kyoto. Balancing the sheer volume of characters and orchestrating the intricately choreographed tussles of action maestro David Leitch (John Wick and Atomic Blonde) already present ample challenges for an editor. For Elísabet Ronaldsdóttir, the Icelandic cutter of both Wick and Blonde, the degree of difficulty was further embellished by an array of flashbacks, Thomas the Tank Engine metaphors, surprise cameos and Engelbert Humperdinck needle drops. With […]
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“Listening Became My Prime Directive” Back to One, Episode 217: Adrian Pasdar
Adrian Pasdar has experienced a lot in his nearly 40 years as a working actor and in this episode he generously shares the wisdom he’s gleaned. Some of the highlights in his credits include Top Gun, Near Dark, Carlitos Way, Heroes, Agents of S.H.I.E.L.D, and perhaps the most talked about single-season series of the ’90s, Profit. Not to mention he’s the voice of Iron Man. He talks about how listening became his prime directive as an actor, his search for truth in performance (and the search for a better word than “truth”), “the method” as protective element, and why he […]
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“We Tested a Million LED Flashlights”: DP Chris Teague on Only Murders in the Building
After joining forces to solve a killing (and create a true crime podcast) in the first season of Only Murders in the Building, the trio of Steve Martin, Selena Gomez and Martin Short find themselves the suspects in another slaying in the latest batch of episodes of the Hulu series. Set in New York in the fictitious swanky apartment building the Arconia, the show’s entire inaugural season was lensed by longtime Big Apple resident Chris Teague (Obvious Child, GLOW, Russian Doll). For the new season, Teague’s role expanded to the director’s chair for two episodes. With the season finale premiering […]
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“Spielberg is the Master of Layering Multiple Actors Within a Frame”: DP Jeff Cutter on Prey
1987 was a good year to be a young action movie fan. RoboCop, Lethal Weapon and Predator all hit theaters within five months of each other before landing on VHS, where they could be watched again and again provided you or a friend had parents with an appropriately laissez faire attitude toward R ratings. That cycle of action films made a deep impression on a teenaged Jeff Cutter. Predator, in particular, brought forth an unexpected revelation about the nature of moviemaking. “I saw Predator in the theater when it came out and absolutely loved it,” said Cutter. “The Terminator was […]
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Evil Star Katja Herbers on Over-Directing: I Know How Not to Listen” (Back to One, Episode 216)
Dutch actor Katja Herbers plays forensic psychologist Kristen Bouchard on the hit series Evil, which just finished its third season at Paramount+. On this episode, she talks about how saying no to the audition actually secured her the role, and hitting it off with “the Kings” (show runners Robert and Michelle King) helped her feel ownership of it. We get into the beautiful weeds about the pitfalls of over-directing and how she often simply ignores direction or translates it into something she can use. She explains why laboring over an emotional through-line is unnecessary, how working with the girls that […]
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“I Did Not Play this Like it Was a Comedy”: Zoey Deutch on Not Okay (Back to One, Episode 215)
Zoey Deutch returns to the podcast (Ep. 11, Ep. 97) to talk about her latest role in Quinn Shephard’s dark social satire Not Okay. She plays Danni Sanders, a lonely, semi-clueless photo editor who suddenly gets the attention she craves after lying about almost dying in a terrorist attack. Deutch talks about how she approached the challenge of making Danni relatable, the frustrations of shooting in New York City, why she didn’t play it as a comedy, spirit animals, “using” the paparazzi, the amazing Mia Issac, what she learned from Mark Rylance on The Outfit, and much more! Not Okay […]
