Directors
Interviews - Directors
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From 50 Crew Members to Five: Director Eddie Alcazar on Divinity
“Unfortunately, because aging is so common and natural, we tend to think of it as destiny or something we should accept,” says biologist and researcher David Sinclair. And while the scientist’s work on aging and epigenetics is tied to discoveries in biology from the mid-20th century onwards, within the arts the theme of immortality goes back centuries. Filmmaker Eddie Alcazar, who appeared on our 25 New Faces list in 2011, is the latest to tackle man’s search for eternal life, doing so at a time when interest in longevity and even avoidance of death is contemplated by tech community thinkers […]
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“The Price of Making a Movie is That I Have to Direct It”: Todd Solondz on Happiness
Todd Solondz’s indelible Happiness was released 25 years ago today. Filmmaker is reposting here its interview with Solondz, the cover story of our Fall 1998 issue. — Editor Winner of the Critic’s Prize at this year’s Cannes Film Festival, Todd Solondz’s startling new Happiness is not only one of the most challenging and invigorating independent films of the year, it’s also, by virtue of the strange politics of its release, a talking point for prognosticators everywhere concerned with the co-option of indie-film attitude by corporate-controlled majors and mini-majors. Ambitiously weaving five separate tales of modern alienation, romantic woe, and shocking […]
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“We Had to Row a Kayak to the Camera Truck to Save the Film Cans”: Director Derek Cianfrance and Production Designer Inbal Weinberg
Ahead of the launch of the first-ever International Production Design Week, the Production Designers Collective has coordinated a series of meetings between directors and production designers in which they discuss the particularities about their working dynamics as well as how production design can elevate the vision of a filmmaker. Derek Cianfrance and Inbal Weinberg first collaborated on Blue Valentine, which set the stage for exploration and discovery. They continued to experiment with environment and process on such projects as The Place Beyond The Pines and I Know This Much Is True. Here they discuss the delicate balance of artifice and authenticity […]
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“We Offered to Bear Witness”: Sonia Kennebeck on Reality Winner
Reality Winner was a US Air Force vet and NSA employee whose leaking of an intelligence report about Russian interference in the 2016 election to The Intercept, which subsequently handed it over to the FBI in a bungled, source-disclosing attempt to verify it wasn’t a hoax, in turn led to her arrest. The saga has been well-documented, to say the least: Just this year, Tina Satter premiered her Sydney Sweeney-starring HBO film Reality, adapted from the playwright’s IS THIS A ROOM: Reality Winner Verbatim Transcription. Now we have Sonia Kennebeck’s Reality Winner, itself an extension of the 25 New Faces alum’s […]
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Exorcising the Curse of the US: Miko Revereza on Nowhere Near
After living undocumented in the US for 26 years, in Nowhere Near (2023), director Miko Revereza journeys back to the Philippines in an attempt to trace the source of the colonial ghosts causing his parents’ amnesia. Through an abstract odyssey into personal history à la Chris Marker’s Sans Soleil, Revereza works in a range of mediums to express the borderless aesthetic of statelessness. What results is an investigative documentary layered with the narration of his own novel, floating into the mysteries of psychogeographical disconnect with superimposed images and submerged family portraits. On the day of the film’s US premiere, Revereza […]
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“Sometimes I Think We Romanticize Not Having Enough Money for a Film”: Nancy Savoca on Household Saints
With its digital restoration world premiering at the 61st New York Film Festival tomorrow, we are publishing online for the first time Noam Christopher’s interview with writer/director Nancy Savoca about her Household Saints from our Fall, 1993 edition. Originally released by Fine Line Features, the new restoration is a Milestone Films release. — Editor Nancy Savoca made her directorial debut with True Love, an unsentimental, widely acclaimed look at love and marriage in the Bronx. The winner of the Grand Jury Prize at the 1989 United States Film Festival, the film not only launched Savoca’s career, but the career of […]
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Inhabiting the Role: Todd Haynes on May/December
Todd Haynes’s May December, which premiered this year at the Cannes Film Festival and was snatched up by Netflix almost immediately, marks a return to the kind of expressive women’s drama for which the director is arguably most beloved. Think Far from Heaven (2002) or Carol (2015), two films about forbidden romance whose lush, stylized aesthetics both encourage nostalgia and destabilize easy emotional identification. As the title suggests, May December, too, concerns a taboo love affair—one whose throwback elements are anchored to the tabloid frenzies and true-crime obsessions of the 1990s. Written by Samy Burch, a casting director making her […]
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Holiday Misfits: Alexander Payne on The Holdovers
Before The Holdovers, director Alexander Payne and actor Paul Giamatti hadn’t worked together in nearly two decades. After premiering at the Toronto International Film Festival in 2004, their Oscar-winning comedy Sideways went on to garner countless awards and generate profitable spinoffs—a Japanese remake, musical theater adaptation, film-branded bottles of pinot noir. During the 19 years since the film’s release, Payne and Giamatti attempted to team up on new projects, but none came to fruition until a screenplay by David Hemingson arrived on Payne’s desk a few years ago. Envisioning the script as something that could be revised and expanded upon […]
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Risk On: Chloe Domont on Fair Play
With credits on high-profile TV series like Suits, Star Trek: Discovery and Billions, writer-director Chloe Domont had experiences in the entertainment industry where she felt like she had to adapt to the boys club. Those experiences, as well as the fear of all she could lose if she didn’t play along, were front of mind when she was crafting Fair Play, an intense, high-stakes and increasingly nerve-wracking relationship and workplace drama with notes of ’90s erotic thrillers. But in no way did Domont want to use the film industry as a backdrop for her masterful feature directorial debut. “That would […]
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“It’s Disturbing to Me How Relevant They Are”: Gregg Araki on New Restorations and His Teen Apocalypse Trilogy
In the late 1980s, Gregg Araki began making movies. He made films on a shoestring budget with a do-it-yourself mindset–not due to any kind of loyalty to the auteur theory, but the constraints of what he had at his disposal. In 1992, he made The Living End, a tale of two HIV-positive gay men, a loner and a film critic, who set off on a bloody, ferocious adventure. The film was dedicated to “the hundreds of thousands who’ve died and the hundreds of thousands more who will die because of a big white house full of republican fuckheads.” From there, […]
