Screenwriters
Interviews - Screenwriters
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“The Price of Making a Movie is That I Have to Direct It”: Todd Solondz on Happiness
Todd Solondz’s indelible Happiness was released 25 years ago today. Filmmaker is reposting here its interview with Solondz, the cover story of our Fall 1998 issue. — Editor Winner of the Critic’s Prize at this year’s Cannes Film Festival, Todd Solondz’s startling new Happiness is not only one of the most challenging and invigorating independent films of the year, it’s also, by virtue of the strange politics of its release, a talking point for prognosticators everywhere concerned with the co-option of indie-film attitude by corporate-controlled majors and mini-majors. Ambitiously weaving five separate tales of modern alienation, romantic woe, and shocking […]
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Risk On: Chloe Domont on Fair Play
With credits on high-profile TV series like Suits, Star Trek: Discovery and Billions, writer-director Chloe Domont had experiences in the entertainment industry where she felt like she had to adapt to the boys club. Those experiences, as well as the fear of all she could lose if she didn’t play along, were front of mind when she was crafting Fair Play, an intense, high-stakes and increasingly nerve-wracking relationship and workplace drama with notes of ’90s erotic thrillers. But in no way did Domont want to use the film industry as a backdrop for her masterful feature directorial debut. “That would […]
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“It’s Disturbing to Me How Relevant They Are”: Gregg Araki on New Restorations and His Teen Apocalypse Trilogy
In the late 1980s, Gregg Araki began making movies. He made films on a shoestring budget with a do-it-yourself mindset–not due to any kind of loyalty to the auteur theory, but the constraints of what he had at his disposal. In 1992, he made The Living End, a tale of two HIV-positive gay men, a loner and a film critic, who set off on a bloody, ferocious adventure. The film was dedicated to “the hundreds of thousands who’ve died and the hundreds of thousands more who will die because of a big white house full of republican fuckheads.” From there, […]
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“If We’re All Gonna Die…Then Why Wouldn’t You Take a Risk as an Artist?” Onur Tukel (Back To One, Episode 265)
Onur Tukel is a boldly independent writer-director-actor who, for more than a decade, has been making cutting edge comedies in New York City that sometimes land in the horror category, sometimes social satire, are often absurd, mostly hilarious and always thoughtful—Catfight, Applesauce, Summer of Blood, The Misogynists, Scenes From An Empty Church, to name just a few. His latest, Poundcake, about a serial killer who only targets straight white men, is maybe his boldest yet, which says a lot. In this hour, he talks about his reluctant approach toward acting in his own films, the ways he has navigated low […]
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Punching Down: Emma Seligman on Bottoms
The following interview was published in Filmmaker‘s Summer 2023 issue and is being reposted today as Bottoms arrives in theaters via Metro-Goldwyn-Mayer. Bottoms, the sophomore feature from Shiva Baby writer-director Emma Seligman, takes the concept of blood and guts in high school to a queer, campy pinnacle. Co-written by Seligman and Rachel Sennott—who starred in Shiva Baby and returns to act in Bottoms alongside frequent comic collaborator Ayo Edebiri—the project embraces a streak of absurdist satire that’s been present in Sennott’s sensibility since launching her highly popular, if now infrequent, Twitter presence. Coupled with Seligman’s directorial desire to “always do […]
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“What ‘Motherhood’ Really Means”: Laura Moss on birth/rebirth
The following interview was originally published during our Sundance 2023 coverage and is being republished today ahead of birth/rebirth hitting theaters via IFC Films and Shudder this weekend. — Editor The narrative kernel of birth/rebirth, Laura Moss’s debut feature, was originally planted in the writer-director’s mind 20 years ago. The filmmaker (and former EMT) was creatively stirred after reading Mary Shelley’s Frankenstein and feeling that its interest in unnatural procreation could translate well to an all-female retelling. As the decades passed, Moss began negotiating integral facets of their identity—namely coming out as non-binary and becoming increasingly convinced they would never have […]
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“This Movie Could Only Happen at This Budget in New York City”: Vuk Lungulov-Klotz on Mutt
A breakout at Sundance, Berlinale and New Directors/New Films this year, Chilean-Serbian writer-director Vuk Lungulov-Klotz’s debut feature Mutt is as scrappy and charming as its canine title. Following a frenzied 24 hours in the life of New York trans man Feña (Lío Mehiel, the first trans actor to win the U.S. Dramatic Special Jury Award for Acting at Sundance), Mutt explores the constant micro-aggressions that trans people face daily—even in a supposedly hyper-tolerant locale, especially from loved ones—and the connections and community that make these encounters sting a little bit less. Even when Feña faces his capricious ex-boyfriend, moody tween […]
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“Rules Stop Me from Daring”: Radu Jude on Do Not Expect Too Much from the End of the World
“Have you ever seen Romanian TikToks?” It’s a torrid afternoon in Locarno and Radu Jude and I are sitting in a container repurposed as an interview booth, a couple of days after the premiere of his latest, Do Not Expect Too Much from the End of the World. Social media play a prominent role in the film, an electrifying snapshot of life in the 21st century designed to both immortalize our back-to-front digital zeitgeist and dissect its textures. A collage straddling black comedy and road movie, Do Not Expect centers on Angela (Ilinca Manolache), an overworked production assistant whose company […]
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Riding in Cars with Boys: Gina Gammell, Riley Keough, Franklin Sioux Bob and Willi White on War Pony
Gaining access to an underrepresented community comes with a great amount of responsibility. There are countless examples of a director visiting a site for a few days, getting what they need, then hightailing it out only to use their subsequent press tour to emphasize the “raw grittiness” they observed while filming on location. It’s crucial to question who benefits from this exchange. Does the filmmaker gain authenticity for their work merely by virtue of who they put in front of the camera? Does the portrayed community benefit from being used to confirm an outsider’s predetermined perception? Gina Gammell and Riley […]
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“Film Sets Are the Best Film School”: YouTubers-Turned-Filmmakers Danny and Michael Philippou on Their A24 Horror Debut Talk To Me
Ventriloquist demons go viral in Talk To Me, the feature film debut of twin brothers and co-directors Danny and Michael Philippou. While the A24 horror venture marks their first official foray into feature filmmaking, the duo have been uploading action-packed videos onto their YouTube channel, RackaRacka, since 2013. Unlike Kyle Edward Ball, another YouTuber-turned-filmmaker whose chilling feature debut Skinamarink released earlier this year, the Philippou’s prior output wasn’t necessarily horror-focused. To date, their channel is mostly comprised of stunts, comedy sketches, satirical vlogs and prank videos. This decade-spanning commitment to making content is likely what primed the brothers to helm Talk […]
