Oscars
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TURN OUT: DARREN ARONOFSKY’S “BLACK SWAN”
This piece was originally printed in the Fall 2010 issue. Black Swan is nominated for Best Picture, Best Director (Darren Aronofsky), Best Actress (Natalie Portman), Best Cinematography (Matthew Libatique), Best Editing (Andrew Weisblum). Darren Aronofsky was developing a project based on Russian novelist Fyodor Dostoyevsky’s 1846 novella, The Double, when he happened to go to a production of another Russian work, Swan Lake, the 1875 ballet composed by Peter Tchaikovsky. Seeing the ballet’s White Swan and Black Swan played by the same ballerina, Aronofsky experienced what he called a “Eureka” moment, realizing that The Double’s themes of splintering identity and […]
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THE WAY WE WERE: DEREK CIANFRANCE’S “BLUE VALENTINE”
Here Oscar-winner Robert Benton interviews Derek Cianfrance. The piece was originally printed in the Fall 2010 issue. Blue Valentine is nominated for Best Actress (Michelle Williams). As a child, Derek Cianfrance always worried his parents would divorce. When he was 20 his fears were realized. Both upset as well as curious about his own emotional antennae — how he somehow sensed discord in his parents’ relationship — Cianfrance decided to tackle the subject head-on with a movie. After gaining notice in the indie community with his debut feature, Brother Tied, in 1998, Cianfrance got to work on Blue Valentine, a […]
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JOHN CAMERON MITCHELL, “RABBIT HOLE”
Originally posted online on December 16, 2010. Rabbit Hole is nominated for Best Actress (Nicole Kidman). David Lindsay-Abaire’s Pulitzer Prize winning play Rabbit Hole might seem like an odd choice for helmer John Cameron Mitchell, a director whose reputation wasn’t gained built on tasteful, upper-middle-class family dramas. Perhaps he’s mellowed, and given the results, why not? The film’s story of parental grief, that of a Westchester County couple (Aaron Eckhart and Nicole Kidman) who, eight months later still lack the emotional wherewithal to deal with the accidental death of their young son, may seem like the stuff of so many […]
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Sebastian Junger and Tim Hetherington, Restrepo
Originally posted online on June 23, 2010. Restrepo is nominated for Best Documentary. Most documentary filmmakers attempt to see the world through the lens of the subjects they’re shooting, but few put their lives on the line to do so. That perhaps is what most separates first-time directors Sebastian Junger and Tim Hetherington from a few of their colleagues who didn’t take home the Grand Jury Prize for U.S. Documentary at this year’s Sundance Film Festival. Their award-winning Restrepo is the result of a near yearlong embedment with the Second Platoon, Battle Company in eastern Afghanistan’s deadly Korengal Valley, […]
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A DAUGHTER’S TALE: DEBRA GRANIK’S “WINTER’S BONE”
This piece was originally printed in the Spring 2010 issue. Winter’s Bone is nominated for Best Picture, Best Actress (Jennifer Lawrence), Best Supporting Actor (John Hawkes) and Best Adapted Screenplay (Debra Granik & Anne Rosellini). The Ozark mountain holler that is the setting for Debra Granik’s fierce and extraordinary Winter’s Bone seems carved away from much of what signifies as “contemporary America” in cinema today. The movie, which won the Grand Jury Prize at Sundance this year, dwells in a landscape that imbues it with the starkness of classic Western frontier drama. Seventeen-year-old Ree Dolly is the single-minded heroine who […]
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Fraud Alert
Charles Ferguson follows up his hard-hitting Iraq War documentary, No End in Sight, with another investigative look at a complicated and controversial subject: the global economic crisis. In Inside Job, Ferguson indicts the growth of the banking industry for causing the global economic crisis, asking why not a single person has gone to jail because of it. By Scott Macaulay
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TIME’S UP: KATHRYN BIGELOW’S THE HURT LOCKER |
By Nick Dawson
Leading up to the Oscars on March 7, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Nick Dawson interviewed The Hurt Locker director Kathryn Bigelow for our Spring 2009 issue. The Hurt Locker is nominated for Best Picture, Best Director (Bigelow), Best Actor (Jeremy Renner), Original Screenplay (Mark Boal), Best Cinematography (Barry Ackroyd), Best Editing (Bob Murawski and Chris Innis), Best Original Score (Marco Beltrami and Buck Sanders), Best Sound Editing (Paul N.J. Ottosson) and Best Sound Mixing (Paul N.J. Ottosson and Ray Beckett). Now that the […]
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PUSHING AWAY: LEE DANIELS’S PRECIOUS |
By Jason Guerrasio
Leading up to the Oscars on March 7, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Jason Guerrasio interviewed Precious director Lee Daniels for our Fall 2009 issue. Precious is nominated for Best Picture, Best Director (Daniels), Best Actress (Gabourey Sidibe), Best Adapted Screenplay (Geoffrey Fletcher) and Best Editing (Joe Klotz). It’s November 2007 and manager-turned-producer-turned director Lee Daniels is shooting a film in New York City for the first time. Having already been shut down by the NYPD for going over his permit time in Harlem, […]
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IF ON A WINTER’S NIGHT A TRAVELER: JASON REITMAN’S UP IN THE AIR |
By Scott Macaulay
Leading up to the Oscars on March 7, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Scott Macaulay interviewed Up in the Air co-writer-director Jason Reitman for our Fall 2009 issue. Up in the Air is nominated for Best Picture, Best Director (Reitman), Best Actor (George Clooney), Best Supporting Actress (Vera Farmiga and Anna Kendrick) and Best Adapted Screenplay (Jason Reitman and Sheldon Turner). Jason Reitman’s Up in the Air, which debuted at Telluride and went on to critical acclaim at Toronto, is a perfect film to […]
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THE MOURNING AFTER: TOM FORD’S A SINGLE MAN |
By Peter Bowen
Leading up to the Oscars on March 7, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Peter Bowen interviewed A Single Man co-writer-director Tom Ford for our Winter 2010 issue. A Single Man is nominated for Best Actor (Colin Firth). Although fashion and film have always been closely intertwined, Tom Ford may be the first fashion designer to cross over to the role of filmmaker. To be sure, his debut feature, an adaptation of Christopher Isherwood’s A Single Man, reflects his immaculate sense of style. But its […]
