[PREMIERE SCREENING: Saturday, Jan. 17, 3:00 pm — Temple Theatre, Park City] Over the Hills and Far Away is a piece of true magical realism. A family struggles to cope with their son’s autism. In an act of inspiration and desperation combined, they travel to Mongolia and journey through the country on horseback in search of mysterious shamans who they believe can heal their son. It’s hard to believe that this is a documentary and not a dramatic narrative. It’s a filmmaker’s dream to be able to work with such material. So for me it wasn’t a question of finding […]
[PREMIERE SCREENING: Saturday, Jan. 17, 3:15 pm — Eccles Theatre, Park City] It probably would have been smarter if I had thought of kids on a subway watching my movie on their iPod — but then I would have come to the inevitable conclusion that they would never be moved by a drama where you can’t see an actors’ eyes and immediately gotten bored and turned it off. I wanted most of all to make a film similar to the character-driven dramas of the late ’70s that I loved so much as a kid. I can’t imagine those play well […]
[PREMIERE SCREENING: Saturday, Jan. 17, 6:15 pm — Eccles Theatre, Park City] I think “story” is the same as it has always been. Maybe the delivery devices change, maybe the venues evolve, maybe the audiences can absorb information faster and maybe they’re more sophisticated in their demands. But the basic craft and fundamentals of story remain unchanged. We certainly didn’t adjust the concept of the film for YouTube, or any small screen for that matter. Maybe on some subconscious level, the short episodic nature of “the days” grew from watching too many YouTube video bursts. But I can’t say for […]
[PREMIERE SCREENING: Saturday, Jan. 17, 2:15 pm — Racquet Club, Park City] I knew before we began making Barking Water that I wanted to try something different. The story is about an older couple who has had a very tumultuous relationship for the past 40 years. The woman, Irene, comes to the man, Frankie, on his deathbed and agrees to take him from the hospital and get him home. The problem, of course, is that Frankie is dying, so the film explores their relationship as she tries to get him home to see his daughter before he dies. Under the […]
[PREMIERE SCREENING: Saturday, Jan. 17, 6:00 pm — Egyptian Theatre, Park City] I wrote the first draft of Victoria Day in 2001 before the existence of YouTube or the invention of the iPod. So, Victoria Day in its conception and execution wasn’t influenced by these things. But even if I were to conceive of it anew today, the story would take the same shape, simply because I don’t believe that the effect I hope to achieve — namely an emotional effect — can be achieved any other way. In my experience, the kinds of stories that I’ve seen told on […]
Mike Plante wrote about the DVD release of Chameleon Street in our Load & Play section in 2007. The film will screen at this year’s Sundance Film Festival in its Sundance Collection section. In Chameleon Street, the enigmatic Doug Street goes through a series of cons, sometimes to make money, sometimes to prove he can do more than what the world expects of him. In short time he goes from a simple extortion plot to complex impersonations, including as a reporter from Time, a Yale student, a lawyer and even a surgeon. Yes, a surgeon – who performed 36 successful […]
[PREMIERE SCREENING: Friday, Jan. 16, 11:59 pm — Egyptian Theatre, Park City] The factor affecting cinema today most relevant to Grace is the prevalence of the filmmaking community’s faith in the shortcut. There’s an idea that we can make movies by checklist, that the way to write a successful script is by formula, and the way to make a successful film is by gimmickry or spectacle — that we just need to get in front of a camera and our computers will figure out the rest later. With Grace, we resisted that and put total faith in footwork. We just […]
[PREMIERE SCREENING: Friday, Jan. 16, 9:30 pm — Temple Theatre, Park City] With Reporter (and my other films), I have done my best to ignore and avoid the modern forces that encourage the shrinking (and consequent speeding up) of cinematic storytelling. I just don’t see the good in trying to satiate the racing human mind and its desperate and diminishing attention span. I try instead to suffuse my films with the qualities of life and art that I most cherish but seem increasingly endangered: subtlety, silence, stillness, tenderness, sincerity and a spaciousness that allows the viewer (hopefully) to experience some […]
[PREMIERE SCREENING: Friday, Jan. 16, 9:00 pm — Screening Room, Sundance Resort] Due to the daunting forces affecting independent cinema today, the tragedy that has become specialty distributors’ monumental struggle to find audiences, my instinct while directing Lymelife was to constantly push the envelope in every single scene we shot. If that meant tossing my written words out the window, so be it. I was determined to deliver a brutally honest and unsentimental depiction of an American family going through crisis in the late ’70s, a time of emotional and economic change which turns out to be relevant today. I […]
[PREMIERE SCREENING: Friday, Jan. 16, 9:15 pm — Holiday Village Cinema IV, Park City] I think a lot about the small, small screens getting attention these days: iPods, cell phones, YouTube and MySpace. I spend an embarrassing amount of time thinking about the many strangers around the world, sitting in front of their Web cams, reaching out through their video yelps. I’m amazed by the matter-of-fact placement of their bodies in front of their computers, squarely there, waiting, presenting themselves, as if in front of a firing squad of voyeuristic strangers that may love them or shoot them. I obsess […]