Sundance
-
Hello I Must Be Going | Director Todd Luiso; Screenwriter Sarah Koskoff
[PREMIERE SCREENING: Thursday, January 19, 9:30 pm –Eccles Theatre, Park City] Sarah Koskoff: I had always only written for the stage, but when I wrote Hello I Must Be Going it was a film from the beginning and could only be a film. I wanted to explore what it would be like for a grown woman to wake up suddenly in her parents’ house with nothing of her own, totally dependent–the subtle humiliations of being an adult thrust into the position of being a child. There was something just so horrible and so painfully funny to me about her situation, […]
-
TEN MINUTES. DOESN’T SEEM LIKE MUCH RIGHT?
Written in collaboration with Clay McLeod Chapman Our short film—Henley—had been back-burning in our brains for over five years. Clay had published a novel back in 2003 called Miss Corpus. Craig, it turns out, was the only person who read it. There’s a chapter in the book, The Henley Road Motel, which is all about a boy growing up in a family-run roach motel. Think lil’ Normie Bates before donning mom’s summer dress. When business begins to dwindle, our 9-year-old hero cracks a pretty devious scheme to bring customers back to the family business—and poof: A short film is born. […]
-
City Limits
Following up his impressive debut, Reprise, Joachim Trier uses a Pierre Drieu La Rochelle novel and the Norwegian capital to create the beautifully somber Oslo, August 31st. By Scott Macaulay -
“BEING ELMO: A PUPPETEER’S JOURNEY” | director, Constance Marks
Originally posted on Jan. 23, 2011 as part of our annual question we ask directors attending the Sundance Film Festival. Being Elmo: A Puppeteer’s Journey is nominated for the Audience Award. [PREMIERE SCREENING: Sunday, Jan. 23, 3:00 pm — Temple Theatre] The most surprising thing I found while making BEING ELMO: A Puppeteer’s Journey was how insanely popular this furry red monster has become. For the past year I’ve carried a bright red Elmo messenger bag. I would get spontaneous feedback every day from almost everyone: old men, teenage girls, postal workers and especially mothers. Hundreds of times I […]
-
” I Love Nothing More Than to Kidnap an Entire Cast and Crew, Dragging Them Off to the Wilderness to Make a Movie”: Five Questions with Your Sister’s Sister Director Lynn Shelton
With Your Sister’s Sister, writer/director Lynn Shelton brings a top-flight cast (Emily Blunt, Rosemarie DeWitt, Mark Duplass and Mike Birbiglia) to an isolated island cabin on Puget Sound for a tale of grief, romance, and sibling rivalry. Duplass plays Jack, still reeling over the death of his brother a year earlier. Iris (Blunt), his best friend and dead brother’s ex, suggests he get his bearings at her father’s cabin, and there he’s unexpectedly confronted by Hannah (DeWitt). Needless to say, things get complicated in this latest from one of independent film’s most compelling new auteurs. Via email we asked her […]
-
Jamie Stuart’s Sundance Masterpiece
From the shards of our experience shooting interviews and seeing movies at Sundance 2011 comes Jamie Stuart’s “Masterpiece.” With appearances by: Miguel Arteta, Alrick Brown, David Carr, Paddy Considine, Nekisa Cooper, Phife Dawg, Danfung Dennis, Andrew Donsunmu, Sean Durkin, Liz Garbus, Paul Giamatti, Megan Griffiths, Colin Goddard, Rutger Hauer, John Hawkes, Azazel Jacobs, Miranda July, Tom McCarthy, Peter Mullan, Adepero Oduye, Elizabeth Olsen, Jessica Oreck, Lindsay Pulsipher, Michael Rapaport, Calvin Reeder, Dee Rees, Amy Seimetz, Kim Wayans, Vilmos Zsigmond. Shot on the Canon 7D. Download the Quicktime here. (Contains adult language — NSFW.) Look for the longer edits of these […]
-
DSLR-Shot Films Win Prizes At Sundance
With a hat tip to Photo Cine News, here are clips from two Sundance 2011 prizewinners shot on DSLR cameras. The first, the Grand Jury Prize-winning Like Crazy, was shot on the Canon 7D. (Felicity Jones, featured in this clip, also won a Special Jury Prize for her acting.) The second, Hell and Back Again, won the World Cinema Grand Jury Prize as well as the World Cinema Cinematography Award. It was shot on the Canon 5D with custom-built rigs. Hell and Back Again clip from Danfung Dennis on Vimeo.
-
“POSITION AMONG THE STARS” DIRECTOR LEONARD RETEL HELMRICH
Position Among the Stars Winning both the IDFA (International Documentary Film Festival Amsterdam) and Sundance for the same film isn’t anything new for director Leonard Retel Helmrich. Both Position Among the Stars (which received a Special Grand Jury Prize at Sundance this past Saturday) and Shape of the Moon — his previous documentary about three generations of the Shamsuddin family of inner city Jakarta — have won top awards at the festivals. These two documentaries, along with 2001’s Eye of the Day, combine as a trilogy to tell a moving story about religion, politics, and economics, all through the lens […]
-
Pioneer Director David Lowery
To create a feature with a genuine sense of mystery pulsing beneath the filmed veneer is a rare accomplishment, but to achieve that in a short film? Next to impossible. However, Pioneer — David Lowery’s tender, moody short — is an absolute cryptogram. Little more than a father (well-played by musician/actor Will Oldham) telling a tall and violent tale about an absent mother to his young son, Pioneer manages to stay within the confines of a bedroom yet utterly transports the audience to the high altitudes of childhood imagination. Lowery’s facility to direct children was on fine display with his […]
-
“THE SON OF NO ONE” | writer-director, Dito Montiel
[PREMIERE SCREENING: Friday, Jan. 28, 6:15 pm — Eccles Theatre] So we’re filming in the Queensbridge Projects — the place I spent a million teenage days rehearsing with my hardcore band in Johnny Waste’s apartment (actually Ravenswood Projects). Back then it was the murder capital of New York. Still pretty rough though. I’m standing next to Al Pacino and we’re getting ready for a scene where he’ll talk with a little boy about two murders. He takes a minute to look at all the kids out playing in the big center playground. (We had a lot of extras all dressed […]
