[PREMIERE SCREENING: Friday, Jan. 28, 3:00 pm — Temple Theatre] We initially thought that the film would be more conventional — the usual talking heads reflecting on the past. However, there was something so magical about the footage that cutting away from it to interviews of distant memories seemed wrong. Better, we discovered, to create a kind of archival immersion experience in which the footage would either live on its own or be commented upon by audio-tape recordings of Ken Kesey and the Merry Pranksters themselves. Many of these recordings were made closer to the time of the actual bus […]
Known for his stunning 1998 documentary, Dutch Harbor: Where the Sea Breaks Its Back, as well as countless music videos for musicians including Bonnie “Prince” Billy, Sonic Youth, and Dirty Three, director Braden King arrives at Sundance in Dramatic Competition with HERE. Set in Armenia — and in many ways starring Armenia — HERE is a love story camouflaged as a road movie, or perhaps it’s the other way around. The atmospheric film follows Gadarine and Will (played by Lubna Azabal and Ben Foster), an Armenian art photographer and an American satellite-mapping engineer, from the exact moment they notice each […]
[PREMIERE SCREENING: Wednesday, Jan. 26, 9:30 pm — Eccles Theatre] The biggest surprise was that I could pull it off, spend some of my own cash, raise the rest and fucking do it — under a million, 18 days, no compromise. I’ve never been happier.
Good things come to those who wait, as writer-director Megan Griffiths will attest. The debut feature from the Seattle-based filmmaker, The Off-Hours, was seven years in the making before it finally went into production last spring. Inspired by Griffiths’ own experiences working the night shift, this moody, atmospheric indie captures the lives of the people who frequent a diner in a nowhere truckstop town, including pretty young waitress Francine (Amy Seimetz), her foster brother Corey (Scoot McNairy), soft-spoken truck driver Oliver (Ross Partridge), and alcoholic diner owner Stu (Tony Doupe). There are also cameos from fellow directors Lynn Shelton (whose […]
2010 was a big year for Michael Mohan. His first feature, One Too Many Mornings, premiered at Sundance (and can now be watched – in its entirety – on Hulu). He directed a music video for Fitz and the Tantrums that was blogged about by Justin Timberlake (no, really). And one year later he returns to Park City with a short film, Ex-Sex. Mohan’s short about ex’s hooking up is gorgeous to look at, totally relatable, and so pitch-perfect in its bitter-sweetness that the only logical question would be: Couldn’t you make it as a feature? Please? Characters […]
[PREMIERE SCREENING: Tuesday, Jan. 25, 3:00 pm — Egyptian Theatre] I believe that All Your Dead Ones is actually built upon surprise. It is a project that we decided to undertake with a very reduced production team and that meant that surprises would abound and appear around every corner: for instance, the weather conditions are very variable in the region where we shot the movie and this complicated even further our challenge of using only natural light right at the moment were the sun is completely perpendicular. Every day we were forced to expect the climatic surprise of the day, […]
[PREMIERE SCREENING: Tuesday, Jan. 25, 6:15 pm — Eccles Theatre] I was surprised at how often life imitated art on The Convincer. Starting with my own behavior, which mimicked that of the main character, who is a salesman who uses any tactic he can to get others to do what he wants them to do. I had to convince people to work on a low-budget movie in the middle of winter. I’m from the Midwest; I know what it’s like. We had actors on a frozen lake at 3 a.m. in street clothes, and doing their own stunt driving on […]
Originally printed in our Fall 2010 issue, we asked a number of leading independent producers about their producing models and how they’re finding everything from financing to material to office space. Lynette Howell has three titles in this year’s Sundance: Chris Kentis & Laura Lau’s Silent House, Azazel Jacob’s Terri and Andrew Okpeaha MacLean’s On The Ice. How to pay oneself a salary, maintain an office and employ assistants? And embrace risky projects? For Lynette Howell the answer is staying in constant motion. Raised in working class Liverpool, Lynette Howell decided to drop her British accent after just a few […]
[PREMIERE SCREENING: Tuesday, Jan. 25, 6:00 pm — Egyptian Theatre] We had decided to shoot in a small town located in the Jura (a mountainous area), which would generate lodging problems for the technical team and for actors. The town hall and the inhabitants were really eager to welcome this shooting and had done everything to make our arrival possible. We found ourselves lodged in the former premises of a prestigious French bank, disused but yet sumptuous. We had at our disposal a significant place which allowed the technical and arts teams to live together during the four-week shoot. Villagers […]
[PREMIERE SCREENING: Tuesday, Jan. 25, 12:00 pm — Temple Theatre] Destiny never fails to astonish me. In this case, a story told long ago comes back and speaks to us in a surprising way in the present. When I went to Guatemala in 1982, the sole genocide of the 20th century in the Americas was unfolding and I was shooting my first feature-length documentary there called When the Mountains Tremble. More than 25 years later that film and all the filmic outtakes are being used as forensic evidence in a genocide case against two of the generals in my original […]