6303 Results for “Open ”
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Five Questions for Sam Green About His Live Documentary, The Measure of All Things
The biggest, the smallest, the most, the more-times-than-anyone-else — filmmaker Sam Green has revisited a common childhood fascination, The Guiness Book of World Records, for his latest “live documentary,” The Measure of All Things, receiving its New York premiere at The Kitchen this week. It’s Green’s third work combining film, music and his own on-stage narration — a hybrid film/theater form that’s proved surprisingly popular in performing arts venues around the world. Indeed, when so many filmmakers are trying to figure out a “new model” for their work, Green has turned himself into a touring artist, finding new, less jaded […]
by Scott Macaulay on Nov 20, 2014 -
Save the Baby! On the Benefits of the Three-Act Screenplay Structure
Poor old three-act structure. It gets hammered away at, like an old punching bag, every time someone wants to challenge the primacy of the formulaic Hollywood screenwriting methods. “Take that! You follow-the-dots, color-within-the-lines, stodgy old armature!” Poor, poor three-act structure. So much to offer. So misunderstood. What if I were to tell you that in the 2,500-year history of Western dramatic literature, three-act structure is actually a radical new innovation? What would you think if I also said that its radical impact, towards the end of the 19th century, was to finally free dramatists from a highly proscriptive, closely dictated […]
by Jennine Lanouette on Nov 19, 2014 -
Factory 25 Acquires Little Feet and Boneshaker
Factory 25 will distribute Alexandre Rockwell’s Little Feet on a double bill with 25 New Face Frances Bodomo’s Boneshaker. The films will open at the IFC Center on December 12 and will be available for streaming on Fandor and Vimeo the same day. Little Feet was previously part of a Vimeo on Demand TIFF deal in which Vimeo gave the filmmakers $10,000 in exchange for 30-day exclusive distribution rights. Rockwell won the Sundance Grand Jury Prize in 1992 with In The Soup, and Little Feet harkens back to the film’s 16mm black and white camerawork. Said Factory 25’s Matt Grady of the paired acquisition, “Both films are very […]
by Sarah Salovaara on Nov 18, 2014 -
Encounter Groups, Ghost Stories and Rapid Prototyping at the Seventh POV Hackathon
“There are a lot of things I like about your project, but the effects on the videos are not one of them.” “How is this different from Second Life?” “Your video — it’s kind of boring.” Participating in a hackathon, like POV’s which wrapped Sunday, Nov. 9, means opening yourself up to blunt feedback. Forty-eight hours of project development and rapid prototyping, POV’s hackathons pair documentary filmmakers with mentors and programmers and task them with extending non-fiction storytelling beyond the cinema (or television) walls. This month’s event — POV’s seventh — concluded with the five selected teams presenting their projects […]
by Scott Macaulay on Nov 18, 2014 -
Should Documentary Filmmakers Be Friends with Their Subjects?
Luke Korem is in the final days of an Indiegogo campaign to fundraise for Dealt, his documentary on the amazing blind card magician Richard Turner. During the course of filmmaking, he’s become friends with Turner, and below he discusses that friendship within the framework of documentary ethics and practice. Read and consider visiting his Indiegogo page and contributing. It’s the question every documentary filmmaker will at some point ask themselves: “How close should I get to my subject?” Making a documentary is like running a marathon with no definite end in sight. It takes time and 100% commitment to your subject. For anyone […]
by Luke Korem on Nov 17, 2014 -
He Ain’t Heavy, He’s My Brother: Foxcatcher
One of the more graceful film segments in recent memory, a literally winning one at that, takes place about an hour into the wrestling drama Foxcatcher, directed with patience and precision by Bennett Miller (Moneyball, Capote, The Cruise). In it, each of four males labors in his own way. Straight out of small-town Wisconsin, impressionable prole Mark Schultz (Channing Tatum), heavyweight Gold Medal winner at the 1984 L.A. Olympics, is already under the spell of wealthy, patriotic, and highly educated John du Pont (a career-best Steve Carell) — less eccentric than deranged, the middle-aged heir to the chemical fortune and […]
by Howard Feinstein on Nov 14, 2014 -
Five Questions with Monsieur Le President Director Victoria Campbell
World premiering tonight at DOC NYC is Monsieur Le President, the sophomore feature documentary from New York-based visual artist and filmmaker Victoria Campbell. In 2010, Campbell and a friend travelled to Haiti to volunteer after that country’s devastating earthquake. There she met Gaston Jean Edy, a voodoo priest, and returned over three years to film a doc that tracks both his efforts to start a local medical clinic as well as her own complicated friendship with her subject. Below, Campbell and I talk about the complications of that relationship, filming in disaster zones and one shared favorite movie. Filmmaker: Tell […]
by Scott Macaulay on Nov 14, 2014 -
“We Have to Make a Creepy Movie in These Woods”: Director Josephine Decker and DP Ashley Connor
Since premiering at the Berlin International Film Festival in February, Butter on the Latch and Thou Wast Mild & Lovely, the remarkably assured debut feature-length films from Josephine Decker (one of the 25 New Faces of Film of 2013), have received much praise and bewilderment throughout their international festival circuit run. It speaks to Thou Wast‘s uncategorizable nature that it played at the celebrity-touted AFI Fest, the indie stalwart BAMcinemaFest, and the heavily-genre-oriented Fantasia International Film Festival. Experimental narratives with an intense focus on the frightening extremes of sexuality, the musically-inclined films feature a remarkable blend of both visual and literary poetry; everyone from Onur Tukel to […]
by Erik Luers on Nov 13, 2014 -
“It’s Such a Weird Story”: Bennett Miller on Foxcatcher
When I wrote about Bennett Miller’s Foxcatcher a couple of months ago after seeing it at the Telluride Film Festival, I called it “extraordinary… a subtle yet extremely unnerving examination of how family, class, and competition inform and are informed by the American dream.” There’s always a little danger in writing about a movie in the heat of film festival hysteria, as one can easily overrate (or underrate) a film under the pressure of weighing in with an immediate opinion. In the time since Telluride, however, my admiration for Foxcatcher has only grown upon reflection; the supremely confident restraint of Miller’s visual style and the psychologically and […]
by Jim Hemphill on Nov 13, 2014 -
2014 Cinema Eye Honors Nominees Announced
The nominees have been announced for the eighth annual Cinema Eye Honors (of which Filmmaker is an industry sponsor), which recognize outstanding achievements in documentary filmmaking. A quick breakdown: CITIZENFOUR (the cover story subject of our latest issue) leads the pack with six nominations, closely followed by Life Itself and 20,000 Days on Earth with five apiece. Below, find the bulk of the nominations. For more information, visit the Cinema Eye Honors website, which also contains more trivia and facts about the nominees in each category. The Cinema Eye Honors winners will be announced on Wednesday, January 7 at New York’s Museum of the Moving Image. […]
by Filmmaker Staff on Nov 12, 2014
