6303 Results for “Open ”
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Underground: Sam Fleischner on Stand Clear of the Closing Doors
Sam Fleischner’s Stand Clear of the Closing Doors centers on Ricky (Jesus Sanchez-Velez), a remarkably intelligent, often unfocused midrange autistic 13-year-old boy who gets lost in the NYC subway’s endless subterranean tunnels. After his older sister (Azul Zorrilla) fails to pick him up from school, Ricky finds himself entranced by the dragon decal on a stranger’s jacket while trying to get home. That Sanchez-Velez, a non-actor making his screen debut, does in fact have Asperger’s syndrome adds a layer of verisimilitude to one of the year’s most fascinating performances. Ricky is a Rockaway Beach native whose mother (Andrea Suarez Paz) is […]
by Brandon Harris on May 23, 2014 -
Cannes Announces Un Certain Regard and Critics Week Awards
Ahead of Saturday’s Competition ceremony, the Cannes Film Festival sidebars Un Certain Regard and Critics Week have announced their prizewinners. Critics are often want to beat the drum for various UCR selections, decrying their supposed relegation from the main slate, and this year was no different. Hotly tipped titles such as Lisandro Alsono’s Jauja and Jessica Hausner’s Amour Fou nonetheless went home empty-handed, as Kornél Mundruzcó’s more divisive White God scooped up the Prix d’Un Certain Regard. Also the source of critical contention was the opening night selection Party Girl, whose writing-directing trio comprised of Marie Amachoukeli, Claire Burger, Samuel Theis received an ensemble prize. Over in the Critics […]
by Sarah Salovaara on May 23, 2014 -
Cannes Day 9: France Responds to Welcome To New York, Ukraine & Azerbaijan Unite
News items of interest as the Cannes Film Festival rolls through its ninth day: • At The Conversation, Sue Harris has an overview of the furious reception Abel Ferrara’s Welcome To New York has received in France. As she points out, the casting of Gérard Depardieu is far from incidental: Depardieu’s casting breaches the fictional veneer of Ferrara’s film in ways that no other actor could. No one could be more suited to play the nation’s premier “disgraced” Frenchmen than the other principle one. And so, thanks to a volatile mix of the real and the imagined – a heady […]
by Vadim Rizov on May 22, 2014 -
Godard Excuses Himself from Cannes with “Letter in Motion to Gilles Jacob and Thierry Fremaux
More than half a century since Breathless, Godard still enjoys his fair share of devotees despite a descent into overwrought provocations. Rather than field befuddled questions following the premiere of his 3-D talking dog opus Goodbye to Language after its Cannes premiere this morning, the filmmaker recused himself from promotion with the above. Opening with the official seal of “Khan Khanne,” the “Letter in Motion to Gilles Jacob and Thierry Fremaux,” fashions clips from Godard’s own work, asides from Hannah Arendt, and ruminations on these “other worlds” he now inhabits. I began trying to draw out what little French I understand before noticing that Indiewire had translated the […]
by Sarah Salovaara on May 21, 2014 -
Cannes 2014: 5 Questions for Le Meraviglie Director Alice Rohrwacher
Following up on her 2011 debut Corpo Celeste, which premiered in the Directors’ Fortnight section, Alice Rohrwacher returns to Cannes with Le Meraviglie (The Wonders), this time as part of the main slate competition. It’s an intimate fairytale full of surreal characters and scenery, marvelously shot in Italy’s central-northern landscapes. Eldest daughter Gelsomina is the head of the family. While taking care of her three sisters, she struggles to keep the bee farm running with her stubborn German father, who opposes anything modern. The family has run out of money when the government imposes new regulations that could shut the […]
by Ariston Anderson on May 20, 2014 -
#ArtistServices Austin Workshop: Talking Crowdfunding, Torrents, DCP and More
Sundance often faces criticism from the independent film community as being inaccessible and too commercial. Two weekends ago Austin Studios, the Sundance Institute and the Austin Film Society held the sold-out “#ArtistServices Austin Workshop,” proving Robert Redford’s initial vision of supporting truly indie film is strongly intact. The day-long event was focused on educating filmmakers about the business side of fundraising, marketing, and distribution for small movies. Filled with local filmmakers like Two Step director Alex Johnson and Before You Know It director PJ Raval and producer Annie Bush, the raw hanger space (Austin Studios is located on the site […]
by Eric M. Levy on May 20, 2014 -
Cannes 2014: Girlhood, It Follows, Red Army, Foxcatcher and Stray Duds
If it weren’t for the inflexible, charmingly antiquated press hierarchies of the Cannes Film Festival, where journalists queue up and get let into screenings by priority of their rainbow badge color (yellow, blue, pink, pink with a yellow dot, and the all-powerful white), it would only be a matter of time before influential Twitter users were accredited. The social media juggernaut of mass brevity — like college, marriage, or colonic irrigation — is not for everyone, but during Cannes, it’s the handiest tool for aggregating kneejerk reactions to what typically shakes down as half of the year’s Most Important Films. […]
by Aaron Hillis on May 20, 2014 -
Welcome to the Terrordome: Sundance London (April 25-27, 2014)
Over one long weekend at the end of April, the third annual edition of Sundance London — a slimmed-down, satellite companion to its 30-year-old US forebear — took place. The first thing to note about the festival is the sheer oddness of its location. The films screen at a characterless (though decently-appointed) Cineworld multiplex inside the O2 Arena, a corporate enormo-dome that hosts everything from musical concerts to live comedy to darts tournaments. The O2 is situated at the Greenwich peninsula on the south bank of the River Thames, roughly six miles to the east of central London, where most […]
by Ashley Clark on May 16, 2014 -
Cannes Day Two: Travel Chaos, Russian-Ukrainian Cooperation and Surveillance
It’s day two of Cannes and initial reviews are starting to come in. Some items of related interest: • Thanks to an ongoing nationwide government worker strike over a four-year proposed pay freeze, travel to and from the festival is tricky, what with extensive flight delays and cancellations. Among those caught in the turmoil: the band Spandau Ballet, the subjects of a documentary set to premiere tomorrow. • At the Russian Pavilion, events kicked off with a showcase for Ukrainian-Russian co-productions. A tricky proposition given the current political climate, but producers Natalya Mokritskaya and Mila Rozanova were there to show […]
by Vadim Rizov on May 15, 2014 -
Finding Teaching Jobs: A Few Thoughts about Teaching Work for Independent Filmmakers
I’ve been teaching film at different southern California colleges for the past nine years, and it has occurred to me recently that the landscape has changed. It has always been competitive, but it has become even more so. When I first started, finding work as an adjunct was difficult but possible, especially if you had relationships at film schools that needed part-time help. One of the dirty little secrets of higher education is that colleges are often DESPERATE for adjunct faculty, and will madly scramble for any warm body at the beginning of a semester. However, like everything else, when […]
by Eli Daughdrill on May 13, 2014
