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Win a Blu-Ray of I’m So Excited and a Poster Signed by Pedro Almodóvar
Pedro Almodóvar was in fine and very funny form last year with I’m So Excited, which comes out today on DVD and Blu-ray. Writing about I’m So Excited on the Filmmaker website, R. Kurt Osenlund wrote, “A dizzyingly sexual lark of a comedy, and Almodóvar’s fizziest film to date, the movie goes down with the mood-lightening and belt-loosening ease of the mescaline-spiked Valencia cocktails its lead characters guzzle. As has been widely reported, I’m So Excited is a throwback to the sort of telenovela-tinged comedies the director hasn’t made in years (think Airline Passengers on the Verge of a Nervous Breakdown), […]
by Nick Dawson on Jan 7, 2014 -
Should Independent Films License Products like Hollywood?
While pitching Like Me at the Dogfish Accelerator Demo Day last month, Go Infect Films’ Jessalyn Abbott remarked that a complimentary clothing line would compound its release. I was — immediately and regrettably — skeptical. Of the substantial batch of independent films I seek out each year, not one in recent memory has touted more than a poster and the occasional t-shirt. I filed Go Infect’s marketing strategy away as “unusual” and “ambitious.” A couple days later, when the internet was astir with slack-jawed admiration for Her, I read that Spike Jonze’s longtime “collaborator,” Humberto Leon of Opening Ceremony, had created his […]
by Sarah Salovaara on Jan 7, 2014 -
Director Tomas Leach on In No Great Hurry: 13 Lessons in Life with Saul Leiter
Tomas Leach’s In No Great Hurry – 13 Lessons in Life with Saul Leiter was one of my few true discoveries of 2013. While covering the Thin Line Film Fest in Denton, Texas, I pretty much stumbled upon Leach’s poignant portrait of the legendary NYC photographer in his final years — Leiter died this past November — without knowing much about the man who ushered in the use of color photography. Since that February fest Leach’s film has gone on to screen DOC NYC and now premieres theatrically at the Film Society of Lincoln Center on January 3rd. Filmmaker spoke […]
by Lauren Wissot on Jan 3, 2014 -
Win a Trip to the Sundance Film Festival
It’s officially January, which means it’s officially almost time for Sundance. General Assembly, purveyor of programs and workshops for the budding technophile, is doing their part by giving away an all expenses paid package for two to this year’s festival. Beyond airfare and accommodations, the prize includes complimentary membership to the Sundance Institute and access to exclusive Park City screenings, panels, parties and so forth. To enter to win, simply fill in your email address at the link. The contest is open till January 6.
by Sarah Salovaara on Jan 2, 2014 -
Filmmaker‘s Top 20 Posts of 2013
This list of 2013 top posts is broken in two — the first contains the top ten posts here at Filmmaker published during this calendar year. The second are the top ten older posts, the ones that keep on bubbling to the top of our Google Analytics. (A true 2013 top ten would be a mixture of these two lists.) So, to close out the year, here is what you read most at our site. 10. 13 Steps to Directing Famous Actors on a Microbudget Film. Director and Slamdance co-founder Dan Mirvish has two articles on this year’s list. In […]
by Scott Macaulay on Dec 30, 2013 -
The Ten Best TV Shows of 2013
2013 has been a tough year to sum up for television. If it could be characterized by one trend, it would likely be the sheer glut of content being produced. With more cable channels investing in their own programming, as well as the long-promised rise of online networks such as Netflix and Amazon, it often feels like you can’t go a week without hearing about a new buzzed about, “best series on television.” Add to that the increased presence of international series on American screens (thanks to the likes of Hulu, DirecTV, BBC America, and the Sundance Channel, among others), […]
by Jane Schoenbrun on Dec 23, 2013 -
Dutch Masters: Oeke Hoogendijk on The New Rijksmuseum
Clocking in at nearly four hours over several discrete parts, Oeke Hoogendijk’s The New Rijksmuseum details the taxing decade-long process of renovating the iconic Amsterdam art museum, home to many of the key works of the Dutch masters, that became an operatic civic brouhaha. First, the reconstruction of a central entranceway draws the ire of the city’s politically powerful bicyclists lobby, which is opposed to a partial obstruction of the central pathway that runs through the center of the museum’s ground floor that is an extremely popular thoroughfare for the bike riding hordes. The safety of the 13,000 bikes that […]
by Brandon Harris on Dec 19, 2013 -
The Top 10 Scenes of 2013 (From One Woman’s Perspective)
Tis the season of the Top 10 list. In what I figured was an out-of-the-box alternative, I decided to compile not necessarily my favorite films of the year, but the scenes that have resonated with me most. Then, Nicholas Rombes had to go and prove that the “great minds” adage is alive and well. Perhaps fortuitously, our lists have nothing in common. Though Upstream Color would likely crack my phantom Top 10, there is no one individual moment from the film that begged my memory for recognition. The same can be said for Inside Llewyn Davis, Bastards, Viola, Like Someone […]
by Sarah Salovaara on Dec 19, 2013 -
Nymphomaniac: Lars von Trier Up to His Old Tricks
This review of Nymphomaniac is based on seeing both films back-to-back with a 25-minute interval, whereas it will be released theatrically in the U.S. in two parts, Volume 1 in March, and Volume 2 in April. As such, this review will try to take the two films as separate entities. I have tried to write them without containing spoilers, but some I fear, are inevitable. Nymphomaniac: Volume 1 Nymphomaniac arrives on the back of one of the best marketing campaigns in years. The first “() Opening Soon” poster was on its own pretty special, but it was trumped by the series of posters […]
by Kaleem Aftab on Dec 18, 2013 -
Sundance Institute Announces 12 Projects for Screenwriters Lab
This afternoon the Sundance Institute unveiled the 12 projects that will be participating next month in its Screenwriters Lab. Among the filmmakers whose scripts were chosen are documentarian Jeremiah Zagar (In a Dream), whose first narrative script We the Animals (based on a book by Justin Torres) was also in IFP’s Emerging Storytellers, while another alum of that program (from 2011) selected here is Ryan Koo, with his project Manchild. Other notable participants this year imclude Jordana Spiro, the former TV actress whose short Skin played at Sundance 2012; uber inventive and wacky pop promo directors Daniel Kwan and Daniel Scheinert […]
by Nick Dawson on Dec 17, 2013
