6301 Results for “Open ”
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Blood on the Motorway: Alexandre Moors on Blue Caprice
The title character in Alexandre Moors’ frequently stunning feature debut Blue Caprice is a mid-sized sedan, the type used by police departments across America as the principle member of their fleet, its steely menace a constant presence as it winds its way through nondescript, wan-looking American streets. The sedan in question in Moors’ film was also a police car, at least before it was retrofitted for terror by John Allen Muhammad and Lee Boyd Malvo, who drilled a whole in the trunk from which the 17-year-old Malvo, at the ex-U.S. Army marksman Muhammad’s urging, shot 10 people to death during the […]
by Brandon Harris on Sep 12, 2013 -
Curator Miriam Bale on New York’s La Di Da Film Festival
New York may have a film festival for every neighborhood, but La Di Da, the brainchild of programmer and critic Miriam Bale, has carved a niche for itself that feels more temporal than geographical. Now in its second year, the festival, whose title is a tip of the cap to Annie Hall’s choice refrain, has expanded upon its foundations as a communal haven for filmmakers creating aesthetically timeless, genre-friendly, and narratively experimental work. In doubling the selection, Bale deepens her exploration of films that, despite being very much of the here and now, feel as though they’ve been unearthed from […]
by Sarah Salovaara on Sep 12, 2013 -
Filmmaker Conference Chat with IFP’s Rose Vincelli Gustine
IFP’s cornerstone event, Independent Film Week, is less than a week away. The event is made up of Project Forum, which showcases in-progress projects from emerging filmmakers, and the Filmmaker Conference, which stages numerous panels and events to help filmmakers with myriad aspects of their work. In anticipation of Film Week, Filmmaker spoke with IFP’s Producer and Program Manager, who oversees the Conference, about what it has to offer this year. N.B. Filmmaker magazine readers can use the code 13Friends13 to get a special discounted price for tickets to the Filmmaker Conference. Filmmaker: First up, can you tell me about […]
by Nick Dawson on Sep 11, 2013 -
Liesl Copland on the “Analytic Black Holes” of Netflix, iTunes and Amazon
A filmmaker called me the other day, asking if I could think of some comps for his movie. You know, other movies whose marketplace performance would indicate that there is a paying audience for his demographically-similar picture. He named a title he really liked and said he was shocked to see via Box Office Mojo that it had done so poorly. Indeed, its reported box office was in the five figures. The very low five figures. “But that box-office figure is misleading,” I replied. “The film was bought by a company whose strategy is to release on VOD and digital […]
by Scott Macaulay on Sep 11, 2013 -
Writer/director John Ridley Talks about his Hendrix Pic, All is By My Side
With so many overstuffed biographical dramas barreling from cradle to grave, the creative possibilities of the intimate biopic, one focused on a formative and often little known period in a subject’s life, are often neglected by writers and directors. Thankfully, though, that’s the approach taken by screenwriter and second-time director John Ridley to one of the most iconic and fan-obsessed-over cultural figures of the 20th century, Jimi Hendrix. Starring André Benjamin (Outkast’s André 3000) as the iconic singer and guitarist, All Is By My Side focuses on a year or so in Hendrix’s life and how a song written for […]
by Scott Macaulay on Sep 10, 2013 -
Five Questions with Beneath the Harvest Sky Directors Aron Gaudet and Gita Pullapilly
Filmmaking team Aron Gaudet and Gita Pullapilly first made their mark on the U.S. independent scene in 2009 with the documentary The Way We Get By, a heartwarming festival favorite about a trio of senior citizens who have spent years greeting U.S. troops returning from combat as they arrive at Bangor International Airport in Bangor, Maine. Four years on, the pair are once again telling a story set in Maine, but this time it’s a bleak, fictional narrative. Beneath the Harvest Sky, a 2013 IFP Narrative Lab project, tells the story of two teenage best friends whose paths in life are sharply diverging: […]
by Nick Dawson on Sep 8, 2013 -
Five Questions with The Dog Directors Allison Berg and Frank Keraudren
The real-life incident of a man robbing a bank to fund his lover’s sex-change operation was immortalized in Sidney Lumet’s 1975 classic Dog Day Afternoon, with Al Pacino winning an Oscar nod for his fine performance as Sonny Wortzik. However the true story of John Wojtowicz — the man on whom Wortzik was based — remains all but unknown. The remarkable tale of that robbery and of Wojtowicz’s life after he emerged from prison is chronicled in Allison Berg & Frank Keraudren’s documentary The Dog, which the pair shot over the course of over a decade, starting in 2002. It has its […]
by Nick Dawson on Sep 6, 2013 -
Five Questions with I Am Breathing Directors Morag McKinnon and Emma Davie
A documentary that navigates the profound nature of a fatal diagnosis, I Am Breathing is full of spirit when it could just as easily rest on real life pathos. Neil Platt, a 34 year old diagnosed with motor neuron disease and now living out his final few months, is forced into new perspectives to combat his physical paralysis, speeding up his own understanding of the world to offer to his young son. The film does the opposite of dragging along morbidly — it elevates the viewer with Neil’s lightheartedness even as he moves towards an all-too-certain end. Filmmaker spoke with […]
by Nadia Ismail on Sep 6, 2013 -
Gabriel Gomez & Julien Melendez on Robert Black and Possessed
Twenty years ago I spent a week with a Boy Scout troop riding a horse through the canyons of Moab in southeast Utah, feeling like young Indiana Jones in the opening sequence of The Last Crusade. Still, the red rocks, the brush, and the steep cliff walls created an ambiance unlike anywhere else, even the better-known national parks in the area like Arches and Zion and Bryce Canyon. While I was riding around half naively admiring the views, cutting edge musicians like Robert Black, a bassist and founding member of the Bang on a Can All-Stars, were discovering Moab’s acoustic […]
by Randy Astle on Sep 6, 2013 -
Thank Heaven for Seven: The Best of NewFest
This year marks the 25th anniversary of NewFest (September 6-11), kissin’ cousin of LA’s OutFest. Before the acronym LGBT became a more inclusive umbrella for groups stigmatized on account of sexual and gender preference, an earlier incarnation of a queer film event, The New York Gay Film Festival (1979-1987), was the only game in town. Founded by Peter Lowy, it took place at the Thalia cinema, then a film-buff paradise on the Upper West Side, and filled a huge gap for many of us. Distributors were fearful of gay-themed films. Of the selection, recurring topics included coming out and of […]
by Howard Feinstein on Sep 6, 2013
