David Lowery made waves last year in the independent film world with the news that Ain’t Them Bodies Saints — the follow-up to his $12,000 feature film St Nick (2009) — had attracted the stellar cast of Rooney Mara, Casey Affleck and Ben Foster. It quickly became one of the year’s most anticipated independent films, premiering at the 2013 Sundance Film Festival and Cannes Critic’s Week, and set to open in the US on August 16. The contemporary Western about a young couple torn asunder by a robbery gone wrong features shootouts and other elements of an action movie, but […]
Co-writer/directors Ian Hendrie and Jyson McLean were recently at the Sundance Creative Producing Summit with Mercy Road, a feature based on real-life events that “traces the spiritual odyssey of a small town housewife and mother, as she becomes willing to commit violence and murder in the name of God.” The following is what the pair wrote about their experiences at the summit. We are making our third and final climb up “The Mountain.” As the shuttle from the airport snakes up the winding forest-crested road, we anticipate spending a few last days in this special place. There’s a feeling of coming […]
The ubiquity of Big Pharma’s influence in modern medicine isn’t news and given the ever skyrocketing prices for many prescription medications, it’s ripe territory for outrage, but in their newest documentary, filmmaking team Donal Mosher and Michael Palmieri aren’t out to stoke your anger, but engage your empathy and your intellect. Their new film, Off Label, follows the lives of eight Americans, most of whom exist on the margins of society, whose lives have been utterly transformed, usually for the worse, by prescription drugs. In places like Iowa City and Detroit, the duo find story after story of addiction and […]
In 2011, I spent three months in Afghanistan making the documentary The Network. The film is set behind the scenes at the first, largest and most successful television station in Kabul, Tolo TV. I thought it would be surprising, timely and somewhat subversive to make a positive film about Afghanistan in the face of the impending withdrawal of foreign troops. One of the things I discovered while making The Network is it’s difficult to make a positive film about Afghanistan. While the achievements of Tolo are extraordinary as is the massive, unprecedented social change media has brought to the country […]
The Locarno Film Festival opened Wednesday with a bang — or two, to be exact. There was the bombastic Opening Night selection in the Piazza Grande, which was the Mark Wahlberg/Denzel Washington vehicle 2 Guns — what one fellow critic called Lethal Weapon for 2013 (and seemingly a bizarre choice incongruous with the rest of the programming) — and there was the massive summer storm that stole the film’s thunder and literally dampened the affair. The Piazza, one of the largest outdoor screening venues in Europe, is where Locarno the town and Locarno the international festival literally come together — and […]
Producer Gabrielle Nadig was recently at the Sundance Creative Producing Summit with King Jack, a project written and directed by Felix Thompson about a 15-year-old boy looking after his younger cousin for the weekend who must also deal with the local bully. The following is what Nadig wrote about her experiences there. The Sundance Creative Producing Lab has changed my life. I realize this is a bold statement but I know that my five fellow producers chosen to participate in this year’s Lab would say the same. I have never been a part of a program that was so nurturing, generous, uplifting, […]
The following is a guest post, presented by ASCAP Composer Spotlight, by Alex Steyermark, the director of The 78 Project, Losers Take All, One Last Thing and Prey For Rock & Roll. Steyermark has also worked as a music supervisor and music producer for such people as Ang Lee and Spike Lee, and is a member of the Columbia University Faculty, running the ASCAP/Columbia University Film Scoring Workshop. Dogme Manifesto and current filmmaking trends notwithstanding, if you’ve decided that music is something you want for your film, and you’re at that point in your production where your musical needs are […]
Gordon Willis is one of the truly great cinematographers of the second half of the 20th century, the man responsible for shooting everything from Woody Allen’s Manhattan and Francis Ford Coppola’s The Godfather to such lesser-known (but also brilliantly lensed) movies such as Hal Ashby’s The Landlord and Alan Arkin’s Little Murders. In the second of our ongoing series of exclusive Craft Truck videos, Willis talks about the approach he took to lighting Marlon Brando in the iconic opening scene of The Godfather.
In the past year or so, austere Austrian auteur Ulrich Seidl has unspooled his Paradise trilogy at major festivals: Paradise: Love premiered at Cannes last year, Paradise: Faith at Venice later that fall, and Paradise: Hope bowed at the 2013 Berlinale. Strand Releasing has picked up the trilogy for distribution in the U.S., and the first installment has just hit the home entertainment market, with Love coming out on August 6. Courtesy of Strand, we have copies of Paradise: Love to give away on DVD to the first five (5) people who email nick AT filmmakermagazine DOT com with the […]
For those of you who are in the film business, I have some advice: when taking a meeting, remember to talk about a movie! Now, I’m not saying this as some kind of altruistic public service, as if independent film will die if you don’t get out there and talk it up. No, I’m offering it as a piece of practical self-help because, when meeting someone from the film industry, you will seem a more interesting and worthwhile person if you have something interesting to say about a movie itself! This piece of advice may seem a bit oxymoronic. I […]