6300 Results for “Open ”
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Phie Ambo on Free the Mind
Phie Ambo’s Free the Mind was one of my favorite flicks at this past International Documentary Film Festival Amsterdam, so I was thrilled to learn it would finally reach these American shores via a premiere at the Rubin Museum of Art in NYC on May 3rd. (And hopefully roll out nationwide if the filmmakers’ Indiegogo financing effort – which includes a photo op with the Dalai Lama as a reward – goes according to plan.) And I was even more excited to have the chance to speak with the Danish documentarian herself, whose film about University of Wisconsin professor Richard […]
by Lauren Wissot on May 1, 2013 -
“I’ve Never Understood a Traditional Screenplay:” Carlos Reygadas on Post Tenebras Lux
Born in Mexico City, Carlos Reygadas was a lawyer specializing in armed-conflict resolution in Brussels when he decided to try his hand at making films at the age of 30. He quickly became a unique voice in cinema with his first feature, Japón (2001), which received a special mention for the Camera d’Or at Cannes that year. In his three films since, Reygadas has developed his cinematic language and abilities, as well as his reputation for making aesthetically uncompromising and provocative films. If his second film, Battle in Heaven (2005), cemented his reputation as a provocateur, his following Silent Light […]
by David Barker on May 1, 2013 -
Exclusive Script Extracts and Storyboards from Carlos Reygadas’ Post Tenebras Lux
Courtesy of writer/director Carlos Reygadas, below are the script and storyboards from two sequences from Post Tenebras Lux, which opens at Film Forum today. The first sequence is the sauna scene, in which the film’s two central characters, played by Adolfo Jiménez Castro and Nathalia Acevedo, visit a swingers sauna in France, and the second is the closing sequence of the film. 10. Cave. Camera hand held and on tripod. To be determined whether real steam or fake smoke. Juan, Esther and extras. (French). 1. Series of fixed shots of naked people in a steam bath with red light. […]
by Filmmaker Staff on May 1, 2013 -
Scorsese, De Niro, Lewis and Bernhard Recall The King of Comedy
“Look at this world we’re living in,” a videotaped Sandra Bernhard said Sunday at the Borough of Manhattan Community Center Theater. “It’s a shit show! Whatever we presented in The King of Comedy went so far beyond our wildest expectations that [the movie] seems almost homespun.” The occasion was the closing night of the 12th Tribeca Film Festival and its screening of Martin Scorsese’s The King of Comedy, restored in luscious 4K and attended by the director, star (and Tribeca co-founder) Robert De Niro, and, in a surprise appearance, Jerry Lewis, who plays the film’s aggrieved and assaulted late-night talk […]
by Scott Macaulay on May 1, 2013 -
Upstream Color
“If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.” Could this passage from Henry David Thoreau’sWalden be any more relevant to today’s independent filmmaker, who struggles to realize the dream of cinema while also, increasingly, having to build for himself or herself the distribution apparatus to support it? Walden, a mixture of philosophy, satire, religious yearning and introspective self-help, appears prominently in writer/director Shane Carruth’s new Upstream Color. Early in the film Kris (Amy Seimetz), a VFX quality control technician and one of our two […]
by Billy Brennan on May 1, 2013 -
Cult Classic: Jodi Wille and Maria Demopoulos on The Source Family
If you had an inside connection to a true-life tale in which sex, drugs, and rock & roll were part of the path to spiritual salvation for a ‘70s L.A. hippie cult group, wouldn’t you want to make a movie about it? Jodi Wille and Maria Demopoulos’s documentary, The Source Family, offers up an intimate history of the group led by Father Yod, A.K.A. Jim Baker. A successful, charismatic businessman, Baker had a late-1960s spiritual awakening leading to his establishment of a religious commune whose initial hub was his popular Sunset Strip health-food restaurant, The Source. After adopting his newly […]
by Jim Allen on Apr 30, 2013 -
Letters from Blocked Filmmakers: Drew Whitmire
Independent films get made, often miraculously, and we cover those films here at Filmmaker. But what about all those other projects that never, despite the best of intentions, make it through production, much less hit theaters? In this new series, “Letters from Blocked Filmmakers,” we’ll be hearing from directors who have struggled for years to realize their films only to come up short. Is the system to blame? Bad luck? Themselves? I’ll let the filmmakers answer these questions in their own words. I’m happy to be opening this series with this letter from Drew Whitmire, who has been attempting to […]
by Scott Macaulay on Apr 30, 2013 -
2nd Julien Dubuque International Film Festival
At its by turns lavish and kitschy second edition, the Julien Dubuque International Film Festival unspooled 67 films earlier this month. With or without its film festival, Dubuque is a surprisingly memorable locale, a fast-growing place which, like the best Midwest cities, is a universe unto itself. One of the first European settlements west of the Mississippi River, upon the muddy banks of which it still rests, Iowa’s ninth largest city (pop. 60,000), which like the festival is named after a French Quebecois who settled the area and later befriended and made love to Indians, is known both for its […]
by Brandon Harris on Apr 29, 2013 -
Tribeca 2013 Critic’s Notebook #3: On The Margins
It’s easy to feel cheated at film festivals, especially ones that charge $18 per ticket. (Does Tribeca still do that?) You couldn’t get into this screening or you missed that party or the awards because you couldn’t find a cab or had to file some copy. The publicist you have a crush on just isn’t that into you. Cry me a river. And then the awards have been given, the parties have been had, the distribution panel nameplates thrown in the trash. The clock is ticking, always, and you can never see or do everything. Funny, when you’re young, you […]
by Brandon Harris on Apr 29, 2013 -
The Druid City: Interview with Kristyn Ulanday and Max Esposito
Kristyn Ulanday and Max Esposito graduated from the journalism department of Boston University in 2010. They both work commercially as freelance photographers and filmmakers, but in 2011 they also began a collaborative project called Full Frame America to tell the stories they wanted to tell. The first result of that collaboration is a 24-minute documentary, The Druid City, that focuses on the town of Tuscaloosa, Alabama and how the residents have coped after the town was hit by an EF4 tornado in April 2011. Filmmaker: How did you come to make this movie? Esposito: We both felt like we […]
by Michael Murie on Apr 29, 2013
