6300 Results for “Open ”
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Five Questions with Some Girl(s) Director Daisy von Scherler Mayer and Producer Patty West
In the battle of the sexes, there has been perhaps no more controversial warrior than the playwright, screenwriter and director Neil LaBute (In the Company of Men). Since the mid-90s, LaBute has made a name for himself by writing movies that are truly, madly, deeply cynical. Adapted by LaBute from his own stage play and directed by Party Girl helmer Daisy von Scherler Mayer, Some Girl(s) stars Adam Brody as a soon-to-be-married writer who takes a cross-country trip to revisit ghosts of girlfriends past. With an all-star cast and a no-holds-barred script, it’s sure to leave people arguing in the lobby […]
by Mary Anderson Casavant on Mar 8, 2013 -
Five Questions with These Birds Walk Directors Omar Mullick and Bassam Tariq
Omar Mullick and Bassam Tariq are among a handful of directors selected for Filmmaker‘s “25 New Faces” in 2012 who are taking their debut features to this year’s SXSW Film Festival (alongside Penny Lane and Brian L. Frye’s Our Nixon, Ornana’s euphonia and Hannah Fidell’s A Teacher). Mullick and Tariq’s These Birds Walk, an alumni of the IFP Documentary Labs, is a moving and lyrical portrait of a home for young runaway boys and street children in Karachi, Pakistan, run by the humanitarian Abdul Sattar Edhi and his Edhi Foundation. The beautifully shot film (lensed by Mullick, a former photographer) was picked up by Oscilloscope prior to its […]
by Nick Dawson on Mar 8, 2013 -
Five Questions with Touba Director Elizabeth Chai Vasarhelyi
Elizabeth Chai Vasarhelyi’s Touba was seven years in the making: five of shooting, two of post-production. It grew out of her second documentary — 2008’s Youssou N’Dour: I Bring What I Love — which followed the legendary Senegalese musician before and after 2004’s Egypt album, whose religious themes raised the ire of the country’s religious argument. Her newest film began life on vibrantly grainy 16mm, following an annual Senegal trek undertaken by hundreds to the city of Touba to visit the home of Sheikh Amadou Bamba, founder of the Mouride Brotherhood. Like her last film, Vasarhelyi’s newest focuses on Islam […]
by Vadim Rizov on Mar 8, 2013 -
Shooting with John: Lauren Wolkstein
The concept was genius, yet a bit insane. Get a bunch of indie film nerds together (who have never met before) to travel to upstate New York for the weekend and shoot some target practice – with assault rifles. None of us had ever shot a gun before, let alone an AR-15. We were terrified. Well, I can’t speak for the rest of the group, but I was terrified. However, there was a catch, and I didn’t know this until I arrived for the target practice: we had to be interviewed immediately after firing the rounds, with the assault rifles […]
by Lauren Wolkstein on Mar 8, 2013 -
True/False Dispatch #2: Sleepless Nights and Computer Chess
Making its North American premiere at True/False, Eliane Raheb’s Sleepless Nights is ostensibly about the Lebanese Civil War’s fallout. The opening title cards recap the conflict’s history in a bewilderingly quick synopsis, and if you’re not already informed on the subject (I went in shamefully ignorant), it’ll take a while to get your bearings. The principal subjects are Assaad Shaftari, a former Christian militia senior intelligence official, credited with approving some 500 deaths; and Maryam Saiidi, whose son vanished following one skirmish — the “battle of the science building” — out of a long, complicated history (the War lasted 15 […]
by Vadim Rizov on Mar 8, 2013 -
A Hidden Gem in Eastern Oregon
La Grande, Oregon, is the country’s largest fully enclosed valley and the second largest in the world. The geographical term for this is a continental depression, but there is absolutely nothing depressing about the incredible mountain views that dominate just about every conceivable vantage point in this quintessentially Western town. The same could be said for La Grande’s extraordinary Eastern Oregon Film Festival, which unspooled its fourth event in five years this past weekend. Captained by Christopher Jennings, who unlike many ambitious young locals has stayed in this former gold-mining, sugar-processing and lumber mill town of just over 13,000, the […]
by Brandon Harris on Mar 8, 2013 -
Electrick Children — A Hammer To Nail Review
(Electrick Children world premiered at the 2012 Berlin Film Festival and was picked up for distribution by Phase 4 Films. It opens theatrically on Friday, March 8, 2013. Visit the film’s official website to learn more.) Oh, to read the description of a movie and go into it with one’s thickest guard up, anticipating some exercise in “indie quirk,” only to realize within seconds that, shame on you, that assumption couldn’t have been further from the truth. Rebecca Thomas’s debut feature, Electrick Children, shut me up right quick, for it becomes immediately evident that this is one of those lovely […]
by Michael Tully on Mar 7, 2013 -
This Is Different: Cristian Mungiu on Beyond the Hills
Cristian Mungiu’s latest feature, Beyond the Hills, confirms suspicions that were aroused by his previous, the Palme d’Or-winning 4 Months, 3 Weeks and 2 Days. What’s been confirmed is that Mungiu is that rare blend of filmmaker who seems destined to produce first-class auteurist art cinema. Mungiu blends two distinct types of filmmaking into one carefully distilled whole: his films address critically pressing social issues that are irrefutably relevant, but they also are formalist aesthetic works that are very much about the nature of cinema itself. There are plenty of serious filmmakers who tackle either one interest or the other, […]
by Zachary Wigon on Mar 7, 2013 -
The New Digital Storytelling Series: Zeega
The first our series of interviews with digital storytellers, realized in collaboration with Filmmaker, here are the team behind the interactive storytelling platform Zeega. From the group’s mission statement: Zeega is revolutionizing web publishing and interactive storytelling for a future beyond blogs. With Zeega, you can use any media in the cloud, transform the entire screen into your playground, and share your interactive creations with the world. We’re living in a unique moment. More media than ever is recorded and shared. But the web today is dominated by a few platforms – all stories start to feel the same, trapped […]
by MIT Open Documentary Lab on Mar 7, 2013 -
Should Filmmakers Learn to Code?
“Do filmmakers need to learn to code?” The inspiration for this blog series came from this question. Software is part of our everyday life; in some circles coding is seen as the new literacy and a means of empowerment. At MIT’s Comparative Media Studies, where the MIT Open Documentary Lab is housed, we are confronted with this question on a regular basis as humanists sitting in a land of hackers who marvel at the power and elegance of code. Fluent in many programming languages, some of them believe that we all should be. In an effort to make coding more […]
by Sarah Wolozin on Mar 7, 2013
