Although it might be surprising to learn that it isn’t actually held in a loft, the first annual edition of Tucson’s Loft Film Festival, centered at this southern Arizona college town’s venerable, long running Art House the Loft Cinema, maintains the home made, speakeasy vibe that the title implies. Its inaugural run having come to a close with a Thursday night screening of The Girl Who Kicked the Hornet’s Nest, this first edition was a glimpse at the type of festival the regional circuit needs more of. Lets hope they keep it going, as it proved to be a welcome […]
As most of you know, I write a weekly newsletter that contains a letter that’s not usually posted on this blog. Sometimes it consists of thoughts that coalesce into an article or blog post down the line, and sometimes it consists of of-the-moment reactions to events just hitting the news. Often the newsletter poses questions that I’d like our readers to comment on. Yesterday I wrote about the newly announced Amazon Studios and solicited feedback. I hope to, in the next few days, write about the provocative new venture, which has good elements (a new financing source for independent filmmakers […]
Invited to deliver a master class seminar on doc/fiction hybrid films at the CPH:DOX Labs, I attended the festival for the first time this year. At the Labs, now in its second year, filmmakers from the Nordic countries and around the world were brought together in teams and charged with collaborating on a film. Because I was teaching the day-long seminar, which took place days before the well-attended Forum (a market for docs seeking financing) opened up, I missed the great majority of the festival’s programming as well as business activity. So, I can’t offer a detailed roundup of the […]
When I was in a high school in Tennessee, a classmate of mine started crying while discussing a short story about Vietnam. Through her tears, she explained that the soldiers battling for their lives reminded her of all the unborn babies who’d been killed that week. What those of us not on the frontlines of the abortion battle often forget is that for those who feel passionately on the subject, abortion is not just an issue, it’s the only issue. In 12th and Delaware, last night’s entry into the Stranger than Fiction canon, directors Heidi Ewing and Rachel Grady take […]
The sixth edition of the Eurasia International Film Festival (Sept 21-25) in Kazakhstan was a showcase of films from Central Asian and Turkish-speaking countries, but what particularly stood out in its various programs was the strong output of Kazakh films, a result of increasing government and private backing in project development, production and post-production facilities. High above Kazakhstan’s former capital and current cultural center Almaty, construction crews were racing to finish buildings for the 2011 Asian Winter Games in the foothills of the majestic Tien Shan mountain range. A country larger than Europe, Kazakhstan spans the oil-rich coast of the […]
A few characters and a house — it’s one of the most durable movie starting-points, especially for first-time filmmakers. The latest to use the economy and natural dramatic focus of this concept is producer-turned-director Joe Infantolino, whose Helena from the Wedding opens today. Newlyweds Alex and Alice invite another couple for a New Year’s party at their mountain cabin. But when the quite beautiful and very single Helena is added to the mix, relationship fissures ensue. Helena from the Wedding is a deftly directed and very well acted film, a modest yet rewarding debut from Infantolino, whose producer credits include […]
I’ve been checking out a couple of new, much-buzzed about online apps and tools this week — RockMelt and Auditorium. I’ll post my thoughts on RockMelt after I play with it a bit more. As for Aweditorium,, which is free for the iPad, I need to spend more than 20 minutes with it. But my first reaction is that it is kind of cool and also noteworthy for trying to do something different in the music discovery space. In film, we talk a lot about discovery, but this mostly boils down to discussions of social network sharing, recommendation engines, etc. […]
Acclaimed documentarian Ondi Timoner has a knack for picking wildly unpredictable subjects and then going all in, detailing the drama of self-destruction from an insider’s vantage point. Both Anton Newcombe, the fiery frontman of cult-rock mainstays The Brian Jonestown Massacre and Josh Harris, dotcom entrepreneur and Internet stunt artist, were brilliant, fascinating personalities dancing along the edge of personal and professional annihilation in Timoner’s previous Sundance Grand Jury Prize–winning films, Dig! (2004) and We Live in Public (2009). So one imagines the intrepid documentarian hunting around for another larger-than-life character to hitch her cameras to, a mad scientist, perhaps, who’s […]
The 7th annual Amazonas Film Festival Brazil opened last night with a mixture of culture and cinema in the heart of the Amazon Rainforest. The festival kicked off with a screening of Lucy Walker‘s Waste Land, which looks at Brazilian artist Vik Muniz who uses the garbage from a landfill in San Paulo to transform the lives of some of the people who work there. But for those of us who came over from the States it was the setting of the screening that was more eye catching: the Teatro Amazonas, where the opening scene from Fitzcarraldo was shot. One […]
So much depends upon… the position in which one reclines. Seated next to me in the elite section of a flight to Doha, Qatar, an Indian financial wizard with rings on each slim finger nodded and looked thoughtfully out the plane window. Across the aisle, Harvey Weinstein, an overstuffed teddy bear in Qatar Airways pajamas, turned another page of “My Week with Marilyn” and growled for the stewardess. Upon touchdown, a phalanx of young stewards ushered a group of remarkably well-rested travelers into private cars and whisked us away to the second annual Doha Tribeca Film Festival. Could any film […]