Open | Filmmaker Magazine

Women Without Men’s Shirin Neshat

UNTITLED (WOMEN OF ALLAH). PHOTO COURTESY OF GLADSTONE GALLERY, NEW YORK. “It’s very flattering to be interviewed by a film magazine as opposed to an art publication,” said Shirin Neshat. “I am very flattered anybody would think it’s worth talking to me.” Widely-acknowledged as one of the most influential contemporary Middle-Eastern artists (and apparently one of the most modest), Neshat and her work are staples of museums and galleries around the world, while remaining relatively little-known in film circles. That changed this year when she burst onto the independent international film stage with her first feature film, Women Without Men. […]

by Livia Bloom Ingram on Jan 23, 2010

AT SLAMDANCE, SOLATRIUM SCREENED AND MASHED

When I taught the IFP Rough Cut Lab a while ago, one of the most intriguing projects was Chris Bower‘s Moon Europa, an idiosyncratic sci-fi drama with green overtones. Bower is still at work on the feature, which will shoot this summer, but for now check out Solatrium, which plays at Slamdance on the 22nd and the 28th. The filmmaker describes the film as the “story of Bria Living, a female astronaut who attempts to cure her regret and ennui by abusing her medication Solatrium. Little does she know she is a test subject for the Nevco Corporation who is […]

by Scott Macaulay on Jan 22, 2010

“CATFISH’”S HENRY JOOST AND ARIEL SCHULMAN | By Alicia Van Couvering

The filmmakers Henry Joost and Ariel Schulman work together in New York as Supermarche, and are prolific producers of music videos, commercials and feature films (Opus Jazz: NY Export, premiering on PBS this Spring, is their latest.) They also share an office with Schulman’s younger brother, Yaniv. One day Yaniv got an email from an eight-year-old girl who wanted to paint a picture of one of his photographs (a production still from Opus Jazz that had run in the newspaper.) Egged on by his brother and Henry, Yaniv said yes, and instigated an intense correspondence not only with the girl […]

by Scott Macaulay on Jan 22, 2010

A SUNDANCE INDUCTION: PRODUCER RON SIMONS BLOGS FROM THE FESTIVAL

Producer Ron Simons is blogging from Sundance with his first feature, Tanya Hamilton’s Competition title, Night Catches Us (pictured). Here’s his second post. Well I am here! The journey was not without its complications, but I’m here. While the flight to SLC was not delayed (actually arrived 15 minutes early), there were a number of disgruntled passengers sharing the flight with me. While I was uncomfortably sleeping (having slept only an hour and a half last night due to packing), another poor soul was suffering across the aisle from me. Apparently the gray haired gentleman boarded the non-stop from JFK […]

by Scott Macaulay on Jan 22, 2010

“ANIMAL KINGDOM” | writer-director, David Michod

[PREMIERE SCREENING: Friday, Jan. 22, 9:00 pm — Egyptian Theatre, Park City] Casting 17-year-old James Frecheville in the lead role. He’d never done a movie before; he was just one of 500 kids who came to a massive open casting. He was bigger and tougher than I’d ever imagined the character being and he was going to have to sit at the center of a big ensemble cast of some of the best and most intimidating actors in Australia. If he didn’t work, the movie wouldn’t work. But something about the natural detail in his audition performances just made me […]

by Jason Guerrasio on Jan 22, 2010

“PLEASE GIVE”‘s NICOLE HOLOFCENER | By Jason Guerrasio

This piece was originally printed in our 2010 Winter issue. In a New York Times piece written last month on the commercial success in 2009 of films aimed at female audiences (Twilight: New Moon, Julie & Julia, The Proposal), critic Manohla Dargis also took note of the relative paucity of female directors in Hollywood. Sure, there’s Kathryn Bigelow, who won many critic’s Best Director awards with The Hurt Locker, and there are Nora Ephron, Ann Fletcher and a few others but, for the most part, wrote Dargis, “Only a handful of female directors picked up their paychecks from one of […]

by Jason Guerrasio on Jan 22, 2010

“DADDY LONGLEGS” | co-writers-directors, Benny Safdie & Josh Safdie

[PREMIERE SCREENING: Friday, Jan. 22, 8:30 am — Prospector Square Theatre, Park City] Jeesh, the amount of decisions that go into making a movie… the words “the amount” are so heavy because the list is heavy, breathing is a decision, but to quantify them seems like the scariest task with such a daunting overhead. Of course the best decisions are the ones that you don’t have to make but are forced into. During Daddy Longlegs, we were so preoccupied with constantly providing stimuli from the writing process all the way through editing: for ourselves, for the actors, the non-actors, the […]

by Jason Guerrasio on Jan 22, 2010

“MY PERESTROIKA’”S ROBIN HESSMAN | By Alicia Van Couvering

Robin Hessman’s My Perestroika is a documentary that shows modern-day Russia from the inside out. Five Russian adults reveal their personal histories through interviews and home movies, talking us through their childhood in school together during the die-hard communist Brezhnev years of the 1970s, through Gorbachev, the collapse of the USSR, and, finally, the coups, oligarchs and wealth transfers that are shaping Russia today. Borya and Lyuba, a married couple, teach history at School #57, which their teenage son also attends, and the film begins in their modest apartment, the same one Borya grew up in. Olga, the prettiest girl […]

by Scott Macaulay on Jan 21, 2010

ASTRA TAYLOR ON INTERNET SERFDOM

Okay, I promised Sundance posts only for the duration of the festival… but that was before I got grounded in Phoenix. I hope to make it to Sundance tonight, but the weather is not being hospitable. In the meantime, I started reading on the plane the new issue of The Baffler, a beautifully produced journal of arts and ideas that is taking a valiant stand against the technocratic pressures that are dumbing down print journalism. In fact, that process is partially the subject of documentary filmmaker Astra Taylor’s “Serfing the Net,” an essay in which she argues that the ideologies […]

by Scott Macaulay on Jan 21, 2010

Jon Amiel, Creation

The first non-Canadian film to open the Toronto film festival in quite some time, Jon Amiel’s Creation seems to both embrace and shun the duties and limitations of the historical biopic. Paul Bettany stars as middle age naturalist Charles Darwin, well past his explorations on the HMS Beagle, who having settled into English country life with his children and wife Emma (Bettany’s real life spouse Jennifer Connelly), decides to finally tackle writing a book on his nascent theory of Evolution. Haunted by visions of his recently deceased daughter and the notion that he may permanently alter man’s conception of the […]

by Brandon Harris on Jan 20, 2010

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