6576 Results for “production”
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“Our Intent Was Never to Make Viewers Laugh”: Directors Jonathan Milott and Cary Murnion | Bushwick
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? One challenge of communication we originally faced was when we started pitching the idea over seven years ago. We presented the idea of Texas seceding from the U.S. and starting a civil war. At the time it sounded like a ridiculous satire and some people thought we wanted to make a comedy. Our intent was never to make viewers laugh though. The seeds of political animosity have […]
by Filmmaker Staff on Jan 25, 2017 -
“As Crazy and Unpredictable as Real Life”: Director Matt Spicer | Ingrid Goes West
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? I think the biggest challenge of communicating nowadays is figuring out how to make your voice heard amidst all the noise. There is so much out there vying for people’s attention, and it’s easy to get lost in the shuffle. This applies to indie filmmakers as well. We don’t have massive marketing budgets to buy ad space or air time, and oftentimes we’re lucky to even find […]
by Filmmaker Staff on Jan 25, 2017 -
“I Became Like Furniture”: Director/DP Jonathan Olshefski on Quest
Jonathan Olshefski spent a decade filming the Rainey family. He’d visit the family’s home often without a camera, simply to spend time with Quest, his wife and their children. As he notes in his interview with Filmmaker, this longterm commitment allowed him to “fade into the background and record natural scenes where the camera was not intrusive.” His documentary feature debut, Quest offers an intimate, vérité-like portrait of a black family in Philadelphia. Below, Olshefski speaks about the genesis of the project, his documentary influences and serving as his own DP. Quest made its world premiere at the 2017 Sundance Film Festival. Filmmaker: How and why did you […]
by Filmmaker Staff on Jan 25, 2017 -
“Directing in Stereo”: Directors Alicia Scherson and Cristian Jimenez | Family Life
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? Since we were two directors on set, which is unusual, we had to deal with the challenge of communicating with the crew and actors as one single voice. We created a method. There were days when one of us had the director’s cap and the second director had to refrain from talking to the cast or crew directly and had to go through the first director. A bit like […]
by Filmmaker Staff on Jan 25, 2017 -
“Filmmaking Is a Series of Crushing Compromises”: DP Daniel Katz on Sidney Hall
Shawn Christensen’s second feature following his Oscar-winning short Curfew, Sidney Hall chronicles the tumultuous life of a writer at the ages of 18, 24 and 30. The film boasts an impressive cast (Elle Fanning, Kyle Chandler, Michelle Monaghan, Nathan Lane) to supports its titular lead, played by Logan Lerman. Below, cinematographer Daniel Katz speaks to Filmmaker about the cameras, lenses and lighting approaches he used to distinguish each era of Sidney’s life. Sidney Hall held its world premiere at the 2017 Sundance Film Festival. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors […]
by Filmmaker Staff on Jan 25, 2017 -
“Chronic Illness Doesn’t Lead to Tidy Endings”: Editor Kim Roberts on Unrest
Jennifer Brea had a challenge: to make a film from bed. Brea was a PhD student at Harvard when a sudden illness left her bedridden. She sought to create a documentary portrait of her experience and found support from labs at Sundance, IFP and elsewhere. She premiered Unrest, her debut film, in competition at the 2017 Sundance Film Festival. Kim Roberts, an editor and writer on the film, spoke with Filmmaker about what drew her to the project and finding the right tone for a story this personal. Filmmaker: How and why did you wind up being the editor of your film? What […]
by Filmmaker Staff on Jan 25, 2017 -
Working Through Fear: An Interview with Blumhouse’s Jason Blum
Driving down Beverly, you head opposite Hollywood, away from Studio City, toward the nondescript, single-level, brown-bricked building that’s the literal Blumhouse — the offices of horror movie maestro Jason Blum. Since founding the company, Blum has produced dozens of films that have made varying degrees of impact on the zeitgeist: the found-footage scares of the Paranormal Activity films, the reinvented haunted house of the Insidious pictures, the social violence of The Purge series. And then, of course, there’s megahit Get Out, Jordan Peele’s ferociously intelligent satire on racism that, despite its share of lobotomies and knifings and violently applied white […]
by Scott Macaulay on Jan 25, 2017 -
“Editing Is an Unending Series of Difficult Decisions”: Editor Peter Kinoy on 500 YEARS
For director Pamela Yates and her colleagues at Skylight, 500 YEARS marks the end of a documentary trilogy on Guatemala. The film follows When the Mountains Tremble (1983) and Granito: How to Nail a Dictator (2011), both of which screened in previous years at the Sundance Film Festival. Veteran documentary editor Peter Kinoy edited all three films. Below, he discusses Skylight’s unique model as both a human rights organization and a film production company. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Kinoy: I […]
by Filmmaker Staff on Jan 25, 2017 -
“The Deep Angst and Disenfranchisement that Many People Feel”: Director Kyoko Miyake | Tokyo Idols
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? Tokyo Idols explores a cultural phenomenon driven by an obsession with young female sexuality, and the growing disconnect between men and women in hyper-modern societies. The idol singers are predominantly teenage girls, and their fans are mostly middle aged men. At the beginning, I was reluctant to talk to the fans as I struggled to empathize with them. For me, they were “on the other side” not only […]
by Filmmaker Staff on Jan 25, 2017 -
“We Really Wanted to Do His Story Justice”: Director Matt Ruskin | Crown Heights
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? I think the challenge with this film was how do you watch Colin Warner do 20 years in prison? How do you convey who this person is when he’s stripped of everything, and then how do you communicate the inner life he cultivated while in prison? I really respond to visual storytelling, so rather than plastering the film with voiceover we used a lot of imagery, whether it […]
by Filmmaker Staff on Jan 25, 2017
