6570 Results for “production”
-
Columbia Professor Tim Wu Responds to Manohla Dargis’s “Too Many Movies” Argument
Credit Manohla Dargis for kicking up a big discussion about the intertwined economics and cultural worth of independent film with her much-debated “As Indies Explode, An Appeal for Sanity” published in the New York Times. While her plea to distributors to stop buying so many movies struck Sundance-bound hopefuls as, well, a little mean, others are viewing her commentary in different ways. The latest is Columbia professor and journalist Tim Wu, who has penned a New Yorker response, “More is More in Independent Film.” “Dargis is wrong,” he flat-out writes, “making lots of films to yield a few hits is […]
by Scott Macaulay on Jan 16, 2014 -
2014 MacArthur Grants Announced
In our imminent Winter 2014 issue, Joy Dietrich penned a helpful piece on grant writing for documentarians, in which she surveyed recipients of Cinereach, Creative Capital, Sundance, MacArthur, ITVS and Tribeca funding. Fortuitous timing then that MacArthur released its 2014 grants this morning to the tune of $2 million for 18 different documentary projects. The films tackle such disparate hot button issues as immigration, health care, carbon trading, elderly care and the drug trade. Keeping up with the times, there’s even an interactive web platform designed around global youth communities. Said MacArthur President Robert Gallucci, “This year’s documentaries illuminate serious issues […]
by Sarah Salovaara on Jan 15, 2014 -
Joseph Gordon-Levitt Premieres Collaborative Show “Hit Record on TV”
A streamlined extension of his open collaborative site, Joseph Gordon-Levitt will premiere “Hit Record on TV” on Pivot, next Saturday at 10 pm. The first episode, which is currently available online, promises an amalgam of forms and tastes, as “Regular Joe” and his merry band of global collaborators stitch together short films (featuring Elle Fanning), musical interludes and animated sequences. Being that it is the inaugural affair, the episode centers on the number one, its connotations and translations, as told through said media and its fair share of webcams. The hitRECord address is one well worth visiting, as it encourages artists […]
by Sarah Salovaara on Jan 13, 2014 -
Hidden Horror: Roger Corman’s X: The Man with the X-Ray Eyes
The following essay appears in the new horror-film anthology, Hidden Horror: A Celebration of 101 Underrated and Overlooked Fright Flicks. Click here for an interview with the book’s editor, Dr. AC as well as for links to four other essays published at Filmmaker. “I’ve come to tell you what I see. There are great darknesses. Farther than time itself. And beyond the darkness, a light that glows, changes…and in the center of the universe…the eye that sees us all.” I sometimes think I learned everything I know about horror movies from Stephen King. I have an old copy of Danse […]
by Christianne Benedict on Jan 13, 2014 -
Amazon Launches Free Storyboarder Tool
Amazon continues its adventures in moviemaking. Amazon Studios, which began as an effort in crowdsourced content is moving towards content produced by professionals, but they still seem to be interested in moviemaking by the masses. They’ve already released a free storyboarding tool, and now they have Amazon Storyboarder, a tool for outlining stories using a corkboard metaphor. It’s free – you just need to create an Amazon Studios account – and it’s reasonably full-featured; you can add cards and move them around, and you can even share your projects with others and get their input. While the formatting of cards […]
by Michael Murie on Jan 13, 2014 -
Blood Money: Tze Chun on Cold Comes the Night
The sophomore effort from Tze Chun (Children of Invention), thriller Cold Comes the Night, uses invigorated noir conventions to evoke the betrayed modern social compact in a dreary, post-industrial strip of upstate New York. Chloe (Alice Eve), a poor widow and single mother, manages a fleabag motel, the type that charges prostitutes and johns by the hour. Social Services is on Chloe’s case for providing such a rotten environment for her eight-year-old daughter Sophia (Ursula Parker), giving her two weeks to straighten out their circumstances before they intervene. Then things get worse — a Slavic drug runner named Topo (Breaking Bad‘s Bryan […]
by Brandon Harris on Jan 11, 2014 -
Into the Woods: Director Michelangelo Frammartino Talks About His Mesmerizing Installation Work Alberi
Director Michelangelo Frammartino unveiled his latest project at Den Frie Center for Contemporary Art in Copenhagen in November. Alberi, his stunning 26-minute video installation, which first screened at MoMA P.S.1 last spring, was receiving its European premiere at CPH:DOX, a festival that awarded its top prize to his second feature, Le Quattro Volte, in 2010. Like that film, Alberi is a hybrid work that combines documentary and staged performance, but operates in the space between video installation and cinema. It describes a mysterious ritual from the southern region of the filmmaker’s native Italy that is well known but little understood. […]
by Paul Dallas on Jan 10, 2014 -
The Long and the Short of the Cinema Eye Honors 2014
The Cinema Eye Honors is always one of the most enjoyable and lively awards shows of the year, and arguably the most intimate; at no other awards show is there such a sense of an entire community coming together. This year, the short film that prefaced the awards — which was compromised of pictures of all the nominees — ended with the words, “We are Cinema Eye. We are on each other’s team.” And that sense of unity and people pulling together was underlined in the opening words of AJ Schnack, who called on the filmmakers present to stand together […]
by Nick Dawson on Jan 9, 2014 -
Ted Hope Named CEO of Fandor
Fandor, the online streaming service, announced today that indie stalwart Ted Hope would make the transition from board advisor to CEO come January 30th. The appointment follows Hope’s resignation from his role as Executive Director of the San Francisco Film Society last October. In December, Hope penned a highly trafficked post on his blog about how he could no longer produce films for a living. The financial imperatives driving the current film production business, he said, would force him to choose quantity over quality. Those who were left wondering what his new day job would be now have their answer. […]
by Sarah Salovaara on Jan 8, 2014 -
Day 2 of 19: Zach Clark and White Reindeer
In an independent landscape of shaky, handheld cinematography, loose improvisation and bare-bones sets, the precise and punchy dark comedies of Zach Clark stand out. Recalling the days in which low budgets meant inventive art direction, heightened emotions and a rebellion against a default naturalism, Clark’s third movie, White Reindeer modulates the director’s deadpan, quasi-Sirkian camp into something more delicately bittersweet. Anna Margaret Hollyman plays a suburban real estate agent who returns home one holiday season to find her husband murdered. Learning he had a mistress, an African-American stripper, she journeys into a world where kinky fantasy is really just another […]
by Scott Macaulay on Jan 7, 2014
