6583 Results for “production”
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Negative Reinforcement
PABLO LARRAÍN completes his Pinochet- era trilogy with No, the compelling and unlikely tale of the ad men who unseated a dictator.
by Kevin Canfield on Jan 21, 2013 -
Five Questions with Pit Stop Director Yen Tan
It’s been five years since Yen Tan’s mournful, romantic drama debut Ciao, and the Texas-based filmmaker now returns with Pit Stop. If the early buzz surrounding the film is any indication, Pit Stop shares the emotional intimacy of its predecessor, this time tracking the relationship of two gay men in a blue collar small Texas town. The film premieres today in the Sundance Film Festival’s NEXT section. Filmmaker: Where did the inspiration for Pit Stop come from? Can you speak a bit about Gabe and Ernesto’s characters, and how you developed each? Tan: Pit Stop came about during my road trips between the […]
by Jane Schoenbrun on Jan 21, 2013 -
Ass Backwards | Director Chris Nelson
[PREMIERE SCREENING: Monday, Jan. 21, 11:59pm — Egyptian Theatre, Park City] Ass Backwards is a film that celebrates a certain type of delusion. Its central characters, Kate & Chloe, have created their own brand of reality that’s pretty much disconnected from everyone and everything else. And they’re actually having a great time because of it. I think filmmakers may be similar types of asses. We sacrifice our connection to reality for the mad ride of making a film. There was a point during production where the rest of the world seemed to actually drop away. People who weren’t involved with […]
by Filmmaker Staff on Jan 20, 2013 -
Pit Stop | Director Yen Tan
[PREMIERE SCREENING: Monday, Jan. 21, 2:45pm — Prospector Square Theatre, Park City] I was in psychotherapy for a year before going into production on Pit Stop, mainly to deal with my insecurities and unresolved angst as an artist. By the time we began shooting, I still wasn’t sure if I was fully prepared to tackle the stress, the uncertainty, and the frustration of making another independent film.The most significant sacrifice I had to make then was my mental health. I felt a lot more vulnerable throughout the process, and in hindsight, thought it was a sign of weakness that I […]
by Filmmaker Staff on Jan 20, 2013 -
Five Questions with A Teacher Director Hannah Fidell
A Teacher, filmmaker Hannah Fidell’s feature debut, focuses on the increasingly unstable Diana (Lindsay Burge), a young teacher carrying on an affair with her underage student. But the film is not too concerned with the shocking or tawdry details of this central relationship. Instead, Fidell turns her focus inwards towards Diana’s subtly crumbling mental state, treating her gradual self-destruction as the focal point of tension. It’s a subtle and precise work, and surely one of the most unnerving selections of this year’s Sundance Film Festival. Filmmaker: Like your short The Gathering Squall, which was based on a Joyce Carol Oates […]
by Jane Schoenbrun on Jan 20, 2013 -
American Promise | Directors Michèle Stephenson and Joe Brewster
[PREMIERE SCREENING: Monday, Jan. 21, 6:00pm — Temple Theatre, Park City] The art of filmmaking took a strange twist when we turned the camera on ourselves as well as on our loved ones. We found ourselves constantly questioning our observational and self-reflexive approach to the craft, particularly when it conflicted with our parenting ideals. As parents, we were concerned about our son’s socio-emotional development and, therefore, our impulse was to turn off the camera early and often. Yet, more often than not, the decision to turn off the camera clearly hampered the quality and emotional depth contained in the first […]
by Filmmaker Staff on Jan 20, 2013 -
Co-Director Audrey Ewell on 99% – The Occupy Wall Street Collaborative Film (+ Exclusive Clip)
Downtown Manhattan, September 17, 2011—the first 1,000 protestors of the Occupy movement descend upon Wall Street and its neighboring Zucotti Park, pounding the cobblestones in the face of corporate neglect. Driven by the ever-expanding gulf within the socio-economic bracket, this modern day iteration of class warfare soon sparked a worldwide phenomenon. As fervent opinions batted about and media biases multiplied, documentary filmmakers Audrey Ewell and Aaron Aites sought to craft a holistic, honest portrait of the movement. Their resulting film, 99% – The Occupy Wall Street Collaborative Film, utilizes footage from filmmakers—novice and professional alike—from across the nation, in order […]
by Sarah Salovaara on Jan 20, 2013 -
Five Questions for Joy de V. Writer/Director Nadia Szold
Writer/director Nadia Szold dubs her debut feature Joy de V. “a dark Bildungsroman,” compressing as it does into a few short days a maelstrom of yearning, confusion and ultimately acceptance. As the film opens, Joy (Josephine de la Baume) abruptly walks out on her young marriage to Roman (Evan Louison), who has been living on government mental disability payments. Roman’s got another problem too, when he learns these checks are being cut off. So, while searching for his wife, Roman decides to perform “a public act of lunacy” that will demonstrate to the world his craziness. Roman crisscrosses the five […]
by Scott Macaulay on Jan 20, 2013 -
Five Questions with Ain’t Them Bodies Saints Director David Lowery
Texas-based filmmaker David Lowery has been at the center of the indie scene for some time now, and not just because of his excellent 2009 directorial debut St. Nick and that film’s much lauded follow-up, the 2011 short Pioneer. Check out Lowery’s IMDB page and you’ll discover that he has worked extensively on dozens of other projects over the past few years – as editor on Amy Seimetz’s Sun Don’t Shine and Dustin Guy Defa’s Bad Fever, as cinematographer on Frank Ross’ Audrey the Trainwreck, even as sound recordist for Kentucker Audley’s Open Five. With Ain’t Them Bodies Saints, Lowery’s […]
by Jane Schoenbrun on Jan 20, 2013 -
Five Questions with Prince Avalanche Director David Gordon Green
In 2011, an Icelandic-British film called Either Way won Best Film and Best Screenplay at the Torino Film Festival. Just over a year later, David Gordon Green, an American filmmaker whose own projects have debuted at Torino, has remade Either Way into the comedy Prince Avalanche starring Paul Rudd (Knocked Up) and Emile Hirsch (Into the Wild). The movie studies two men who leave their city lives to paint traffic lines down a wrecked highway. As they move through the hot summer and learn more about one another, an unexpected friendship develops. Much to everyone’s surprise, Green pulled off shooting this feature film in Texas over […]
by Alexandra Byer on Jan 20, 2013
