In a press release sent out today, the IFP has announced that they’ve expanded their Independent Filmmaker Labs to include distribution. In collaboration with Ted Hope and Jon Reiss, the Distribution Lab will take 20 projects (10 docs, 10 narratives) and gives them a year-long fellowship to assist the filmmakers with marketing and distributing their films. Filmmakers will receive, among other things, year-round access to IFP staff and Lab leaders, one-on-one mentorship with working producers and a five-day Completion Lab. To learn more about the Lab and its benefits read the full release below. Also on the IFP front, the […]
Last week when I intro’d a piece on Don Hahn and Peter Schneider’s Waking Sleeping Beauty, I wrote that every mid-career filmmaker must desire at some point a better record of his or her early days. In that vein, I came across on Ted Hope’s blog this little excerpt of a TV profile on his production company with James Schamus, Good Machine. It’s a great blast from the past, especially watching Good Machine staffers bustle through their office, stacked with papers and scripts and lined with posters, on West 25th. Needless to say, while this may be almost two decades […]
Here’s how writer/director/producer Dustin Guy Defa describes his new film, Bad Fever: Bad Fever is a film about loneliness. It’s about being alone and hating being alone and then finding somebody to be with but hating that too because it doesn’t feel any different or at least any less lonely. Do you ever feel shitty and wonder why everyone thinks you’re okay, and then when you do finally feel good about yourself everyone else starts to ask what’s wrong with you? It’s about that too. It’s about Eddie, who lives with his mother, and it’s about all of his hopeless […]
The group of filmmakers dubbed “mumblecore” is known for many things, but visual resplendency is not one of them. In fact, some of the movement’s biggest names proudly announce their disinterest in design, careful framing, and the dramatic effects of controlled lighting. From the outset, however, Aaron Katz has been an exception. Even when operating on the tiniest of budgets — as he did when shooting Quiet City for $2,000 — he has paid careful attention to the expressive potential of his characters’ surroundings. The nighttime industrial Brooklyn streets of Quiet City are not the harsh jungle of much urban […]
Geoff Marslett’s Mars is a whimsical rotoscoped space exploration romance starring Mark Duplass, the kind of film whose possible existence may never have occurred to you, but one that you are very glad to have discovered. Marslett, an Austin native and much-lauded teacher of animation at UT Austin, studied mathematics, philosophy, art, science and languages before arriving in Texas to get his degree in narrative filmmaking. Gradually, he began to get interested in animation, taught himself the process and started inventing new techniques for his short films, now numbering over a dozen. Monkey vs. Robot, for instance, has screened at […]
Six years after making the cross-over hit Sideways, Alexander Payne has begun production on his next film, The Descendants. Announced by Fox Searchlight, the film, based on Kaui Hart Hemmings‘s novel, started principal photography today in Hawaii. The film stars George Clooney as, according to the release, an indifferent husband and father of two girls, who is forced to re-examine his past and embrace his future when his wife suffers a boating accident off of Waikiki. Also starting are Judy Greer, Beau Bridges, Matthew Lillard, Robert Forster, Shailene Woodley, Mary Birdsong, Nick Krause and Amara Miller. Surprisingly, Taylor is not […]
So as we walked down the lines of people hoping to get into our screening — all there well before the screening was due to start — it was quite the feeling. It was great to see the Austin Fan Force roaming the crowds and having pictures taken with fans. As we were running through the tech check the theatre and festival staff had put their heads together and decided to put on an extra screening at midnight — in place of a surprise screening — to accommodate the people they already knew wouldn’t get in thanks to the long […]
So, it’s day 2 of the fest and D-Day for THE PEOPLE VS. GEORGE LUCAS. It’s our world premiere tonight and we’ve got a day packed with final preparations, the premiere, party and hopefully not too much panic! The day started well with the news that our screening sold out on the Xpress pass tickets in less than 20 minutes. Some people were in line from 8am. The booths don’t open until 10am. Could we be creating a mini STAR WARS phenomenon here?! Then it was time for Alexandre’s Studio SX interview with Lewis Wallace from Wired Magazine. There was […]
Matt McCormick may be premiering his first feature here in Austin this week, but he has long been a major figure within the Pacific Northwest’s independent film scene. For over 15 years he has made work that is both experimental and humorous, formally challenging and beguilingly poetic. His 2002 film, The Subconscious Art of Graffiti Removal, is something of a short-film masterpiece, a wildly clever riff on art criticism that is also an ode to changing face of the modern city. In addition to his film work, which he presents in film venues but also bars and rock clubs, McCormick […]
Swinging in to SXSW This is my first SXSW, which feels odd for me as I’ve worked as a producer in digital media & film for more than a decade, but shoots & life got in the way of coming before. But this year I’ve got a great reason to be here – I’m one of the producers of the innovative feature documentary The People Vs. George Lucas, here with director Alexandre O. Philippe, fellow prods Kerry Roy & Vanessa Philippe and DOP Robert Muratore. I’m based in the UK, so it was a long flight over here, and I […]