With a storied, diverse career, Frank DeCurtis has been a journeyman in the arts for over four decades. His background in performance, casting, fashion, props, set decoration and production design led him to collaborate with Abel Ferrara as a producing and creative partner for a dozen projects spanning more than 18 years. While much has been made of their sojourn abroad in the wake of 9/11, DeCurtis’s perspective has rarely been articulated in print. Filmmaker spoke to DeCurtis in downtown Manhattan about his trajectory, how an artist can effect an impact in many fields, and the inherent challenges to creating […]
by Evan Louison on May 27, 2019We all know that Cannes appraises itself as the supreme purveyor of a given year’s most handsome industrially-produced arthouse motion pictures (that is, those that happen to have completed their post-production by late April of said year) — a launchpad for quote-unquote major achievements by the world’s most recognizable and uncompromising narrative filmmakers. Its unwillingness to accommodate the more outre or difficult projects from directors who fit that description hasn’t been too contentious thanks, mostly, to the Directors’ Fortnight’s relatively eclectic and much less constricted programming philosophy—carried over from one artistic director to the next for more than half a […]
by Blake Williams on May 24, 2019Born in Brooklyn, Ken Kelsch enlisted to fight in Vietnam when he was still a teenager. He became a decorated officer in the Army Special Forces, and with over four decades as a cinematographer, has amassed more than 50 credits in film and television. His work alongside Abel Ferrara, with whom he has collaborated over 15 times, includes Bad Lieutenant, Dangerous Game, The Addiction, The Funeral, and recent Tribeca Film Festival entry, The Projectionist. Along with actor Annabella Sciorra and composer Joe Delia, Kelsch will be doing a Q&A at MoMA during the screening of The Funeral on Thursday, May […]
by Evan Louison on May 22, 2019Arriving back in New York, a city with which he is synonymous, Abel Ferrara has been popping up everywhere the past few weeks: from the Tribeca Film Festival, where his documentary The Projectionist had its world premiere, to the Museum of Modern Art, where a near-complete retrospective unspools a half-century of unruly cinema through May 30. The victory lap comes as the Bronx-born expatriate, who now lives contentedly in Rome, ushers a cluster of new work onto screens, including the long-delayed domestic release of Pasolini, starring Willem Dafoe as the radical Italian filmmaker and kindred spirit, as well as the […]
by Steve Dollar on May 18, 2019Evan Louison last wrote about Abel Ferrara for Filmmaker‘s 25th anniversary issue in his report, “Letter from Rome.” Given the assignment to interview Ferrara in conjunction with his month-long MoMA retrospective, Louison responded with a five-part personal memoir that tracks the impact of the director and his work on his own life. Check back each day this week for the next in the series, and read Part One, Part Two, Part Three and Part Four. A Glorious Exile, a Spirit Returning to Form The soul answered and said, What binds me has been slain, and what turns me about has […]
by Evan Louison on May 17, 2019Evan Louison last wrote about Abel Ferrara for Filmmaker‘s 25th anniversary issue in his report, “Letter from Rome.” Given the assignment to interview Ferrara in conjunction with his month-long MoMA retrospective, Louison responded with a five-part personal memoir that tracks the impact of the director and his work on his own life. Check back each day this week for the next in the series, and read Part One, Part Two and Part Three. On the Run and Playing a Dangerous Game “Hell is here and now, and so is the opportunity to know heaven. I you take the journey, you’ll […]
by Evan Louison on May 16, 2019Evan Louison last wrote about Abel Ferrara for Filmmaker‘s 25th anniversary issue in his report, “Letter from Rome.” Given the assignment to interview Ferrara in conjunction with his month-long MoMA retrospective, Louison responded with a five-part personal memoir that tracks the impact of the director and his work on his own life. Check back each day this week for the next in the series, and read Part One and Part Two. III. Alive and WELL “The nature of evil is that it’s seductive. If evil presented itself to us as it really is… no one would be lured. No one […]
by Evan Louison on May 15, 2019Evan Louison last wrote about Abel Ferrara for Filmmaker‘s 25th anniversary issue in his report, “Letter from Rome.” Given the assignment to interview Ferrara in conjunction with his month-long MoMA retrospective, Louison responded with a five-part personal memoir that tracks the impact of the director and his work on his own life. Check back each day this week for the next in the series, and read Part One here. What REDEMPTION? “I’m just here to raise the flag of compassion and forgiveness, in a society that’s being overrun by hatred and violence.” Weekends in Manhattan, looking over your shoulder, anonymous […]
by Evan Louison on May 14, 2019Evan Louison last wrote about Abel Ferrara for Filmmaker‘s 25th anniversary issue in his report, “Letter from Rome.” Given the assignment to interview Ferrara in conjunction with his month-long MoMA retrospective, Louison responded with a five-part personal memoir that tracks the impact of the director and his work on his own life. Check back each day this week for the next in the series. Nobody’s CLEAN New York became our only school and we made that trip by train or else in Nicky’s black house painted VW a 1000 times… Seeing Kazan arguing with Nicholas Ray on a street corner… […]
by Evan Louison on May 13, 2019Paul Calderon is New York acting royalty. A list of his collaborators and co-stars, in numerous plays, films and television, reads like a who’s who of legends: Pacino, De Niro, Scorsese, Lumet, Burstyn, Tarantino, to name a few. Not to mention Abel Ferrara, whose many films he’s graced (he also co-wrote Bad Lieutenant). He was made a member of the Actors Studio in 1984, and eight years later was one of the founding members of LAByrinth Theater Co., where as writer/director he helped mentor such talent as Philip Seymour Hoffman, David Zayas, and Sam Rockwell. For many years he’s been […]
by Peter Rinaldi on May 7, 2019