Cannes Film Festival 2011
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VIRTUE AND VICE AT THE 2011 CANNES FILM FESTIVAL
Moral questions about science, war, justice, and ethics were at the forefront of some of the strongest international work at this year’s Cannes Film Festival. “He’s really not judgmental of his characters at all, is he?” said one party-goer of the Spanish director Pedro Almodóvar. Between bites of warm peaches and pistachio ice cream at a reception for the filmmaker’s sleek, stylish new thriller, The Skin I Live In, party-goers discussed the dark, unsettling tale of a mad scientist (played with panache by Antonio Banderas) who develops a miraculous new variety of human skin and a fraught relationship with his sad, beautiful […]
by Livia Bloom Ingram on May 31, 2011 -
KYLE HENRY ON ATTENDING CANNES… AND SKIPPING HIS FILM
I ran into filmmaker — and Filmmaker “25 New Face” — Kyle Henry at the American Pavilion in Cannes, and I was startled to learn that he was attending the festival… but skipping his screening. He offered to explain in a blog post. Your film gets into the Directors’ Fortnight of the Cannes Film Festival, and you can’t stay for your screening… are you crazy? Well, that was my case this year. My film Fourplay: Tampa, a short that is part of the anthology-of-shorts feature Fourplay, got the magical golden ticket to one of the festival sections at Cannes this […]
by Scott Macaulay on May 23, 2011 -
LIVE BLOGGING THE CANNES AWARDS CEREMONY
The Cannes Awards Ceremony has just begun, hosted by Melanie Laurent. I’ll be refreshing this page as the awards unfold. The Short Film Prize, announce by Michel Gondry, goes to Cross Country, by Ukraine’s Maryna Vroda. The Camera d’Or, given to best first film, goes to Argentinia’sLas Acacias, by Pablo Giorgelli. To the strains of Morricone’s score for Once Upon a Time in America, jury president Robert De Niro joins Laurent on stage to introduce his fellow jury members: Olivier Assayas, Uma Thurman, Johnnie To, Martina Gusman, Nansun Shi, Linn Ullman, and Mahamat Saleh Haroun. And they announce the Jury […]
by Scott Macaulay on May 22, 2011 -
“THIS IS NOT A FILM” AND MORE: IRANIAN CINEMA AT THE CANNES FILM FESTIVAL
When is a film not a film? In one of the triumphs of this year’s Cannes Film Festival, the remarkable documentary This is Not A Film, by Jafar Panahi and Mojtaba Mirtahmasb, asks this question and more as it portrays, diary-like, a day in Panahi’s life awaiting trial at his home in Tehran. Panahi talks on the phone with friends, illustrates with tape the boundaries of a future film set, chats with a garbage man who has just earned his Masters degree, and is kept company by his daughter’s free-roaming and giant pet lizard, Igi. If one is forbidden by law to make movies for 20 years, if one […]
by Livia Bloom Ingram on May 21, 2011 -
VON TRIER AT CANNES: FRENCH HYPOCRISY AT ITS WORST
The controversy that has resulted in the Cannes Film Festival — which shows itself to be the spineless tool of a government uniquely, like many of its citizens, obsessed with self-image — declaring Lars von Trier persona non grata on account of his comments that began with his upbringing as a Jew is a despicable, hypocritical mountain made from a molehill. (Would The Producers be banned here? Hardly. Will I lose my accreditation in the future for writing this? I would not put it past them.) Laws about expressing antisemitism are strict here (six months in prison, clearly related to […]
by Howard Feinstein on May 20, 2011 -
LARS VON TRIER IS CANNES’ “PERSONA NON GRATA”
I missed the Wednesday morning Melancholia screening, having to moderate a table at the Producers Network breakfast the same time, but afterwards I happened to catch a snippet of the press conference. I tweeted a few comments, namely ones in which the director talked about this relationship with the film’s d.p., who started the project by telling him not to behave like so many “old or middle-aged directors and make [his actresses] younger and more naked.” “Don’t tell me that,” Von Trier said he told the cinematographer. Watching press conferences on those little TVs in the basement of the Palais […]
by Scott Macaulay on May 20, 2011 -
SOUND AND FURY: BELA TARR’S “THE TURIN HORSE” PLUS MORE AT THE CANNES FILM FESTIVAL
Sound design can be a filmmaker’s secret weapon. Psycho (1960) and Dirty Dancing (1987) aside, moviegoers are often hard pressed to remember the popular songs played in a film, let alone what a film itself sounded like. Yet in these layered, dense aural textures, every footstep and cigarette burn is meticulously tuned. Though it may never climb to the level of conscious analysis, this can have a deep psychological and emotional effect–particularly if the audience is treated to the top tier acoustics and audio systems of the theaters at the Cannes Film Festival. The sound work and soundtrack in director Lynne Ramsay‘s Morvern […]
by Livia Bloom Ingram on May 16, 2011 -
ANTICIPATION OF THE NIGHT: LOOKING AHEAD TO THE CANNES FILM FESTIVAL
In a time zone six hours away, the espresso is stockpiled. The line-up is out. The hotels are booked. The contestants are in their corners. It’s time for the industry’s storied annual trade show/summer camp, the Cannes Film Festival. Actors, producers and executives will tend to prioritize networking events, while film programmers, distributors and journalists will gorge on films until the juice runs down their faces. I plan to gobble movies until my eyes glaze over, flickering like bionic screens. A colleague recently complained about the tendency of festival goers to refer to films not by title but by the director’s name, which […]
by Livia Bloom Ingram on May 13, 2011 -
FilmNation’s Glen Basner at Cannes
For the three-year-old FilmNation, the 2011 Cannes Film Festival is a big deal. That’s not just because the company’s market slate is substantial, containing projects by Terrence Malick, John Hillcoat and, as executive producer, James Cameron, but because the young New York-based sales and production company has, for the first time, two films in the festival. The company is repping both Pedro Almodovar’s latest Competition title, The Skin I Live In (pictured above), as well as American indie Jeff Nichol’s Sundance hit, Take Shelter, screening in the Critics Week section. FilmNation was launched by international sales veteran Glen Basner just […]
by Scott Macaulay on May 12, 2011 -
Cannes : Films I’m Hoping Will Work Me Into A (Scentless) Sweat
The Australian-born critic Shane Danielsen wrote an amusing piece for Indiewire about this year’s Berlin Film Festival. He compared the smell outside some of the screening rooms to that of sperm. I remember it being stinky, but not that particular odor. Shane is, however, a reliable source. One of two things at Cannes that really gets on my nerves is the smell inside the press screenings, especially those that take place at 8:30 a.m. The 5000-seat theater is packed. No pun intended, but these projections are the pits, the lower depths of hygiene. Maybe it’s time constraints or perhaps cultural practices, but you […]
by Howard Feinstein on May 7, 2011
