Caveh Zahedi
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Caveh Zahedi’s CineMart Diary
Filmmaker Caveh Zahedi attended the 2014 International Film Festival Rotterdam CineMart with a film seeking financing: The Sky is Blue Like an Orange, about the artist Joseph Cornell. For three days he and screenwriter Arnold Barkus met with assorted financiers. Zahedi’s diary is below. December 10, 2013 I receive an email informing us that our project about the artist Joseph Cornell’s relationship with a waitress in the early ’60s, has been accepted to Cinemart. January 21, 2014 We receive our list of meeting requests. We have 37 meetings scheduled over a three-day period. The last time I was at Cinemart […]
by Caveh Zahedi on Feb 2, 2014 -
“The Line Blurs:” Morals of Filmmaking
“Anything that happens in front of the camera is some kind of performance,” said experimental filmmaker Lynne Sachs at the top of Tuesday’s “The Line Blurs: Shifting Narratives in Filmmaking” panel. Sachs, along with Caveh Zahedi, Josephine Decker, Keith Miller and moderator Nathan Silver, spent an hour debating the division between narrative and documentary forms at DCTV. The evening was chockfull of quotable quotes as the participants reflected on their own work with equal doses of humor and candor. Zahedi, for starters, admitted that he initially considered documentaries to be “the autistic younger brother of cinema,” and only labels his […]
by Sarah Salovaara on Dec 12, 2013 -
“The Line Blurs” at DCTV
Tomorrow evening at 7:30 pm, DCTV will be hosting “The Line Blurs: Shifting Narratives in Filmmaking,” a panel on the increasingly ambiguous division between fiction and nonfiction in filmmaking. It is a timely discussion, one that will probe questions as to whether or not a delineation between the two forms has ever existed, and why viewers and critics alike are bent on categorization. The panel will feature filmmakers Josephine Decker, Keith Miller, Lynne Sachs and Caveh Zahedi, with Nathan Silver in the moderator’s chair. Silver, director of Soft In The Head and Exit Elena, shoots without a script, mining the people […]
by Sarah Salovaara on Dec 9, 2013 -
Caveh Zahedi’s Hamptons Screenplay Lab Diary
May 9, 2012 My friend Arnold Barkus and I decide to collaborate on a script about the true-life relationship between outsider artist Joseph Cornell, a 59 year-old virgin who still lived at home with his mother and crippled younger brother, and Joyce Hunter, a 19 year-old waitress and teen runaway. January 17, 2013 Arnold and I submit a draft of our script, titled The Story of Joseph Cornell and Joyce Hunter, to the Hamptons Screenplay Lab. March 18, 2013 I receive a voicemail from David Nugent, the artistic director of the Hamptons International Film Festival. He informs me that our […]
by Caveh Zahedi on Jun 10, 2013 -
“Blacklists,” Caveh Zahedi and Thom Powers
As one of the three journalists contacted by documentary film programmer Thom Powers last Spring about Caveh Zahedi’s The Sheik and I, I wanted to weigh in on the controversy that erupted this week following Zahedi’s accusation that Powers has “blacklisted” his picture, which opens today from Factory 25. After watching Zahedi’s YouTube video and then reading Powers’ response, I decided to talk to both men to explore the situation in more detail. Then, in the midst of writing this, I noticed Eric Kohn’s post at Indiewire this morning, which exhaustively discusses the film, the timeline of Powers and Zahedi’s […]
by Scott Macaulay on Dec 7, 2012 -
Factory 25 Acquires Caveh Zahedi’s The Sheik and I
Caveh Zahedi’s The Sheik and I, the filmmaker’s uber-controversial follow-up to his Gotham Award-winning I Am a Sex Addict, was today picked up by Factory 25. Matt Grady’s Brooklyn-based boutique distribution company will give the film a simultaneous digital and theatrical release in December, which will qualify the doc for awards consideration. The film, in which Zahedi gleefully pokes fun at the Middle Eastern benefactor who is bankrolling his movie, had its world premiere at SXSW earlier this year — and has been banned in the United Arab Emirates for blasphemy. From today’s press release: Brooklyn, NY (November 6, 2012) […]
by Nick Dawson on Nov 6, 2012 -
DISPOSABLE MEMORIES FROM SXSW
I pack quickly the night before leaving for SXSW. Not only do I forget to bring business cards, I don’t even pack my digital camera. I pop into a CVS once I’ve landed in Austin and pick up a two-pack of disposable cameras. I’m surprised they still sell them. My five day jaunt across SXSW is a flurry of rain, movies, tacos, friends, panels, and long lines. I watch Purple Rain on VHS. I watch V/H/S in a movie theater. I’m asked by multiple people if I’ve heard what this year’s Tiny Furniture is. I hear a big-four agent tell […]
by Jane Schoenbrun on Mar 16, 2012 -
Five Questions with The Sheik and I Director Caveh Zahedi
Caveh Zahedi is no stranger to boundary pushing. His filmography, a blend of narrative and documentary, has covered everything from drug tripping to sex addiction, all from a decidedly first-person perspective. But Zahedi’s latest, the bitterly-titled The Sheik and I, is perhaps his most flagrantly subversive (not to mention personal) work yet. Banned by the very government body that commissioned it, The Sheik and I finds Zahedi let loose on the Middle East. As he pushes boundaries in his attempt to “make a film about trying to make a film,” the resulting work, premiering at SXSW, promises to call into […]
by Jane Schoenbrun on Mar 11, 2012 -
SXSW REVEALS FULL 2012 FEATURE FILM LINEUP
SXSW has announced their complete 2012 feature film slate. Over 90 films will screen across the festival’s ten categories, including the already announced opening night premiere of Joss Whedon’s Cabin in the Woods and a special preview screening of Lena Dunham’s new HBO series Girls. New additions include the sixteen films premiering in narrative and documentary competition. The eight films competing on the narrative side include Booster, directed by Matt Ruskin, Eden, directed by Megan Griffiths, Gayby, directed by Jonathan Lisecki, Gimme the Loot, directed by Adam Leon, Los Chidos, directed by Omar Rodriguez Lopez, Pilgrim Song, directed by Martha […]
by Jane Schoenbrun on Feb 1, 2012 -
FALL ISSUE ONLINE
Select stories from our Fall issue are now online. They include an interview with Olivier Assayas on his epic, Carlos; Charles Ferguson talks about Inside Job, his doc on the global economic crisis; and Lena Dunham and Caveh Zahedi sit down to discuss their autobiographical style of filmmaking. Plus, a look at why Digital Intermediate has become an essential tool for filmmakers, we ask a number of indie producers about their business models and don’t skip this issue’s Culture Hacker and Industry Beat columns. The issue hits stands next week, but you can read the whole issue now on your […]
by Jason Guerrasio on Oct 25, 2010
