Dawn Porter
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“We Actually Respond, as Human Beings, to Nuance”: IFP Week 2020 Filmmakers on the Independence in the Time of Pandemic
Going independent is a double-edged sword. On one hand, you have the freedom to do what you want, unencumbered by restrictive bosses. On the other, you lack the support system that comes with working for others. The three filmmakers who participated in the IFP Week 2020 panel “Blurring the Lines of Storytelling: How Do I Get My Story Out,” moderated by journalist, author and philanthropist Soledad O’Brien, know that all too well. They’re all independent, free agents who may team up with a corporate monolith now and then but make their own paths. Before she went indie, Ursula Liang, a […]
by Matt Prigge on Sep 20, 2020 -
2016: Nonfiction Storytelling in a World of Fake News
“Truth is stranger than fiction,” as the maxim goes, and that was certainly the case in 2016. Following the election of Donald Trump, the fictional dystopian worlds of The Hunger Games, Westworld, and Black Mirror suddenly seemed pointedly realistic, and our new reality felt mighty strange. Some of the year’s most powerful nonfiction films, including Ava DuVernay’s 13th, Dawn Porter’s Trapped, and Raoul Peck’s I Am Not Your Negro, took on new urgency as civil rights and reproductive rights increasingly came under fire. By intercutting scenes of Trump supporters physically assaulting African-Americans at his rallies with scenes of whites threatening black people during the civil rights movement […]
by Paula Bernstein on Dec 29, 2016 -
I’m Directing My First Documentary Short… Who Cares?
So I’m making my first short documentary. Tentatively titled Sole Doctor, it’s an observational-style film about George, an African-American cobbler who, after keeping shop for 50 years in Portland, Oregon, plans to retire and pass the business on to his son, Joshua. As I’ve chronicled in previous journals for Filmmaker, as a first-time filmmaker, I knew enough to seek advice from the pros before proceeding, and then I made sure to hire a good DP and sound mixer. But, of course, as much as I planned ahead, I still hit some bumps along the road — like our first shoot, when we planned to film […]
by Paula Bernstein on Nov 3, 2016 -
Watch: Dawn Porter’s Op-Doc Film The Chosen Life
The New York Times today debuted a new Op-Doc film, The Chosen Life, the latest film in a series by independent filmmakers supported by Chicken & Egg Pictures. Directed by Dawn Porter, The Chosen Life chronicles the challenges faced by Dr. Yashica Robinson, the only practicing OB GYN in Huntsville, Alabama who provides abortions. This film was inspired by Porter’s feature Trapped, which premiered at the 2016 Sundance Film Festival, where it won the Special Jury Award for Social Impact Filmmaking. Trapped will appear on PBS’s Independent Lens on June 20. “While making Trapped, I met this beautiful smart determined woman and I […]
by Paula Bernstein on Jun 16, 2016 -
Director Dawn Porter and DP Chris Hilleke on “Abortion Clinic Fluorescent Lighting” and Trapped
Documentary filmmaker Dawn Porter first entered the Sundance arena in 2013 with Gideon’s Army, a paean to the work of public defenders. She returns to the festival in 2016 with Trapped, her film about abortion in America. Porter and co-cinematographer Chris Hilleke speak with Filmmaker below about the many hurdles – both aesthetic and ethical – of filming a documentary in an abortion clinic. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Porter: It was really crucial that everyone who shot on this film […]
by Soheil Rezayazdi on Jan 31, 2016 -
“Targeting Women of Color”: Director Dawn Porter | Trapped
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? I was very attracted to this story as not just a story about choice, but about political […]
by Soheil Rezayazdi on Jan 24, 2016 -
Kickstarter Announces Sundance-Bound Projects
The countdown to Sundance 2016 has begun with a slew of recent announcements of film selections for the festival, which runs from January 21-31. Earlier this week, the crowdfunding platform unveiled the list of Kickstarter-funded works which made the cut for this year’s festival, including new documentary features from Dawn Porter (Trapped), Penny Lane (NUTS!) and Chris Hegedus and D.A. Pennebaker (Unlocking the Cage). Read the full blog post here and check out highlights below: This year at Sundance, we’ll be crossing our fingers for a great roster of docs and dramatic features in competition for major awards: NUTS!, Spa Night, Trapped, and When Two Worlds […]
by Paula Bernstein on Dec 15, 2015 -
The Full Frame Film Festival 2013, Part One
The opening day of this year’s Full Frame Documentary Film Festival has once again provided attendees with an eclectic offering of choices, including a number of timely films that touch on important political issues and a curated series organized by Amir Bar-Lev, Stories About Stories, that focuses on documentaries who engage with the question of narrative itself, as well as a tribute to the innovative documentary storyteller, Jessica Yu. But this variety of choices speaks to the vibrant work being done by documentary filmmakers and the programmers who organized this year’s festival, not to mention the vital questions that documentary […]
by Chuck Tryon on Apr 6, 2013 -
Gideon’s Army | Director Dawn Porter
[PREMIERE SCREENING: Monday, Jan. 21, 2:30pm — Library Center Theatre, Park City] I have a husband and two young children and they will tell you that I missed my share of birthdays and holidays over the three and half years we filmed. Those are sacrifices every filmmaker makes, but added to that for me was a real need to set aside my pride. Filmmaking is my second career and this is my first film – I ended up places I’d never thought I would be – I was traveling to prisons and hanging out in bad neighborhoods and seeing all […]
by Filmmaker Staff on Jan 20, 2013
