Documentary
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Director Amy Scott on Her Upcoming Doc, Once I Was: The Hal Ashby Story
You know the films — Harold and Maude, Coming Home, Shampoo, The Last Detail, and Being There – but little about the man behind them. A quarter century after his death, director Hal Ashby remains one of the more mysterious figures to emerge from the New Hollywood movement. His rise as a director coincided with the brief but glorious period in American cinema when difficult, complex films were actually supported and encouraged by studios. That era came to an end with populist hits like Jaws and Star Wars, shifting the zeitgeist towards blockbusters and making it tough for uncompromising directors […]
by Sara Kaye Larson on May 26, 2014 -
Distributing the Cause of Dam Removal: Patagonia’s Push for DamNation
Arriving in theaters this weekend following its SXSW premiere is DamNation, Ben Knight and Travis Rummel’s ecological advocacy documentary supporting the removal of obsolete dams. Funded and distributed by Patagonia — and the winner of SXSW’s Documentary Spotlight Audience Award — DamNation and its release are a study, says Sub-Genre’s Brian Newman, in “how a brand can use film to create impact.” Newman is the film’s marketing and distribution consultant, and along with the company and other partners he’s implementing an innovative campaign employing Patagonia’s customer base, collapsed release windows, partnerships with affinity groups and the old-fashioned hustling of DVDs. […]
by Scott Macaulay on May 10, 2014 -
Manakamana and Nonfiction’s Power of Contextualization
Yesterday, the upstanding people at Cinema Guild decided to release their catalogue of DVD supplemental essays online. It’s an embarrassment of riches: Amy Taubin on Beaches of Agnès, J. Hoberman on The Turin Horse, Haden Guest on Cousin Jules, to name a few. At my first, tepid perusal, however, it is Robert Koehler’s essay “Sweetgrass and The Future of Nonfiction Cinema,” that merits the most attention. Koehler begins by addressing the myth of the “death” of cinema in the new digital environs, countering that we are in a peculiar renaissance of the documentary. He considers the newfound multiplex popularity of the form, with films like Fahrenheit 9/11 and Super Size […]
by Sarah Salovaara on May 8, 2014 -
Hot Docs: Growing Crowds Amid Shrinking Funds
“There are more people here this year, but less money.” That’s how one veteran Canadian documentarian summed up the market at Hot Docs, North America’s largest documentary festival, which just wrapped in Toronto. At workshops and cocktail receptions, the chatter was as dark as the skies outside. Broadcasters here and abroad continue to slash their development and production budgets, and that’s forced doc directors to crowdfund on Indiegogo and Kickstarter to make up (part of) the shortfall, while others just leave the business. Sure, there were great films unveiled over the past 10 days at Hot Docs. Thomas Wallner’s Before The Last […]
by Allan Tong on May 5, 2014 -
A Conversation with Mentor Director Alix Lambert
“It’s Better in Mentor.” A shot of that roadside sign offers an early irony in director Alix Lambert’s new documentary, named after the Ohio town — and high school — where five students committed suicide between 2005 and 2010. Focusing on two families who brought lawsuits against Mentor High, alleging that its administration ignored a clear pattern of student bullying that led to the deaths of their children, Mentor is both heartbreaking and soberly resolute in its inquiry into the institutional forces and “culture of conformity” that fail young members of our communities. As she has done in her previous […]
by Scott Macaulay on May 1, 2014 -
Director Phillip Rodriguez and Producer Jennifer Craig-Kobzik on Life, Death and Legend in Ruben Salazar: Man in the Middle
For the generations who have come of age knowing the legend of slain journalist Ruben Salazar, there is as much they don’t know about him. A new documentary, Ruben Salazar: Man in the Middle, takes advantage of police records and decades of hindsight to take Salazar out of myth and give him back his humanity. The film premieres as a Special Presentation of PBS’ VOCES on Tuesday, April 29 at 9:00 PM ET. Salazar’s contribution to journalism began in the ’50s with his work as a reporter with the border daily El Paso Herald-Post in the city where he had […]
by Lisa Y. Garibay on Apr 29, 2014 -
The Book of Lone Peak: Distributing and Marketing the Short Film
For ten days in January a documentary called The Book of Lone Peak ranked as the top-selling short film on iTunes. The film, which profiles a high school basketball team from the town of Highland, Utah, was made by New York City-based filmmaker Ben Altarescu and a fifteen-year-old journalism student named Zack Samberg. The pair moved quickly to push the project through to completion before the basketball players left for post-high school pursuits. The filmmakers talked with me about how a professional filmmaker and teenager collaborated and how they helped push the film on iTunes and other platforms. Filmmaker: You both came to this project […]
by Randy Astle on Mar 26, 2014 -
“This Is The Guy”: Steve James, Roger Ebert and Life Itself
“Who the fuck are you?” Fueled on booze, Flamo was raging. Someone had told the cops he had stashed guns in his house, and so his mum and brother were handcuffed and led away. Craving revenge but thinking better, Flamo phoned Cobe (pronounced KOH-bay), someone he met years earlier in the county jail who was now a violence interruptor, counseling young gangbangers like Flamo to chill out and stop drawing blood in Chicago’s crime-ravaged South Side. When Cobe arrived, Flamo was stunned to find some white man filming him. Luckily, Cobe knew how to vouch for the white man to the youth he […]
by Allan Tong on Mar 26, 2014 -
Robert Herrera on the App and Distribution of the Basketball Documentary The Gray Seasons
It’s been two full decades since Hoop Dreams, but any basketball documentary is still bound to be compared to that iconic film. Still, technological changes over those 20 years beg the question of how Steve James and Kartemquin Film would handle distributing the film today. When director Robert Herrera was faced with the same challenge for his new film The Gray Seasons, about the women’s basketball team at St. Louis University, he struck upon a series of festival screenings, simultaneous cable PPV and VOD (via Vimeo on Demand) availability, and finally a DVD release and iOS app that encapsulates much of […]
by Randy Astle on Mar 24, 2014 -
Short Film: Flo, Riley Hooper’s Doc on Blind Street Photographer Flo Fox
New York-based filmmaker Riley Hooper has just posted online his short doc, Flo, about blind New York street photographer Flo Fox. The film has played numerous festivals, including Rooftop Films, Hot Docs and the Hamptons, and it won a Grand Jury Prize at DOC NYC. In the words of the filmmaker: This 10-minute documentary explores the life and work of photographer Flo Fox, who, despite blindness, multiple sclerosis, and lung cancer, continues to shoot the streets of New York City. No longer able to hold a camera, she instructs her aides to take photos for her. She’s an incredible woman […]
by Scott Macaulay on Mar 17, 2014
