Documentary
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SUNDANCE INSTITUTE ANNOUNCES CREATIVE PRODUCING LABS
This week, Sundance Institute announced its 2012 participants in the Creative Producing Initiatives. The week-long program begins with two concurrently-running Creative Producing Labs (July 30-Aug. 3)—the Feature Film Program and the Documentary Film Program and Fund—before capping off with the Creative Producing Summit (Aug. 3-5). Keri Putnam, Executive Director of Sundance Institute, said, “Sundance Institute is committed to supporting emerging independent film producers, and our Creative Producing Initiative is a rare opportunity for them to sharpen their creative instincts, evolve their problem-solving skills, and deepen their knowledge of the distribution landscape. In doing so, they are better equipped to successfully […]
by Billy Brennan on Jul 17, 2012 -
Jonathan Paley, Ballplayer: Pelotero
Although its population is just 2% the size of the US’, the tiny, impoverished Caribbean nation of the Dominican Republic accounts for a fifth of all the young men who go on to become Major League Baseball players. How such an astounding share of pro baseball players come from the DR was what Jonathan Paley and his co-directors Ross Finkel and Trevor Martin set out to explore in Ballplayer: Pelotero. However, what they discovered was that, in addition to being a country ripe with baseball talent — one that the MLB has spent considerable resources mining for the past 50 […]
by Brandon Harris on Jun 28, 2012 -
Five Questions with Big Easy Express Director Emmett Malloy
In Big Easy Express, director Emmett Malloy documents a tour by three cult-favorite indie-folk bands: Edward Sharpe and The Magnetic Zeros, Old Crow Medicine Show, and Mumford & Sons. But the free-wheeling travelogue that develops is equal parts itinerant jam, extended family picnic, and traveling carnival, with Malloy and his crew as the cinematic roustabouts getting it all down for posterity. The film follows the three bands from Oakland to New Orleans, giving us a glimpse not only of their concerts but of their camaraderie as they live and travel on a train together, sharing songs, time, and experiences, and […]
by Jim Allen on Jun 22, 2012 -
Director Matthew Akers on Marina Abramovic: The Artist is Present
The self-described “grandmother of performance art,” Marina Abramovic has for almost 40 years been one of the leading lights of a still-marginalized form. Born to ex-partisan parents in 1946, in the early days of Tito’s Yugoslavia, she is the fascinating subject of Matthew Akers’ new documentary, Marina Abramovic: The Artist is Present. Despite her international renown, the Belgrade-born, New York-based Abramovic failed to enter the public consciousness in the States until her blockbuster 2010 MoMA retrospective. Akers’ film is a sinewy tour through Abramovic’s peculiar life and working process as she embarks upon her most high profile performance yet, one […]
by Brandon Harris on Jun 13, 2012 -
PAJOT AND SWIRSKY’S “INDIE GAME”
The following article about Lisanne Pajot and James Swirsky’s documentary Indie Game was published during the Sundance Film Festival. The film opens today in Los Angeles, New York (at the IFC Center), San Francisco and Phoenix. For a complete list of venues and upcoming screenings, check out the website. Independent film, depending on how you define it, has had many births. But for the purposes of this blog post, let’s consider the one in the 1980s, just before the launch of this magazine. She’s Gotta Have It, Parting Glances, Poison, True Love — these were narrative features made by lone […]
by Scott Macaulay on May 18, 2012 -
SAM GREEN’S LOVE SONG AT SFIFF
One of the highlights of the 2012 San Francisco International Film Festival, which boasted a great lineup of films and filmmakers, was the new “live documentary” by Sam Green, The Love Song of R. Buckminster Fuller, featuring Green and Yo La Tengo live on stage. The notion of the live documentary is exciting as a new film movement, a far more powerful one than the overrated reemergence of 3-D. As part of their Buckminster Fuller exhibit, SFMOMA commissioned Green to create a live documentary on Fuller in the spirit of the filmmaker’s previous work Utopia in Four Movements. Fuller is […]
by Mike Plante on May 7, 2012 -
Five Questions with Jessica Oreck About Her New Kickstarter Project
With her debut documentary, Beetle Queen Conquers Tokyo, Jessica Oreck reinvented the nature doc. Oreck, an entomologist who worked as a docent at the American Museum of Natural History, made a film about an insect that was as much about man’s fascination with that creature as it was the creature itself. To top it off, she made her poetic and allusive picture in Japan, exploring the country’s endemic beetle-mania through evocative cinematography and haunting voiceover. When so many documentary filmmakers make their artistic choices based on the desires of their funders, Oreck chooses the harder path. Her latest film, Aatsinki, […]
by Scott Macaulay on May 1, 2012 -
FOUR TRIBECA DOCS: FROM ZEN TO MADNESS TO SEXY
At 85, Tony Bennett looks and sounds great. In The Zen of Bennett, which premiered at the Tribeca Film Festival and will soon appear on Netflix, Bennett relies on a single word, repeated over and over throughout the documentary, to describe his life philosophy. That word is “quality.” For the clothes he wears, for the songs he sings, for the people who are his friends, for everything, quality is his guiding principle. Conversely, the elderly singer with the smoothest pipes in the business, disparages cheap songs, crude and outlandish behavior, and anger. “Everything you do should be done with love, […]
by Stewart Nusbaumer on Apr 30, 2012 -
FILMMAKER BEATS IRS, PROVES DOCUMENTARY FILM IS NOT A HOBBY
Independent documentary filmmaker Lee Storey has won her long battle with the Internal Revenue Service over deductions related to her film, Smile ’til it Hurts: The Up with People Story. The IRS’s case against Storey panicked the documentary community as it was poised to declare documentary filmmaking itself “a hobby” and not a professional, profit-seeking endeavor eligible for tax deductions. However, the same judge, Tax Court Judge Diane L. Kroupa, who said during a hearing, “By its very nature, a documentary to me means that it’s not for profit. You’re doing it to educate. You’re doing it to expose,” has […]
by Scott Macaulay on Apr 20, 2012 -
COULD YOU BE LOVED: KEVIN MACDONALD’S “MARLEY”
At first it seems curious that the starting point of this brilliant, definitive documentary about the late Jamaican reggae sensation Bob Marley is archival footage of Cape Coast Castle in Ghana, the facility from which 60 million Africans were crammed through the Door of No Return to commence lives of total servitude in the West. Marley was the offspring of a black Jamaican mother and a white English father (who posed as a captain), whom he met only a handful of times. In the film there is no mention of slavery in the family history. Late in this elegantly elliptical movie, Marley […]
by Howard Feinstein on Apr 18, 2012
