One of the projects currently up on our curated Kickstarter page is a restoration of Howard Brookner’s documentary, Burroughs, on the legendary Naked Lunch novelist. Brookner died of AIDS in the ’80s, with this and the feature Bloodhounds of Broadway (which costarred Madonna) to his credit. Brookner was a great director poised to have an exciting career, and now his nephew Aaron Brookner is raising funds on Kickstarter to restore the original Burroughs film as well as 300 hours of additional archival material discovered in Burroughs’ NYC home, The Bunker. The team behind this restoration submitted to Filmmaker the following […]
by Scott Macaulay on Dec 22, 2012
We’ve seen the RLSH phenomenon explored in dramatic films like Kick-Ass and Super, but now Filmmaker 25 New Face director Sheldon Candis looks at it in the form of a documentary short. Here, executive produced by Ashton Kutcher for Thrash Lab’s Subculture Club series and based on San Diego’s XTreme Justice League, is The Subculture of Real Life Superheroes. From the press release: “Superheroes are for both children and adults. With so many varying characters there is at least one superhero everyone can take a liking to. We heard about these guys that live their lives playing the role of […]
by Scott Macaulay on Dec 12, 2012
When we last checked in with 25 New Face filmmaker Jessica Oreck, she was attending the POV Hackathon, a two-day event at which the documentary television series paired filmmakers with web developers. There Oreck met Mike Knowlton and Hal Siegel of the hybrid studio/technology company Murmur, and in just over three months the team has created The Aatsinki Season, an online counterpart to Oreck’s forthcoming feature documentary, Aatsinki: The Story Of Arctic Cowboys. Launching today, the work is both hypnotic and thoughtful, comprising text, film and flow charts, and allowing the viewer to initiate debate over the ecological issues facing […]
by Scott Macaulay on Dec 11, 2012
The Academy Awards are still a long way off, but the recent Gotham Awards, the Spirit Award nominations, today’s New York Film Critics Circle Awards and now the Oscar doc longlist mean that awards season is truly kicking into gear. The 15 docs still in Academy Award contention are: Ai Weiwei: Never Sorry, Never Sorry LLC Bully, The Bully Project LLC Chasing Ice, Exposure Detropia, Loki Films Ethel, Moxie Firecracker Films 5 Broken Cameras, Guy DVD Films The Gatekeepers, Les Films du Poisson, Dror Moreh Productions, Cinephil The House I Live In, Charlotte Street Films, LLC How to Survive a […]
by Nick Dawson on Dec 3, 2012
New York City’s taxi drivers are as ubiquitous as they are invisible. In his new documentary Drivers Wanted, Joshua Z Weinstein takes the passenger seat — often literally — and trains his camera on the men at the wheel, as well as the gristly mechanics and staff who work behind the scenes at a Queens-based taxi company. Though this may be a niche community, larger economic forces are clearly at play: many of the drivers are bankrupt, broke, or struggling to support their families. From the bustle of the garage, full of camaraderie and occasional conflict, emerge several key characters […]
by Esther Yi on Dec 3, 2012
Early in Wagner & Me, a new documentary about the music and legacy of Richard Wagner, English actor and writer Stephen Fry says he’d like to time travel to the 19th century. Once there, Fry continues, he would start a letter-writing campaign, urging the composer to rethink his infamously anti-Semitic essay Jewishness in Music: “I say to him, ‘Listen, you’re on the brink of becoming the greatest artist of the 19th century, and future generations will forget that, simply because of this nasty little essay that you’re writing, and because of the effect it’ll have.” Wagner, of course, did not […]
by Kevin Canfield on Nov 26, 2012
In 1965, a rough-and-tumble band of rock ‘n’ roll upstarts called The Rolling Stones were just beginning to build their legend, when wily manager Andrew Loog Oldham engaged English documentarian Peter Whitehead to follow the band around for a couple of days during a short stint in Ireland. The result was Charlie Is My Darling, a cinéma vérité snapshot of an era when the cultural revolution was only just beginning to crack the façade of the Old World. We see the young Mick Jagger, Keith Richards, Brian Jones, Bill Wyman, and Charlie Watts (who gives the film its title) brainstorming […]
by Jim Allen on Nov 23, 2012
So, I am in Amsterdam, attending my first IDFA, a fest I’ve been dreaming of attending since I first started working in documentary. IFP has 11 films in the fest, and four works in progress in the Forum, so I’m here for moral support, promotion of IFP, and reconnaissance. What is happening in documentary in the rest of the world? In advance of my arrival, I was most anticipating being a part of the Forum, “IDFA’s international co-financing and production market, Europe’s most important breeding ground for new documentary work.” The Forum presents works in progress to the international funding […]
by Rose Vincelli Gustine on Nov 22, 2012
It’s been a banner year for Charles Atlas. In 2012, the filmmaker and video artist was included in the Whitney Biennial, opened his first New York solo show, “The Illusion of Democracy” (the inaugural show of Lurhring Augustine’s brand new Bushwick gallery, no less), had seminal, rarely-screened works revived care of keen programming at local NYC film series’ Dirty Looks and Light Industry, and is now unveiling his long-awaited collaboration with enigmatic singer/musician Antony Hegarty (of Antony and the Johnsons), which opens today at IFC Center. Turning, which had its New York premiere this past weekend at DOC NYC, is […]
by Paul Dallas on Nov 16, 2012
Ra’anan Alexandrowicz’s The Law in These Parts sheds new light on the Israeli-Palestinian conflict from an unexpected perspective. Interviewing nine military judges, the director explores how Israel created a new legal system to control the Gaza Strip and West Bank after occupying them in 1967. At first, the state may have begun with the understandable desire to defend itself from violence, but its justifications quickly became self-serving. In one of the film’s most memorable examples, a woman was sentenced to a year and a half in jail for giving a “terrorist” bread. The film consists of stylized interviews with the […]
by Steven Erickson on Nov 15, 2012