(Distributed by Cinema Guild, Leviathan opens at the IFC Center in New York City on Friday, March 1, 2013. Visit the film’s official website to learn more.) A staggering thrill-ride of an experience, built on moments of astonishing cinematic immediacy, Leviathan marks a major leap forward in nonfiction filmmaking. It’s certainly not a film all viewers will respond to, but as someone who makes documentaries, I see Leviathan as the future. The progeny of direct cinema, experimental film and ethnography, Leviathan uses new cameras and an inventive technique to create something bracingly distinctive. Directed by Lucien Castaing-Taylor and Véréna Paravel, Leviathan […]
by Robert Greene on Feb 28, 2013
Wanna give the finger to Big Pharma and maybe meet the Dalai Lama? Danish director Phie Ambo’s Free the Mind was one of my big discoveries at IDFA 2012. The film’s a truly revelatory exploration of the mindfulness movement, led here in the States by the University of Wisconsin’s Richard Davidson (who made Time magazine’s list of the 100 most influential people in the world back in 2006), an expert in “contemplative neuroscience” who moved into the field after being asked by none other than the Dalai Lama why modern neuroscience didn’t study kindness and compassion. Ambo’s doc is a […]
by Lauren Wissot on Feb 7, 2013
Film as Software The final installment of this series is about the actual screening of The Lost Children feature film at Film Society of Lincoln Center. In working out this screening, I am working with a concept called “Film as Software.” What exactly does this mean? To me it means film taking on some of the qualities of software. One of those qualities is the ability to react to user input in real time. That’s my take. But I asked Mike and Hal of Murmur to join in on the discussion. Murmur is the hybrid studio/technology company handling the interactive […]
by Mark Harris on Jan 28, 2013
From the ascension of George Bush (in Journeys with George) to the crash-and-burn of Ted Haggard (The Trials of Ted Haggard), director Alexandra Pelosi has been fascinated with the rise and fall of the men who comprise our political and social landscape. In her latest documentary, Fall to Grace, she finds elements of both narrative arcs in the story of New Jersey Governor Jim McGreevey, who simultaneously resigned his position and announced his homosexuality in 2004, midway into his term. (McGreevey revealed an affair with a man he appointed as New Jersey homeland security advisor.) Following his resignation, McGreevey divorced […]
by Scott Macaulay on Jan 22, 2013
Dave Grohl has a history of fruitfully redefining himself. After Nirvana self-destructed, he went from being the former drummer for one the most momentous rock bands of the 20th century to being the frontman for one of the biggest acts of the 21st, Foo Fighters. So it shouldn’t seem too surprising to find him making a successful broad jump from musician to documentarian, especially with a project is as close to his heart as Sound City. Opening its doors in 1969, L.A.’s Sound City Studios was low on frills and gloss, but boasted an almost magical live-room ambience and a […]
by Jim Allen on Jan 18, 2013
James Franco presents Kink, a documentary about the San Francisco BDSM film studio, Kink.com. Director Christina Voros is one of our 25 New Faces and James Franco is… well, he’s James Franco. From the production notes: If porn were high school, they’d be the goth table. Director Christina Voros and producer James Franco pull back the curtain on the fetish empire of Kink.com, the Internet’s largest producer of BDSM content. In a particularly obscure corner of an industry that operates largely out of public view, Kink.com’s directors and models strive for authenticity. In an enterprise often known for exploitative practices, […]
by Scott Macaulay on Jan 16, 2013
American Hardcore directors Paul Rachman and Steven Blush are back with Lost Rockers, a documentary on great rock ‘n roll performers who have been buried beneath the sands of time. They include Chris Robison, Gloria Jones, David Peel, Bobby Jameson, Evie Sands, Cherry Vanilla, and Gass Wild and Johnny Hodge of the Lightning Raiders. Rachman and Blush have just released this new teaser, and you can read more about the film at its website.
by Scott Macaulay on Jan 16, 2013
The Up Series is a landmark set of documentaries looking at the circumstances of fourteen British citizens as they went about their lives. Initially commissioned as a one-off withSeven Up!, the series’ seed lies in the Jesuit motto of: “Give me the child until he is seven and I will give you the man.” What began as a study of class immobility in the UK has transformed from a political doc to an engrossing study of human nature. Since 1964, director Michael Apted (who began as a researcher on the first entry) has reconvened with the willing participants, with 2012 […]
by David Licata on Jan 3, 2013
Part 1 of this series laid out the overall plan for The Lost Children Premier event at Film Society of Lincoln Center in January 2013. In this post, I’m going to focus on some thinking behind the live immersive portion of the event. As I’ve been working on this, I’ve been thinking a lot about this term “immersive.” Any great piece of art can be immersive. Any time you get sucked into an amazing movie to the point that you forget you’re actually watching a movie, that is immersive. I remember having that experience with No Country for Old Men. But here, I’m […]
by Mark Harris on Jan 2, 2013
My feature film The Lost Children will have its New York City premiere with the Film Society of Lincoln Center in January, 2013. The premiere will not be a film screening alone. It is presented by Convergence: Film Society of Lincoln Center, which is an arm of the FSLC devoted to immersive and transmedia storytelling. Like many organizations in New York City, FSLC is reaching out and exploring new storytelling methods. The 50th anniversary of the NYFF included its first ever series of panels on transmedia. This year, the Tribeca FF is accepting basically any type of project. And the […]
by Mark Harris on Dec 23, 2012