This article was orginally published in February 2013 to coincide with the film’s premiere at MoMA’s Documentary Fortnight. Homegoings opens theatrically today at the Maysles Cinema in Harlem and airs tonight on POV. Just in the nick of time for Black History Month, and debuting at the 2013 Documentary Fortnight: MoMA’s International Festival of Nonfiction Film, is Christine Turner’s Homegoings, a poetically crafted exploration of the history of African-American funeral traditions. Told via the Harlem neighborhood’s legendary funeral director Isaiah Owens – who found his calling as a small child, burying all deceased animals he stumbled across in his South […]
by Lauren Wissot on Jun 24, 2013
The body and mind — filmmaker Mitch McCabe tackled the former in her excellent HBO documentary, Youth Knows No Pain, which looked at the plastic surgery industry and America’s fixation on staying young. Now, she says, she’s “pointing the camera in the opposite direction, at our internal selves.” Make Me Normal is her film about the mental health industry. From her website: MAKE ME NORMAL is a feature-length documentary film exploring recent controversies in the psychiatry field, the rise of diagnosed mental illness, psychopharmacology and our new definition of “normal”— all set against the backdrop of the filmmaker’s own roll-coaster […]
by Scott Macaulay on Jun 21, 2013
Recently, I was on a panel at the Little Rock Film Festival titled “Cinematic Nonfiction: Not Your Parents’ Documentary Film.” As our moderator Robert Greene, the director of Fake It So Real, and I waxed rhapsodic over the state of nonfiction filmmaking in Denmark, I realized that my own doc philosophy has evolved over the years – as I’ve noticed more and more that Americans lag behind much of the world when it comes to quality doc-making. While a lot of nonfiction aficionados like to chalk up this disparity to generous government subsidies in Europe, the problem actually lies much […]
by Lauren Wissot on Jun 11, 2013
Among the discoveries at the 2012 edition of CPH:DOX was Brooklyn-based Brent Chesanek’s City World, which is part magic realist children’s adventure tale and part austere landscape documentary. Over precisely framed tableaux shot in his hometown of Orlando, FL — nearly all of them completely absent of people — Chesanek drapes the narration of a young boy mulling the breakup of his family and subsequent move, with his father, to this Southern city. As in another recent film, General Orders No. 9, contemporary landscape photography is presented as historical residue meant to be both meditated on and explicated. Drained of […]
by Scott Macaulay on Jun 5, 2013
This interview originally ran at the time of the film’s world premiere at the SXSW Film Festival 2012, and is now being republished to coincide with with La Camioneta‘s theatrical release, which starts today at Brooklyn’s reRun Theater. Visit the official website of La Camioneta for dates of further theatrical screenings. Director Mark Kendall carries a spirit of adventurous, a keen eye for character, and a wellspring of ambition into his first documentary feature, La Camioneta: The Journey of One American School Bus. Starting out at an auction in rural Pennsylvania for decommissioned school-buses, Kendall boards one of the buses sold and accompanies the […]
by Jane Schoenbrun on May 31, 2013
Margo Guernsey has produced promotional mini-docs and videos for a number of non-profits, but for her first feature-length project, “Councilwoman Castillo,” she is focusing on the story of a hotel housekeeper, Carmen Castillo, elected to the City Council in Providence, Rhode Island. The project will cover Castillo’s first three years in office starting with her election in November 2011. Guernsey spoke to us recently about how she became interested in the project and her strategy for shooting and funding this low budget, multi-year project. Filmmaker: What is the story? Guernsey: It’s a story about a hotel housekeeper elected to […]
by Michael Murie on May 29, 2013
Like many documentaries, Bill Stone’s Triumph of the Wall began its life as one thing and transformed into something else. Initially Stone sought to document the construction of a 1,000 foot dry-stone wall by Chris Overing, a young man with an impressively diverse resume that lacked one necessary skill for the project: masonry. Overing estimated the project would take two months and Stone decided to chronicle Overing’s effort. The filmmaker had at the time “a vague idea of the film exploring commitment.” But Overing underestimated a bit: eight years later he was still constructing the wall and Stone was still […]
by David Licata on May 28, 2013
“A great film is made with love and time. Then it knocks you on your ass.” Such was the guerrilla tagline for the seven-year-old Little Rock Film Festival, and the same could be said regarding fests themselves – and writing about them, for that matter. Truth be told, I was initially on the fence about heading south to cover a festival in a state I was hard-pressed to locate on a map, and knew only through its past racist history and present-day Jeff Nichols films. Fortunately, my sister pointed out why passing up the chance to visit Little Rock would […]
by Lauren Wissot on May 28, 2013
For the final installment of Filmmaker and the MIT Open Documentary Lab’s interview project with the foremost thinkers on transmedia, IDFA DocLab’s Caspar Sonnen answers our questions. Sonnen is the new media coordinator for the International Documentary Film Festival Amsterdam (IDFA) and curator of the festival’s IDFA DocLab, a competition program for new forms of documentary and interactive storytelling. In 2008, Sonnen founded IDFA DocLab to create a platform for interactive and multimedia documentary storytelling that expands the genre beyond traditional cinema. Besides his work at IDFA, he is co-founder and programmer of the Open Air Film Festival Amsterdam. For an […]
by MIT Open Documentary Lab on May 24, 2013
In the penultimate part of Filmmaker and the MIT Open Documentary Lab’s interview project with prominent transmedia figures, D. Fox Harrell, Ph.D., Associate Professor of Digital Media in the Comparative Media Studies Program and the Computer Science and Artificial Intelligence Laboratory at MIT, answers our questions. Harrell’s research explores the relationship between imaginative cognition and computation. He develops new forms of social media, gaming, computational narrative, and related computational media systems based in computer science, cognitive science, and digital media arts. The National Science Foundation has recognized Harrell with an NSF CAREER Award for his project “Computing for Advanced Identity Representation.” He has worked […]
by MIT Open Documentary Lab on May 16, 2013