(Distributed by Lorber Films, Le Quattro Volte opens theatrically at the Film Forum on Wednesday, March 30, 2011. Click on one of the previous links to learn more.) They’re called motion pictures, but in the case of Michelangelo Frammartino’s Le Quattro Volte, that term isn’t quite accurate. Motion painting is more like it. Spiritual yet not overtly religious, playful yet dramatic, patient yet never ponderous, Frammartino’s extraordinary celebration of the cycle of life is as close to church as cinema can get. The beauty of this masterfully wrought docu-poem is that for all its superficial “art film” trappings, Le Quattro […]
by Michael Tully on Mar 31, 2011Matt Wolf, one of our 25 New Faces of 2008, and author and critic Jon Savage are collaborating on a feature doc, Teenage, based on Savage’s 2007 book, Teenage: The Creation of Youth Culture. Although it may seem that being a teenager is an ahistorical fact of life, Savage’s book detailed the cultural creation of the teenage class, tracing its relationship to art, political movements, and the rise of consumer culture. Their feature will bring this all to life with, as their new teaser trailer exhibits, archival footage, an evocative voiceover by Jena Malone, and music by Deerhunter’s Bradford Cox. […]
by Scott Macaulay on Mar 21, 2011Screening Times: Sunday March 13th, 4:30pm (Vimeo Theater), Tuesday march 15th, 10:00pm (Alamo Lamar C), Thursday March 17th, 6:00pm (Rollins Theatre) Half a decade in the making, Anne Buford’s Elevate chronicles how a group of gifted West African basketball players respond as they are feverishly recruited by American schools on the promise of their skills on the hardwood, and how coping with the adjustment to American life may be the toughest thing of all. Filmmaker: How did you first hear of the West African basketball players whose stories Elevate chronicles? Buford: In the Fall of 2004, RC Buford, who besides […]
by Brandon Harris on Mar 15, 2011The Tribeca Film Festival announced today the films selected for the Spotlight, Cinemania, Tribeca/ESPN Sports Film Festival and Special Screenings sections for their 10th edition, which takes place April 20 – May 1. Some of the highlights include Sundance favorites Beats, Rhymes & Life: The Travels of A Tribe Called Quest, The Guard starring Don Cheadle and Brendan Gleeson, and Higher Ground which is starred and directed by Vera Farmiga. There’s also Revenge of the Electric Car, the follow-up to Chris Paine‘s doc Who Killed the Electric Car?, and Tribeca regular Alex Gibney returns with Catching Hell. Chosen as the […]
by Jason Guerrasio on Mar 14, 2011My name is Jeanie Finlay and I’m an artist and filmmaker from the U.K. I’m in Austin for my very first SXSW and the world premiere of the feature documentary Sound it Out which I produced and directed. Sound it Out is a documentary portrait of the very last record shop in Stockton-on-Tees in Teesside, my home town. It’s a small shop in a small town. It’s a film about men and music and passion and the North East of England. It’s the most personal film I’ve ever made for the lowest budget and I’m frankly still a bit gobsmacked that my […]
by Jeanie Finlay on Mar 13, 2011Documentarians get their ideas from all sorts of places — newspaper stories, family albums, an overheard story on a train — but rarely does inspiration come from as poetic an activity as stargazing — unless, of course, the documentarian in question happens to be filmmaker Ian Cheney. While gazing at the New York City skyline, Cheney realized that he lived in a place where stars don’t really exist. Determined to find out how much he’s missed when he lost the night sky, he started interviewing scientists for a project that would become The City Dark, a meditation that explores how the […]
by Mary Anderson Casavant on Mar 12, 2011When two young activists from Midland Texas were arrested with Molotov cocktails at the 2008 Republican convention, their story became a media sensation, but documentarians Katie Galloway and Kelly Duane de la Vega couldn’t escape the feeling that there was more to this story than the good-kids-turned-domestic-terrorists version the media was reporting. So, they did what any skilled documentarians do: they took a leap of faith, jumped a plane and started talking to people involved with the case. The result is Better This World, a documentary that explores what happens when idealistic, angry young activists stop being polite and start getting mixed up […]
by Mary Anderson Casavant on Mar 11, 2011There’s nothing like a parade to celebrate community spirit. When I arrived in Columbia, Missouri (aka CoMo) throngs of revelers in homemade costumes were marching down the main boulevard to kick off the 8th edition of the True/False Film Fest. The aptly named documentary festival ran from March 3-6, and community spirit was evident in the grassroots event dedicated to the audience experience. Columbia, a small city just north of the Ozarks, counts more than one quarter of its 108,000 residents as advanced degree holders. The University of Missouri (aka Mizzou) is the largest among several schools, and its prominent […]
by Rania Richardson on Mar 9, 2011“We want to encourage people to make good documentaries because we feel like there’s not enough good explaining in the world.” That’s The Economist Film Project’s editorial director, Gideon Lichfield (pictured right), about the recently announced partnership between the British weekly and the PBS News Hour. Beginning April, that “good explaining” will arrive in the form of segments on the PBS News Hour that will include six-to-eight minute clips from full-length and short documentaries as well as related discussions by the anchors, outside experts and, sometimes, the filmmakers. The Economist Film Project is currently in the midst of a submission […]
by Scott Macaulay on Feb 28, 2011Originally posted online on June 23, 2010. Restrepo is nominated for Best Documentary. Most documentary filmmakers attempt to see the world through the lens of the subjects they’re shooting, but few put their lives on the line to do so. That perhaps is what most separates first-time directors Sebastian Junger and Tim Hetherington from a few of their colleagues who didn’t take home the Grand Jury Prize for U.S. Documentary at this year’s Sundance Film Festival. Their award-winning Restrepo is the result of a near yearlong embedment with the Second Platoon, Battle Company in eastern Afghanistan’s deadly Korengal Valley, […]
by Lauren Wissot on Feb 21, 2011