Recently in Filmmaker Melissa Silvestri wrote about the Cine Institute in Haiti in this short report: India has Bollywood, and Nigeria has Nollywood, two examples of international film industries that have thrived outside of Hollywood, and soon, perhaps, Haiti can be added to that list. In the port city of Jacmel, considered the cultural capital of Haiti and home to many writers, painters and poets, is the Ciné Institute, which is steadily instilling film schools in the country’s young film students. The school had its origins as a film festival in 2004. The Festival Film Jacmel, founded by filmmaker David […]
by Scott Macaulay on Jan 15, 2010Mike Johnston, who wrote the article here on the site about the indie film Ink and piracy, has started an online video series about indie film. His first episode consists of a phone interview with the makers of The Red Tail, a documentary about job loss and outsourcing. From the film’s website: While 4,400 aircraft mechanics wage a seemingly endless strike to keep their jobs from being outsourced – Mechanic Roy Koch and his daughter Melissa (Director of The Red Tail in collaboration with Dawn Mikkelson) follow the trail of outsourcing to China. The Koch’s journey is a search for […]
by Scott Macaulay on Jan 9, 2010In a press release sent out this week, director Robinson Devor (Police Beat, Zoo, which scored on Filmmaker’s Top 25 of the Decade list) is currently underway in San Francisco on a documentary on Sara Jane Moore, who attempted to assassinate President Gerald Ford in September 1975 outside the St. Francis Hotel in San Francisco. Written by Devor, Charles Mudede and shot by d.p. Sean Kirby, Moore (pictured), now 80 and currently on parole after thirty years in prison, returns to San Francisco for the first time since the assassination attempt to be interviewed. The film also chronicles the lead […]
by Jason Guerrasio on Jan 8, 2010An observational documentary that utterly transports you to a forgotten corner of the American West, Lucien Castaing-Taylor and Ilisa Barbash’s Sweetgrass is billed as a glimpse at the final sheep drive the state of Montana ever hosted. Shot in muddy, early aughts DV, this often funny, occasionally terrifying and almost always beautifully composed film follows a pair of modern shepherds who travel mostly on foot with three thousand sheep over a two hundred mile Montana expanse that cuts across the seemingly unending Absaroka-Beartooth Mountains. Without the use of voiceover narration or title cards, the film allows you to soak in […]
by Brandon Harris on Jan 6, 2010To try to recall your favorite films from an entire decade (and then to limit them to only ten titles) is to immediately set yourself up for uncertainty and ridicule: first off because it’s hard enough to remember what you saw ten days ago, much less ten years ago, and secondly because to limit the list to ten is to leave hundreds of excellent films out, titles that you’ll undoubtedly get bludgeoned to death with through later feedback (“You blithering idiot~pretentious snob~Hollywood tool! How could you leave out Judd Apatow~Jean-Luc Godard~Abbas Kiarostami~McG,” read the heated responses to already posted lists). […]
by Jason Guerrasio on Dec 31, 2009I am reprinting below a letter I received from Joana Vicente, Acting Director of the IFP, which publishes this magazine. Please consider joining the IFP and taking part in its activities over the coming year. It has been a time of many changes in the independent film scene; both scary and exciting. Through it all, independent filmmakers of all stripes keep pushing forward, making great work that moves, inspires, and amuses countless people around the world. It has been a year of changes at IFP as well. After 12 years at IFP’s helm, Executive Director, Michelle Byrd, stepped down to […]
by Scott Macaulay on Dec 23, 2009The Sundance Institute announced today the the films that will screen in eight different cities nationwide on Jan. 28th for their inaugural Sundance Film Festival USA series. The filmmakers will be dispatched from Park City to cities across America, where they will introduce and screen their films and engage in Q&As with local audiences. The films are: Cyrus — Ann Arbor, MI — Michigan Theater Directors and screenwriters: Jay Duplass and Mark Duplass –A recently divorced guy meets a new lady. Then he meets her son who is, well…interesting. Cast: John C. Reilly, Marisa Tomei, Jonah Hill, Catherine Keener. World […]
by Jason Guerrasio on Dec 9, 2009“A dolphin’s smile is nature’s greatest deception.” That’s a line given in the beginning of Louie Psihoyos’s gripping documentary, The Cove. And the man who says it, Ric O’Barry, is one of the most intriguing subjects in a doc you’ll see this year. Ric O’Barry captured and trained the five female dolphins that played Flipper in the 1960s TV series. He lived twenty steps from them for close to ten years. But everything changed when Cathy, the lead Flipper, committed suicide in O’Barry’s arms. The next day he was arrested for trying to free a dolphin from a marina and […]
by Jason Guerrasio on Dec 8, 2009The Sundance Institute announced today the slate of shorts which will be screened at the 2010 Sundance Film Festival. I’m Here, directed by Spike Jonze; The Fence, directed by Rory Kennedy; Logorama, directed by François Alaux, Hervé de Crécy, and Ludovic Houplain; and Seeds of the Fall, directed Patrik Eklund will premiere the first Thursday to kick off the start of the competition screenings. The Sundance Film Festival will run January 21-31 in Park City, Salt Lake City, Ogden and Sundance, Utah. The full list of shorts are below. U.S. DRAMATIC SHORTS Charlie and the Rabbit (Directors: Rodrigo Ojeda-Beck and […]
by Jason Guerrasio on Dec 7, 2009Paul Rachman, whose feature documentary American Hardcore, premiered at Sundance in 2006 and then was sold to Sony Classics, penned a 17-page chapter of Chris Gore’s Ultimate Film Festival Survival Guide. Here are some of the tips listed in the chapter: – Your festival preparation starts the day you find out you have been accepted. If you are not working nonstop from that moment until your World Premiere, then you are most likely leaving important things undone. – The most important thing about your major festival world premiere is to keep it that way—a premiere. Do not start sending the […]
by Scott Macaulay on Dec 3, 2009