“The most important task is to make great movies,” said Sundance Institute Executive Director Keri Putnam at the start of Thursday’s Artist Services Workshop at IFP’s Filmmaker Conference. “All this talk about audiences is meaningless unless you have something in your heart you want to get out there.” However, Putnam’s comments were not to construe that filmmakers shouldn’t think about the rapidly changing world of distribution, marketing and audience building. As Putnam went on to say, it is “easier, less expensive to make a movie, but no easier to find an audience. There is a volume of movies and a […]
by Scott Macaulay on Sep 22, 2014I’ve been really eager to hear more about IFP’s newest venture, the Made in NY Media Center by IFP, which is a collaboration with the Mayor’s Office of Media and Entertainment, the NYC Economic Development Corporation and General Assembly (an organization offering immersive classes in web development, media and business management). I was all ears for Thursday’s Filmmaker Conference profile panel where representatives from each of those organizations spoke a little more about the Media Center and what it will offer for NYC-area filmmakers. Opening in two weeks in a beautiful 20,000 square foot ground-floor DUMBO location (22 John Street), the Media Center aims […]
by Katie Carman-Lehach on Sep 20, 2013The IFP Independent Filmmaker Conference’s “Blitz Wisdom” panels are quick, TED-like talks from filmmakers and folks in the industry discussing their projects and/or offering tips and pointers. During Monday’s “Blitz Wisdom” session with Peter Broderick, President of Paradigm Consulting (helping filmmakers develop distribution and social media strategies), we learned some great tips on how maintaining a relationship with your audience after they’ve left the theater can help you develop a sustainable model of revenue. Here are Broderick’s seven key ways your audience can be utilized to help your independent project: 1. Direct Funding – Once you’ve identified your audience and have their […]
by Katie Carman-Lehach on Sep 18, 2013The following is the keynote speech delivered by Jon Kilik at the IFP’s Filmmaker Conference in New York City earlier this week. Good afternoon. Welcome. I’d like to thank Joana, Amy, Rose, and everyone at the IFP for having me here. And to all of you, for sharing your day and your time with me. The value of that time, with so many things that you could choose to do on this Sunday afternoon, is part of this discussion. Thank you for choosing to be here. I live near the Film Forum and last Saturday I went to see Jean […]
by Nick Dawson on Sep 18, 2013There doesn’t seem to be any disagreement that it’s tough out there in the world of independent film. The country’s financial uncertainty coupled with an over-saturation of films in the marketplace with no real avenues for revenue have made establishing a career as a film director very difficult. Pair that with the unending stream of big-budget, low-revenue, Hollywood-produced tentpole pictures and one could say these are the Dark Days of filmmaking. And most of the speakers on the first day of the Filmmaker Conference did reiterate that. Well…all but one: independent film producer Jon Kilik. Known for his early work […]
by Katie Carman-Lehach on Sep 16, 2013Independent Film Week — IFP’s annual takeover of Lincoln Center — ushered in its 2013 edition yesterday with the Filmmaker Conference. A collection of workshops, panels, keynotes, case studies, and networking sessions, the Filmmaker Conference addresses a variety of topics at the forefront of the industry’s conscience. Day one, as its banner title “Future Forward” suggests, was primarily concerned with the impact of new platforms and technologies on independent filmmaking, and the ways in which creators evolve alongside an increasing array of tools. Exciting as the possibilities are, two particular panels took the opportunity to zero in on the industry […]
by Sarah Salovaara on Sep 16, 2013Sunday’s schedule of events at the IFP’s Filmmaker Conference titled “Future Forward” really couldn’t have been more perfectly named. Though each panel could be seen appropriately fitting for the title, two in particular really hit home the idea that our future and our way forward is through new voices and new stories, mainly through new, minority filmmakers (and that much of the success of these new filmmakers is in our hands). First-time writer/director Ryan Coogler, whose film Fruitvale Station is already appearing on Top 10 lists for 2013 with rumors of Oscar nods, spoke candidly about the film’s production, about […]
by Katie Carman-Lehach on Sep 16, 2013IFP’s cornerstone event, Independent Film Week, is less than a week away. The event is made up of Project Forum, which showcases in-progress projects from emerging filmmakers, and the Filmmaker Conference, which stages numerous panels and events to help filmmakers with myriad aspects of their work. In anticipation of Film Week, Filmmaker spoke with IFP’s Producer and Program Manager, who oversees the Conference, about what it has to offer this year. N.B. Filmmaker magazine readers can use the code 13Friends13 to get a special discounted price for tickets to the Filmmaker Conference. Filmmaker: First up, can you tell me about […]
by Nick Dawson on Sep 11, 2013Independent Film Week is less than a month away, and today IFP announced some highlights of the event Filmmaker Conference, which will take place at Lincoln Center between September 15 and 19. The keynote speakers this year include Leviathan director Lucien Castaing-Taylor and musician and filmmaker DJ Spooky while there will be case studies of Ryan Coogler’s Sundance-winning Fruitvale Station, Penny Lane’s archival doc Our Nixon, Dave Grohl’s Sound City and Elaine McMillion’s web doc Hollow. From the press release, here’s the info that was unveiled today: Each day of the conference guides filmmakers in the art, technology and business of […]
by Nick Dawson on Aug 22, 2013At Independent Film Week this past September, Ed Lachman taught a Masterclass sponsored by Kodak. An acclaimed cinematographer known for creating lush and arresting images in films such as I’m Not There, Erin Brockovich, and The Virgin Suicides, Lachman was nominated for an Academy Award and received an Independent Spirit Award for his work on Far From Heaven. While the full panel is pay-walled and available only to IFP members, you can watch these three free excerpts right now: Here, Lachman discusses the difference between working with first-time directors and more experienced directors. Here, Lachman theorize about the difficulty of […]
by Jane Schoenbrun on Nov 2, 2011