The following is a guest post by StoryCode’s co-founder Mike Knowlton on the inaugural Los Angeles Story Hackathon. From Knowlton’s official bio: “A digital veteran of 20 years, Mike has always pushed the boundaries of storytelling and technology. His work at StoryCode has created a vibrant cross-discipline global community of immersive media creators. StoryCode programs immersive media case study presentations, Transmedia education workshops, and Story Hackathons.” What do you get when you mix a live Steve Jobs-esque pitch presentation and the concept of dating insurance? Or a story about an abducted woman who suddenly appears via webcam, live in front […]
by Mike Knowlton on Aug 29, 2013When making a documentary the following question tends to arise: what should happen to those extra 238.5 hours of material? After a 90-minute (give or take) cut is locked, what does one do with the pile left on the floor? Do you pick up five or so scenes you’re particularly fond of and put them on a DVD as “extras”? What if you grabbed — or carefully selected, depending on your level of intensity of need to control — a handful of material and constructed an interactive online video explorer or choose-your-own-adventure, allowing people to navigate as they wish, depending […]
by Amanda Wilder on Aug 2, 2013Technology-centered hackathons identify real-world problems and then attempt to solve them through rapid prototyping. Artistic hackathons — 48-Hour Playwriting contests and the like — use compressed time periods to stave off creators’ perennial demons (procrastination, usually manifested by a compulsive desire to clean one’s apartment). But hackathons that merge the creative with the artistic pose unique challenges. There’s the artistic element, the technology element and then also the fusion of the two, which is actually a third thing entirely. Storytelling craft, choice of content but also appropriateness and originality of UI and methods of engagement all become the criteria by […]
by Scott Macaulay on May 7, 2013The most encouraging aspect of POV’s third hackathon, which wrapped with a public presentation Sunday night, was the social commitment of the five projects. When they hit close to home, events like Monday’s bombing in Boston can make you step back and reevaluate your work, its purpose and meaning. So it was gratifying, a day earlier, to see how committed the hackathon teams were to remedying some kind of societal problem, including some situated half a world away. Over two days the participants worked together to use new technologies to make real strides against issues like homelessness, war, and the […]
by Randy Astle on Apr 17, 2013I am continuing my quest to better understand the wild new world of films that aren’t just on your TV or in your movie theater — but those that tell stories interactively, that are native to the web, that you can carry around on your phone, and whatever else clever storytellers are dreaming up (lest we be restricted to calling it all the ugly word transmedia). So, I share with you today the stories of the POV Hackathon. POV, the incredible PBS documentary series, hosts this event for documentary filmmakers to connect with designers and developers in the tech community, […]
by Rose Vincelli Gustine on Jan 18, 2013Developing an understanding of code is a valuable skill. In fact its now a 21st century storytelling reality. While it’s not critical for you to rush off and learn how to code, it wouldn’t hurt to become more familiar with the terminology, process and realities of producing digital / interactive projects. As filmmakers expand their work beyond a single screen new roles such as creative technologists are emerging to bridge the gap between tech and story. The role has been adapted within ad agencies, interactive firms and media companies as a way to plan and execute digital strategies. At the […]
by Lance Weiler on Jan 8, 2013A few months ago, I got to participate in StoryCode‘s hackathon for narrative media (you can read about it here), and one of the thoughts I walked away with was that, while creating transmedia properties around fictional narratives is very rewarding, something I really wanted to do was delve deeper into the world of nonfiction transmedia. So I was excited to learn about a documentary transmedia hack sponsored by POV and held this past weekend at their office in DUMBO. If anyone in America understands social documentary, it’s the makers of this PBS series, which has won nearly 100 major awards–Oscars, Emmys, […]
by Randy Astle on Aug 16, 2012(You can read part one, two, and three.) The hackathon came to an exciting conclusion yesterday with presentations from all seven teams and a brief awards ceremony. I was too exhausted to write about it last night, an indication that the 34-hour event had been a success. Last weekend my wife ran in a 200-mile Ragnar relay race, and it occurred to me more than once that hackathons are the tech/transmedia equivalent. Hacking had begun just after 10 a.m. Saturday morning and continued nonstop until 3:30 p.m. Sunday. My own team’s final hours were fueled with adrenaline more than caffeine. […]
by Randy Astle on Apr 30, 2012(Read parts one and two.) I’m sitting deep inside the bowels of the Elinor Bunin Monroe Film Center on West 65th Street. The Story Hack got off to a friendly start around 10:00 this morning with an orientation by Aina Abiodun, Mike Knowlton, and Film Society of Lincoln Center Executive Director Rose Kuo. We made sure everyone was on the same page and were told our final wild card, the Emily Dickinson quote “Fortune befriends the bold,” which has to be included in every hack. Aina’s opening thoughts also laid down the gauntlet when she said that our work in these […]
by Randy Astle on Apr 28, 2012In just under eight hours, the first hackathon dedicated exclusively to narrative transmedia gets underway at Lincoln Center; here’s Part 1 about what it is and who’s sponsoring it. There are seven teams of four, so 28 participants total, and if the other groups are anything like my team U.S. Maple, they’re all already feeling tired and well worked. I’ve written sample bibles and transmedia proposals before, as evidence of my versatility as a writer and ability to work in transmedia, but I’ve never finished an actual project. So this Story Hack is my first chance to develop something cross-platform beyond […]
by Randy Astle on Apr 28, 2012