The Wire creator David Simon moves up the East Coast for his latest drama, Show Me a Hero, that’s set in Yonkers in the 1960s. Based on a true story, the six-part miniseries portrays a young mayor, played by Oscar Isaac, who, amidst the civil rights movements, fights local powers to build low-income housing in his borough. The cast is impressive and includes Alfred Molina, Bob Balaban and Winona Ryder. The series debuts August 16 on HBO.
by Scott Macaulay on Aug 3, 2015I’m having dinner upstate with my grandparents indulging the Labor Day weekend – food, books, sleep, repeat. Embracing their rigid routines and schedule is a fascinating escape, one that is also mildly horrifying. “Growing old is not for the faint hearted,” my grandfather tells me, and while I can only theoretically understand the sentiment, this sort of elder wisdom is his bread and butter. “Always have fun and fill your life with experiences and adventure, but also remember to plan for the future,” he says. I’m conscious of this temporal pressure even while feeling comparatively young in my grandparents’ house, […]
by Taylor Hess on Nov 11, 2014Agnieszka Holland’s first taste of Hollywood was a roller coaster ride. Literally. It was 1986 and her war drama Angry Harvest was up for an Oscar. “When you’ve been nominated for a foreign Oscar in those times,” the 65-year-old Polish-born director recalled, “one of the attractions that the American Academy gave the nominees was a free trip to Disneyland.” It was an unexpected reward after toiling on a film that she and her crew made for “no money, no money,” she explained to an appreciative audience at Toronto’s TIFF Bell Lightbox earlier this week. The shoot was so difficult that Holland […]
by Allan Tong on Apr 3, 2014Type the words “never hire” into Google and it autocompletes an admonition anyone entering business has certainly heard. Indeed, working with your friends — not in the collaborative way we as filmmakers work together but rather with friends as your employees, having them roll your calls, drive you on errands and maybe even pick up your dry cleaning — is usually a recipe for professional and personal disaster. But while the combination of friendship and the employer/employee relationship can produce profoundly icky moments, that ickiness can also be the stuff of great humor and nuanced drama, as is the case […]
by Scott Macaulay on Mar 25, 2014While the internet wages on about whether or not the cinematic True Detective is fit for the small screen, HBO is pressing ahead on the ever-thinning gap between film and television. Yesterday, the premium cable channel announced that 25 New Face Hannah Fidell’s A Teacher would be getting the adaptation treatment. Michael Costigan, upon seeing the film at 2013 Sundance, enlisted Fidell and Daniel Brockhurst, former showrunner of the UK Shameless, to executive produce and write the series. Mark and Jay Duplass, who are gearing up to shoot their own HBO series Togetherness, will also executive produce, with Fidell directing the potential pilot. This […]
by Sarah Salovaara on Feb 11, 2014HBO has launched a four-week program designed to provide project development, master classes and mentoring for diverse, emerging filmmakers, who identify as Asian Pacific American, Sub-Continent Asian American, African American, Hispanic American, Native American, or as a woman. Dubbed “HBOAccess,” the program will invite four finalists to Los Angeles (though housing and travel are not included) for the month of June to craft a budget and blueprint for short-form content – either a webisode or a 10-15 minute film. Upon completion of the program, HBO will consider each proposal for production and an eventual airing spot on HBO platforms including HBO […]
by Sarah Salovaara on Feb 3, 2014It’s a strange time in the post-Netflix Original landscape. While more and more brand-name talent seems to be drifting from film towards premium cable, a new study reports that HBO and Showtime subscribers are dwindling — and potentially jumping ship to Netflix. Indeed, the streaming service has enjoyed a 4% rise in viewership over the last two years, whereas premium cable channels have lost 6% of their subscription base. So what does HBO, with its barrage of new and returning shows, do? Court viewers through the most public of streaming forums: YouTube. As such, Looking, which premiered on Sunday night, is […]
by Sarah Salovaara on Jan 21, 2014Depicting professional snowboarder Kevin Pearce’s rise to the top of his sport and then his struggle to recover from a monster wipe-out and traumatic brain injury, Lucy Walker’s The Crash Reel is riveting, emotional, sobering and enraging. It tells a very human story as the endearing Pearce struggles to not only physically recover from his injuries but, at such a young age, to invent a new identity for himself and his future. At the same time, the film is a provocative, well-researched takedown of the extreme sports industry, which markets vicarious danger for energy-drink consumers and sneaker-wearers at the expense […]
by Scott Macaulay on Dec 14, 2013From the ascension of George Bush (in Journeys with George) to the crash-and-burn of Ted Haggard (The Trials of Ted Haggard), director Alexandra Pelosi has been fascinated with the rise and fall of the men who comprise our political and social landscape. In her latest documentary, Fall to Grace, she finds elements of both narrative arcs in the story of New Jersey Governor Jim McGreevey, who simultaneously resigned his position and announced his homosexuality in 2004, midway into his term. (McGreevey revealed an affair with a man he appointed as New Jersey homeland security advisor.) Following his resignation, McGreevey divorced […]
by Scott Macaulay on Jan 22, 2013TV shows like Aaron Sorkin’s new The Newsroom cost tens of millions of dollars to develop and make. They assemble top-flight talent, from people like its creator to stars like Jeff Daniels to the veteran craftspeople who work below-the-line on each episode. Their marketers are expert, and they have the budgets to match the ambitions of their campaigns. So, it must be somewhat enraging to them that the military precision of the show’s roll-out can be disrupted by a young reporter’s take on a single set of less-than-artful interview responses by Sorkin. I’m referring, of course, to Sorkin’s now-famous “Look […]
by Scott Macaulay on Jun 27, 2012