As I’ve noted in the past, fulfilling the 5050×2020 Gender Parity Pledge is easy pickings for any nonfiction fest. Within the documentary realm female helmers have long consistently been behind half (and often more) of the highest quality work put out every year anyhow. And this year’s hybrid International Documentary Filmfestival Amsterdam — which like most non-Europeans I experienced exclusively online during varying states of pandemic lockdown over its ample (November 18-December 6) run — proved no exception to the rule. First there was the wealth of exhilarating new projects by acclaimed veterans to choose from. Czech master Helena Třeštíková […]

The program for the 31st International Documentary Film Festival Amsterdam (November 14th – 25th) — the first under the new artistic directorship of Syrian documentary filmmaker Orwa Nyrabia — feels equal parts familiar and fresh. On the one hand, as in years past, it’s hard not to be overwhelmed by the sheer size of the world’s largest nonfiction film festival. Once again the fest will include exceptional industry events like the IDFA Forum (and Docs for Sale, the IDFA Bertha Fund, IDFA Academy, etc.), competitions (14 in total), and more meet-and-greets and parties than one can reasonably attend. (Do I […]

I discovered Simon Lereng Wilmont’s The Distant Barking of Dogs, a poetic look at everyday life on the frontline of the War in Donbass — as seen through the eyes of a 10-year-old Ukrainian boy who lives with his grandmother in the warzone — at IDFA last November. After nabbing the First Appearance Award at that prestigious festival, it went on to win the Student Jury Award (from an all-kids jury) at the Docudays UA fest, where I watched as the Danish director appeared onstage only to quickly step aside so that the young protagonist and his entire family, having […]

Though it’s been half a decade since I’ve covered Amsterdam’s International Documentary Film Festival, this year’s 30th edition was a welcome reminder as to why IDFA is often heralded as the crème de la crème of doc fests. First there’s its sheer size and scope — this year, a whopping 319 documentaries were presented over the festival’s 12 days. Fortunately, these nonfiction projects of every stripe were helpfully divided into a surprisingly navigable 20 sections — everything from your standard competitions (and not-so-standard, as IDFA DocLab has both a Competition for Digital Storytelling and a Competition for Immersive Non-Fiction) to […]

The IDFA Forum is one of the oldest pitch roundtables in the world specifically for documentaries. It’s a yearly event that gathers some of the biggest broadcasters in Europe, Canada, and the US, as well as other financiers, foundations, and distributors to hear about some of the most compelling new documentaries that are being produced independently. The format that is used at the Central Pitch is a seven-minute pitch followed by a seven-minute response from many of the broadcasting Commissioning Editors. The vibe is very collegial and only occasionally contentious, as filmmakers justify their choices and explain their projects in […]

CPH:DOX is like a strange dream. That dream where you wake up and everyone understands that artistically motivated documentaires have a place, have meaning, are celebrated. And frankly the weirder the better. The pitch forum at this Copenhagen-based documentary festival is no exception. Coming up on its fourth year, it is the home of the eccentric doc sibling. The one that confounds and delights, and maybe has broadcast potential, but maybe could also play in an art gallery. In its beautiful peculiarity, the CPH:DOX forum stands out strongly from most of the other pitch forums that abound on the documentary […]

A three-time Webby Award winner and a 2009 World Economic Forum “Young Global Leader,” who has exhibited at MoMA and built the world’s largest time capsule with Yahoo!, Jonathan Harris can now add the firestarters IDFA DocLab Award for Digital Storytelling – for his latest interactive project I Love Your Work – to his esteemed CV. In it Harris invites us on an online journey not to the Arctic Ocean with Alaskan Eskimos – as he did in his previous piece, The Whale Hunt – but into the lives of nine women residing in a much hotter climate, that of the […]

The end of the year is nigh. But in 2013 the film festival circuit will continue, contrary the Mayan calendar. So I’m glad I learned an important lesson from a cocktail party at IDFA. As we celebrate a wrap on 2012 and reflect on what we’ve achieved and learned over the course of the year, my mind flies back to one of the festival’s most memorable moments: I was sitting in IDFA’s official “writing room,” just a little stunned. Not just because I was in Amsterdam at the world’s largest documentary film festival, hearing the “Sinterklaas” Christmas parade outside and […]

For the past few years I’ve been covering IDFA for Filmmaker, and whenever I’m in the city of canals I make sure to find time to catch the latest from Toneelgroep Amsterdam, which presents English sur-titled productions (often frustratingly projected too high above the action – please, directors, my neck!) on Thursday nights. Under the artistic leadership of internationally acclaimed Belgian director Ivo van Hove – known mostly to NYC audiences through his longtime relationship with New York Theatre Workshop – the Netherlands’ largest repertory company is shaking up the stage in ways I could only wish the Dutch filmmaking […]

It’s been more than a week since IDFA, but I can’t stop thinking about their DocLab program, a competition section showcasing “new and unexpected forms of digital documentary storytelling.” This program presents new non-fiction transmedia projects, each allowing the viewer to interact with the reality the filmmakers have documented and constructed. Most of the projects were presented in screenings or in talks at the excellent DocLab Interactive Documentary Conference. In addition, each was presented on their own computer monitors in the DocLab’s gallery space. What makes most of these mostly web-based projects different from a “normal” documentary is that the […]