[As IFP Independent Film Week comes to a close, Ani Simon-Kennedy shares her experience there in this guest post.] “I think coffee counts as a food group.” As we enter Day 3 of IFP Film Week, talk is of the fuel that keeps us going. It’s been a mad dash from meeting to meeting with my partner-in-crime, Cailin Yatsko, who has the badass title of cinematographer/producer on our next feature film The Short History of the Long Road. As one of the 25 projects selected for RBC’s Emerging Storytellers, ours is in good company and part of the fun of this week has been getting […]
by Ani Simon-Kennedy on Sep 24, 2015[Jennifer Reeder files a guest post from IFP Independent Film Week; above, a still from her short film A Million Miles Away.] Coming to you live from the morning of day 3 of the Project Forum. I spent all day yesterday in meetings with my feature length narrative project called As With Knives and Skin, a feminist teen noir set in rural Kentucky. Sunday, which was day one, was relatively light. All the projects had a pitch rehearsal in the morning, which was really helpful, and l loved getting a sense of all the other invited projects. The wide range is inspiring […]
by Jennifer Reeder on Sep 22, 2015[Editor’s note: this is the first of two guest posts from Reinaldo Marcus Green about his experiences at this year’s IFP Independent Film Week. Green was one of our 25 New Faces of Film this year; click here to read that profile.] IFP’s Independent Film Week is an exciting time in New York City, where both aspiring and established filmmakers — writers, directors and producers — come together to share their stories. For one week, NYC becomes the world’s premier destination for independent film, television, and web-series development. It’s a time when nomadic filmmakers feel like they have a home. […]
by Reinaldo Marcus Green on Sep 21, 2015The on-stage pitch has become a staple of documentary film forums, like IDFA and CPH:DOX, and pitch panels long ago snuck into events like IFP’s Screen Forward Conference (previously the Filmmaker Conference). But the on-stage pitching of web series is something relatively new at these more film-oriented events. Befitting the IFP’s conference name change, three filmmakers storytellers took the stage Sunday at noon at the Bruno Walter Auditorium to impress a panel of web content professionals with their ideas of episodic tales to be streamed online. But given the Wild West nature of web series, where buyers, monetization strategies and […]
by Scott Macaulay on Sep 21, 2015I wonder what some time-traveling filmmaker would think of IFP’s Independent Film Week, which commences tomorrow up at the Bruno Walter Auditorium at the New York Performing Arts Library. The non-profit IFP — formerly “Independent Feature Project” and now “Independent Filmmaker Project” — has done some version of its Film Week for nearly the entirety of its 35-year history. For much of that time it wasn’t called “Film Week,” but, nonetheless, events occurred annually over a few days in the Fall, and these events served to advance the interests of independent filmmakers by, initially, providing them with a market for […]
by Scott Macaulay on Sep 19, 2015[This is the first of two guest blog posts from Michael Curtis Johnson, who will be participating in Independent Film Week with his feature Hunky Dory.] Los Angeles. Sunrise. Goodbye kisses. This will be the longest I’ve been away from my wife and two daughters since they were born. I’m catching a flight to New York for the second phase of IFP’s Narrative Filmmaker Labs and Independent Film Week with my first feature film Hunky Dory, a drama about a glam rock dilettante and his eleven-year-old son. IFP’s Filmmaker Labs are a year-long mentorship program that helps first-time directors and their teams […]
by Michael Curtis Johnson on Sep 18, 2015The Independent Filmmaker Project (IFP) announced today the full slate of 140 projects selected for its esteemed Project Forum at the upcoming IFP Independent Film Week, running September 20-25, 2015 at Lincoln Center in New York City. Under the curatorial leadership of Deputy Director/Head of Programming Amy Dotson and Senior Director of Programming Milton Tabbot, IFP Project Forum is a meetings-driven forum connecting filmmakers who have new narrative and documentary projects in development, production, or post-production with key industry executives interested in identifying projects with which to become involved at the development, financing, or distribution stages. A primary outcome for […]
by Filmmaker Staff on Jul 22, 2015IFP has announced a partnership with Film London to bring two UK-based producers to Independent Film Week to partake in the No-Borders International Co-Production Market. Each year during Film Week, 35 producers with projects that have at least 20% funding in place participate in the No-Borders section to network with buyers, sales agents and financiers, in order to get their films off the ground. No-Borders has previously partnered with the likes of the Berlinale, Venice Biennale, and TorinoFilmLab, to allow international producers to partake in the US-based market. This is Film London’s first US partnership designed to benefit and foster UK producers. […]
by Filmmaker Staff on May 20, 2015Screening in the Tribeca Film Festival’s Tribeca N.O.W. section (as in, “new online work”) is Gregory Bayne and Christian Lybrook’s Zero Point, a 45-minute independently-produced pilot for what the two Idaho-based creators hope will be full-on television series. Director, producer and screenwriter Bayne is well known to Filmmaker readers by virtue of his various documentaries (Jens Pulver Driven, Bloodsworth) and opinion pieces, and he’s been at the DIY distribution forefront long before it was in vogue. So, perhaps its appropriate, then, that he and producer and screenwriter Lybrook are now early adopters of a new indie model: rather than make […]
by Scott Macaulay on Apr 25, 2015After sitting through the majority of the New Narratives presentations on day one of the Filmmaker Conference at IFP Film Week, my brain is almost too awash with content to compile anything but a listicle. From conversations with cinematographers like Reed Morano and producers like Mynette Louie to an Obvious Child case study and Kevin B. Lee’s mini-keynote, here is a handful of the major takeaways I gleaned from yesterday’s Conference. 1. For co-productions, don’t assume hiring local crew is the cheapest option. Arriving to the Icelandic set of Land Ho!, producers Mynette Louie and Sara Murphy realized they were sharing ground with a slightly larger production: Christopher Nolan’s Interstellar. […]
by Sarah Salovaara on Sep 15, 2014