Ted Hope describes himself as a “holistic film producer.” What he means is this: When he signs up for a project, he’s there from the very beginning. And he’s there throughout it all, every step, even well into its streaming after life. Every stage is interconnected, and no parts works without the other. A holistic film producer is one that lives not only in the present but in the past and the future. They also try to advance the film ecosystem and what they perceive as their community in meaningful ways. It’s to see a production from all angles at […]
by Matt Prigge on Sep 24, 2020Filmmakers of color have historically not had an easy path into the film industry. Though that’s been changing over the last few years, there’s a lot to learn from people who’ve had to fight to get their films funded, distributed and seen by audiences. The IFP Week 2020 panel “An Independent Black Filmmaker’s Story: The Journey to Reach Audiences” actually had more than one story. And while the filmmakers all had plenty of advice for those trying to break into an industry becoming gradually more open to non-white creatives, there was one overall message. “Don’t count on anybody else,” said […]
by Matt Prigge on Sep 22, 2020“Once we said, ‘We’re doing this’, there was no going back,” stated IFP Executive Director Jeffrey Sharp earlier this week, remembering the moment this past March when he and the organization decided that the 42nd edition of IFP Week would go virtual. IFP Week, which began today, was among the first of the Fall film industry events to definitively move online, and it was a risk. “No one knew anything at that moment,” said Sharp about the progression of the pandemic and its impact on the industry. “But it was our board that really encouraged us to move quickly and […]
by Scott Macaulay on Sep 20, 2020IFP, Filmmaker‘s publisher, announced today the inaugural audio programming for the upcoming 42nd edition of IFP Week, which will take place virtually September 20 – 25. Unfolding over the last two days of the conference, September 24th and 25th will be, says IFP, “robust conversations and events that will explore audio storytelling, real-time decision making, and what goes on behind the scenes in the world of audio.” The programming complements the maiden edition of IFP Week’s Audible Audio Hub, which features 36 audio-only projects connecting with some of the industry’s leading producers and financiers. Industry guest speakers will include: Sean […]
by Scott Macaulay on Sep 14, 2020The Independent Filmmaker Project (IFP), Filmmaker’s parent organization, announced today the virtual public programming for the 42nd IFP Week, taking place virtually Sunday, September 20th to Friday, September 25th. The first four days of the week will be film and TV related programming with the final two days dedicated to audio programming to support creators working in the audio space through the introduction of the first-ever IFP Week Audio Hub. Additional details on audio programming will be shared in the coming weeks. Kicking off Sunday, September 20th, IFP Week will feature a series of panel conversations exploring the future of the […]
by Filmmaker Staff on Aug 24, 2020Today, IFP (Independent Filmmaker Project), Filmmaker’s parent organization, announced its Project Forum slate, highlighting 144 feature-length and series projects, including, for the first time, a slate of 36 audio projects, in development and production set to participate in the upcoming 42nd annual edition of IFP Week, taking place entirely online September 20-25, 2020. Along with the Project Forum’s consistent and ongoing support for independent artists working in visual storytelling, this year will offer support to creators working in audio through the introduction of the IFP Week Audio Hub. Expanding upon IFP’s core mission of championing and elevating independent storytellers, the Audio […]
by Filmmaker Staff on Jul 29, 2020Independent Filmmaker Project (IFP, and Filmmaker‘s publisher) announced today that the 2020 edition of its long-running signature program, IFP Week, will be virtual. The program, which has drawn thousands of directors, producers, screenwriters, financiers and executives to panels, workshops and one-on-one meeting events in IFP’s Brooklyn home, will, this September 20 – 25, take place through digital platforms. The announcement today makes IFP one of the first film organizations to announce a virtual Fall event in response to the novel coronavirus pandemic. “Given the ever-changing landscape of today’s world we have decided to host IFP Week virtually this year to […]
by Scott Macaulay on May 27, 2020Kicking off today in and around DUMBO New York is IFP Week, the yearly annual conference and coproduction market produced by Independent Filmmaker Project. Today’s events include a day of panels and talks at BRIC, with the event then moving to IFP’s home, the Made in New York Media Center, as well as other nearby locations. In recent years IFP Week has developed an identity far from its origins as a scrappy, sometimes over-the-top market for finished independent films unspooling at the Angelika’s basement theaters. The heart of the event is now the much more sober Project Forum, which connects […]
by Scott Macaulay on Sep 15, 2019IFP, Filmmaker‘s publisher, announced today the 150 films, series, digital and audio projects to be showcased at the Project Forum this September. The Project Forum, says IFP, is “the only international co-production market in the U.S. featuring stories for multiple platforms and hosting over 3,000 pre-scheduled artist & industry meetings dedicated to moving those projects forward. In addition, IFP Week presents a multi-day slate of talks, public screenings and events celebrating bold and singular storytelling in all its forms. Approximately 300 directors, writers, producers, executive producers and other creators will attend the event this year to pitch their projects to […]
by Filmmaker Staff on Jul 25, 2019What is Frankenstein A.I.? The name itself is something of a Janus symbol, looking back to classic literature—an early work of horror and, lest we forget, of science-fiction—while looking forward to our potentially human-less future. And like Mary Shelley’s creature itself, it’s something of a patchwork, stitched together from different mediums. It’s part installation, part theater, part audience participation, part improv, even part dance. It’s not quite film, though there is a screen with moving images. Whatever it is, it premiered—under the full name Frankenstein A.I.: A Monster Made By Many—at Sundance last winter, earning raves and awe. Perhaps most […]
by Matt Prigge on Sep 20, 2018